Some nights I have all sorts of ideas for music posts, while other nights my mind is dry as a desert. A day or two ago, Keith’s post gave me some great ideas, so tonight I thought I’d do eenie-meenie-minie-moe and pick one from his list. My finger landed on this Beatles tune, and fortunately I’ve only played it once, a few years ago!
Often when I decide on a song to feature here, I struggle to find any pertinent trivia, but the opposite is true of tonight’s song! In fact, my screen was overflowing with trivia about this song, its origins, its recording, reception and more. I would need at least four posts to cover it all, so I shan’t even try, but will cover only a couple of the more interesting bits. I do, however, encourage you to check out some of the trivia on either SongFacts or Rolling Stone … or both!
Released as the final track of the Beatles 1967 album Sgt. Pepper’s Lonely Hearts Club Band, this was credited to Lennon–McCartney, but the verses were mainly written by John Lennon, with Paul McCartney primarily contributing the song’s middle section. It is widely regarded as one of the finest and most important works in popular music history.
Interestingly, this song did not chart in either the UK or the U.S.
A 41-piece orchestra played on this song. The musicians were told to attend the session dressed formally. When they got there, they were presented with party novelties such as false noses, party hats, and gorilla-paw gloves to wear, which made it clear this was not going to be a typical session! The orchestra was conducted by Paul McCartney, who told them to start with the lowest note of their instruments and gradually play to the highest.
This was recorded in three sessions: first the basic track, then the orchestra, then the last note was dubbed in. That final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. As the sound diminished, the engineer boosted to faders. The resulting note lasts 42 seconds; the studio air conditioners can be heard toward the end as the faders were pushed to the limit to record it.
The beginning of this song was based on two stories John Lennon read in the Daily Mail newspaper: Guinness heir Tara Browne dying when he smashed his lotus into a parked van, and an article in the UK Daily Express in early 1967 which told of how the Blackburn Roads Surveyor had counted 4000 holes in the roads of Blackburn and commented that the volume of material needed to fill them in was enough to fill the Albert Hall.
And on that note, I’ll leave you to listen to the song, then check out the rest of the trivia on the two links I provided at the beginning!
A Day in the Life
The Beatles
“Dub the mic on the piano quite low this
Just keeping it like maracas, you know
You know those old pianos”
“Ok, we’re on”
“Sugarplum fairy, sugarplum fairy”
I read the news today, oh boy
About a lucky man who made the grade
And though the news was rather sad
Well, I just had to laugh
I saw the photograph
He blew his mind out in a car
He didn’t notice that the lights had changed
A crowd of people stood and stared
They’d seen his face before
Nobody was really sure if he was from the House of Lords
I saw a film today, oh boy
The English Army had just won the war
A crowd of people turned away
But I just had to look
Having read the book
I’d love to turn you on
“Five, six, seven, eight, nine
Ten, eleven, twelve, thirteen, fourteen
Fifteen, sixteen, seventeen, eighteen, nineteen
Twenty”
Woke up, fell out of bed
Dragged a comb across my head
Found my way downstairs and drank a cup
And looking up I noticed I was late
Found my coat and grabbed my hat
Made the bus in seconds flat
Made my way upstairs and had a smoke
And everybody spoke and I went into a dream
“Oh shit”
I read the news today, oh boy
Four thousand holes in Blackburn, Lancashire
And though the holes were rather small
They had to count them all
Now they know how many holes it takes to fill the Albert Hall
I’d love to turn you
“See the worst thing about doing this
Doing something like this
Is I think that at first people sort of are a bit suspicious
‘You know, come on, what are you up to?’
Source: LyricFind
Songwriters: John Lennon / Paul McCartney
A Day in the Life lyrics © Sony/ATV Music Publishing LLC
What a beautiful song ❤ Beatles are truly ahead of their time
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Great songs melded together into one masterpiece. And with George Martin’s genius to bring it all together, truly one of the alltime greats.
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I’m glad you enjoyed it … I thought you would!
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Loved it the first time I heard it. Why stop?
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I need to dig out my old LP, it’s a grand song.
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I’m really glad you liked it!
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Pingback: ♫ A Day In The Life ♫ (Redux) — Filosofa’s Word | Ned Hamson's Second Line View of the News
Pingback: ♫ A Day In The Life ♫ (Redux) — Filosofa’s Word | Ned Hamson's Second Line View of the News
Jill, thanks for the shout out. You include a couple of pieces of information that I did not know – the party hats and favors, e.g. How George Martin helped them blend these songs together is amazing. There is a term used for the bridge called “organized chaos.” This is one of my favorite songs as a result of their efforts. Keith
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Then I’m especially glad I played this one! I likely wouldn’t have thought of it had I not seen it on your post, though. I’m happy to know you enjoyed it and even learned something new! That’s always fun!
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Amazing!! You always hit the 🎯 — tight hugs, dear sis!!
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Awwww … I’m so glad!!! Love you, dear Sis!
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Forgot to say: the reason it wasn’t a hit is that it was never released as a single, either A or B side, as far as I know.
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The “top forty” radio stations, especially in the USA, would never have played it. It sounded too much like it might be an acid trip to non-drug users, in particular the line “I’d love to turn you on.” The establishment was so afraid LSD was going to destroy their happy society. Meanwhile, the really happy people were those of us who were turning on. So in a way in their minds they were right to fear us. But really they were wrong not to turn themselves on! The corner was there to be turned, but they put up a NO ENTRANCE sign. Life could have been so different now. Instead they gave us today.
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I wonder why it wasn’t released as a single?
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None of the Sgt Pepper tracks were singles in 1967, when the album came out, but three including this one were released on a single in 1978 for some odd reason. It only made low chart placings – everyone had the record by then!
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Poor planning and marketing, then.
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More likely just a sign of the times when they often made non-album singles.
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There have been some epic closing tracks to albums – The Last Resort (Hotel California) comes to mind – but this is right up there. A fantastic end to one of the best albums ever made.
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I was pretty sure you’d like this one … I’m glad I was right! I don’t recall The Last Resort, but I’ll add it to my list to check out. Likely I’ve heard it, but the name isn’t ringing any bells. Glad you enjoyed this one, though!
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You’re always likely to be on a winner for me with The Beatles, though there are a few of theirs I didn’t like. The Last Resort is around seven minutes, and dissects the American Dream. A poignant, powerful song.
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If I recall, you weren’t too fond of Norwegian Wood when I played it! Haven’t had a chance yet to check it out … hopefully tonight! Still recuperating from the holiday chaos!
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Not me, I love that one. The song of theirs I really can’t stand is The Long And Winding Road. Pure McCartney mush, not their best moment.
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Ahhhhh … perhaps it was “The Long and Winding Road” I was thinking of, then. Or maybe “Fool on the Hill” …
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Probably. Not Fool on the Hill though, I like that one 😊
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