♫ Say You, Say Me ♫

Lionel Richie … ahhh … need I say more?

This song was both written and recorded by Lionel Richie for the film White Nights in 1985.

Motown refused to let Atlantic Records include this on the movie’s soundtrack album because they didn’t want Richie’s first release since his 1983’s Can’t Slow Down to be from a different label. Richie included the song on his next album, Dancing On The Ceiling (he was going to call it Say You, Say Me, but too much time passed between the single going to #1 in 1985 and the album’s release in 1986).

Say You, Say Me

Lionel Richie

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together, naturally

I had a dream,
I had an awesome dream
People in the park
Playing games in the dark
And what they played
Was a masquerade
And from behind the walls of doubt
A voice was crying out

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together, naturally

As we go down
Life’s lonesome highway
Seems the hardest thing to do
Is to find a friend or two
That helping hand
Someone who understands
That when you feel you lost your way
You’ve got someone there to say,
I’ll show you

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together, naturally

So you think you know the answers, oh no
Well the whole world’s got you dancing
That’s right, I’m telling you
It’s time to start believing, oh yes
Believing who you are, you are a shining star

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together, naturally

Say it together, naturallyWriter/s: Lionel Richie
Lyrics licensed and provided by LyricFind

♫ I’m Getting Used To You ♫

Last month I made a promise … and I broke it.  I rarely give promises, unless I am 99% certain that I can keep them.  And I could have kept this one … even made a note to do so … but, I forgot.  I could make some excuses, but instead I will simply say “I’m sorry” and try to make up for my perfidy.

Yesterday, April 16th, would have been the 48th birthday of Tejano singer, Selena (just for the record, that is pronounced Say-Lay-Nah).  Sadly, on 31 March 1995, Selena was brutally murdered by Yolanda Saldívar, a woman Selena had long considered a friend.  I won’t share the details here, but if you’re interested, Wikipedia has a fairly comprehensive summation of the events leading up to the murder.  For today, though, even though I am a day late, let’s focus on her life and her music, shall we?

Selena Quintanilla-Pérez  was her full name, though she went by simply ‘Selena’.  She was a singer, songwriter, spokesperson, model, actress, and fashion designer. Called the Queen of Tejano music, her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century.

Billboard magazine named her the top-selling Latin artist of the 1990s decade, while her posthumous collaboration with MAC cosmetics became the best-selling celebrity collection in cosmetics history. Media outlets called her the “Tejano Madonna” for her clothing choices. She also ranks among the most influential Latin artists of all time and is credited for catapulting a music genre into the mainstream market.

Tonight, in honour of what would have marked her 48th birthday, I play for you I’m Getting Used To You.  Though left to my own devices I might have selected one of her Spanish pieces, our friend Ellen, the person to whom I owe apologies for a promise broken, rather indicated that she likes this one, and it is a beautiful song … sung by a beautiful woman.

I’m Getting Used to You
Selena

Wasn’t like me to fall in love
That’s just the way that I was
But now when I feel you holding me
Something inside just tells me you’ve gotten to
This heart of mine
And now I know it’s true ’cause darling I’m
Darlin’ I’m starting to find

I’m getting used to you
Ooh and I’m loving every single thing about you
I’m getting used to you
And I could never get used to living without you

Didn’t think that a love could mean that much
But you sure changed my mind with your touch
Never knew that my heart could need you so
Now I know that these arms can’t let you go
No they wouldn’t even try
‘Cause I’m sure that you’re the one that I
Oh one that I need in my life

I’m getting used to you
Ooh and I’m loving every single thing about you
I’m getting used to you
And I could never get used to living without you

Ohh [Repeat x3]

You’ve gotten to this heart of mine
And I know its true ’cause darlin’ I
Oh darlin’ I’m starting to find
You’re the one I need in my life

I’m getting used to you
Ooh and I’m loving every single thing about you
I’m getting used to you
And I could never get used to living without you
Ain’t no living without loving you

Songwriters: Diane Eve Warren
I’m Getting Used to You lyrics © Realsongs

♫ Listen To The Music ♫

There are hundreds, if not thousands of songs in the world of ♫♪♫ that I love, and yet some nights I find myself at a loss for one that I haven’t already played since I began posting music last July (at the suggestion of one of my first blogging buddies, Mr. Militant Negro) last July.  Exhaustion, coupled with the dark cloud over my head these days, I suppose, keeps me from immediately being able to think of another favourite of yore.  So, when somebody mentions or requests a song that I do like, I jump on it!  Tonight’s song came about just so.  David, who wasn’t all that thrilled with Michael McDonald’s I Keep Forgettin’ a few nights ago, mentioned that he likes Listen to the Music by the Doobie Brothers.  And so, when I was feeling really down tonight, considering just skipping the music post altogether as I sometimes do, I found this tune floating around in my head.  So, here we are …

The song, released in 1972,  was written by the band’s lead vocalist Tom Johnston, who also played guitar on the track. This was the Doobie Brothers’ first big hit  According to Johnston …

“It was all based around this somewhat Utopian view of the world. The idea was that music would lift man up to a higher plane, and that world leaders, if they were able to sit down on some big grassy knoll where the sun was shining and hear music – such as the type I was playing – would figure out that everybody had more in common than they had not in common, and it was certainly not worth getting in such a bad state of affairs about. Everybody in the world would therefore benefit from this point of view. Just basically that music would make everything better. And of course I’ve since kind of realized it doesn’t work that way.”

As to how he came up with it …

“I was sitting in my bedroom in San Jose. I was doing what I always do, I had been up playing guitar for hours. It was like 2 or 3 in the morning. I had the opening riff to it, and I think I figured out all of the chord changes as well. I called Teddy (producer Ted Templeman), woke him up, and played it for him over the phone, and he was less than enthusiastic. I think it was because I woke him up. But he said, ‘Well, yeah, it might be pretty good. Needs a couple of changes.’ But we didn’t ever change anything. It stayed the way it was, the way I had it. The chord changes and everything we made are the same. In the studio, the bass part was added by Tiran (Porter), drums were added by Mike (Hossack), and Pat (Simmons) came up with a couple of parts and put in that banjo at the end. And it was the second time anybody had ever used something like phasing on a record. First time was ‘The Big Hurt’ by Toni Fisher. But things like ‘Long Train Runnin’,’ I said, ‘You’re nuts. It’ll never be a single.’ And it was.”

Without further ado … this is for you, David …

Listen to the Music
The Doobie Brothers

Don’t you feel it growing, day by day
People getting ready for the news
Some are happy, some are sad
Woah, gotta let the music play

Mhm
What the people need is a way to make them smile
It ain’t so hard to do if you know how
Gotta get a message, get it on through
Oh now momma don’t you ask me why

Woah, oh listen to the music
Woah, oh listen to the music
Woah, oh listen to the music
All the time

When I know you know baby, everything I say
Meet me in the country for a day
We’ll be happy and we’ll dance
Oh, we’re gonna dance our blues away

And if I’m feeling good to you and you’re feeling good to me
There ain’t nothing we can’t do or say
Feeling good, feeling fine
Oh, baby, let the music play

Woah, oh listen to the music
Woah, oh listen to the music
Woah, oh listen to the music
All the time

Like a lazy flowing river
Surrounding castles in the sky
And the crowd is growing bigger
Listening for the happy sounds
And I got to let them fly

Woah, oh listen to the music
Woah, oh listen to the music
Woah, oh listen to the music
All the time

Woah, oh listen to the music
Woah, oh listen to the music
Woah, oh listen to the music
All the time

Woah, oh listen to the music
Woah, oh listen to the music
Woah, oh listen to the music

All the timeSongwriters: Tom Johnston
Listen to the Music lyrics © Warner/Chappell Music, Inc.

♫ The Twelfth Of Never ♫

The “Twelfth of Never” is an expression that defines the date of a future event that will never happen at all.

This song was written in 1956 and recorded by Johnny Mathis the following year.  Mathis did not like the song at first, saying …

“I didn’t like it because it was all so repetitious, and nothing seemed to happen. And I was really Joe College at that time. I was right out of college and I was hot to trot. I wanted to do something, you know, rah-rah-rah, something earth-shattering – at least pyrotechnical.”

Twelfth of Never
Johnny Mathis

You ask me how much I need you, must I explain?
I need you, oh my darling, like roses need rain
You ask how long I’ll love you, I’ll tell you true
Until the Twelfth of Never, I’ll still be loving you

Hold me close, never let me go
Hold me close, melt my heart like April snow

I’ll love you ’til the bluebells forget to bloom
I’ll love you ’til the clover has lost its perfume
I’ll love you ’til the poets run out of rhyme
Until the Twelfth of Never and that’s a long, long time

Until the Twelfth of Never and that’s a long, long time

Songwriters: Jerry Livingston / Paul Webster
Twelfth of Never lyrics © Guy Webster/Webster Music

♫ I Keep Forgettin’ ♫

Tonight I am tired and was just settling down after washing a mountain of dishes to decide on the song for the day, but my mind wasn’t cooperating.  Then all of a sudden, as if dropped onto my dashboard by karma, came a comment from friend Patty with a suggestion …

“How about,  I Keep Forgettin’ (Every Time You’re Near) by Michael McDonald? I love that one!!!!”, said she, and so it shall be!

Michael McDonald recorded this with his sister Maureen McDonald providing background vocals. It was featured on If That’s What It Takes, his first solo album away from The Doobie Brothers.  Greg Phillinganes, Steve Lukather and Jeff Porcaro of the band Toto played the clavinet, guitar and drums respectively. Noted bassist Louis Johnson laid down the song’s pronounced bassline.

This song was written by the legendary songwriting team of Jerry Leiber and Mike Stoller, and was originally recorded by R&B singer Chuck Jackson in 1962. The song was also recorded by The Checkmates Ltd. and The Hi-Fi’s before Michael McDonald put together a new version of the song with Ed Sanford of Sanford And Townsend. It was the first solo hit for McDonald.

And without further ado … here you go, Patty!

I Keep Fogettin’ (Every Time You’re Near)
Michael McDonald

I keep forgettin’ we’re not in love anymore
I keep forgettin’ things will never be the same again
I keep forgettin’ how you made that so clear
I keep forgettin’

Everytime you’re near
Everytime I see you smile
Hear your “hello”
Saying you can only stay a while

Hey, I know that it’s hard for you
To say the things that we both know are true
But tell me how come

I keep forgettin’ we’re not in love anymore
I keep forgettin’ things will never be the same again
I keep forgettin’ how you made that so clear
I keep forgettin’

Everytime I hear
How you never want to live a lie
How it’s gone too far
And you don’t have to tell me why

Why you’re gone and the game is through
If this is what’s real, if this is what’s true
Tell me how come

I keep forgettin’ we’re not in love anymore (baby)
I keep forgettin’ things will never be the same again
I keep forgettin’ how you made that so clear (yeah, baby)
I keep forgettin’

Don’t say that, don’t say that, don’t say that
I know you’re not mine anymore, anyway, anytime
But tell me how come

I keep forgettin’ we’re not in love anymore (How come I)
I keep forgettin’ things will never be the same again
I keep forgettin’ how you made that so clear
I keep forgettin’ (baby)

Everytime you’re near (I keep forgettin’ we’re not in love anymore)
Everytime you’re near (I keep forgettin’ things will never be the same again)
Oh Baby (I keep forgettin’ how you made that so clear)
Everytime you’re near (I keep forgettin’)

Songwriters: Jerry Leiber / Mike Stoller
I Keep Fogettin’ (Every Time You’re Near) lyrics © Sony/ATV Music Publishing LLC

♫ When A Man Loves A Woman ♫

cute-beeSomething I wrote either last night or the night before about the song of the day made reference to Percy Sledge, and hence … I’ve had this song buzzing around in my head like a bee in a field of clover.

There are a couple of interesting things in the backstory to this song.  First, this song is a huge part of music history, as it is the first #1 Hot 100 hit recorded in Muscle Shoals, Alabama, where Aretha Franklin, Paul Simon, The Rolling Stones and many other famous musicians would later record some of their classic songs.

Second, is the dispute over who actually wrote the song.  Percy Sledge claims that he actually wrote the song one night when he was so upset over a woman that, while performing with The Esquires Combo, he was overcome with emotion and asked the band to play a slow blues backing – any key, their choice – to which he could sing.  The band started to play and Sledge vented in song for about six minutes.

In Sledge’s story, Quin Ivy was at the show and approached the band about polishing the song and recording it. Sledge says he worked on the lyrics with Lewis and Wright, and recorded it at Norala Sound with Ivy producing …

“When I wrote the song at first, it was called ‘Why Did You Leave Me Baby.’ And I changed it from that to ‘When a Man Loves a Woman.’ I just reversed it. Quin told me that if I was to write some lyrics around that melody and the expression I’d put into ‘Why Did You Leave Me Baby,’ he believed it would’ve been a hit record. He was one of the top disc jockeys at that time. Sure enough, he asked me if I had any lyrics for that. He said, “That’s it! Write a story around that title! What a song that would be with that feeling you had!” It was a song that was meant to be. It wasn’t just what I had done; it was the musicians, the producer, the background singers, the right time.”

But, according to Andrew Wright …

“We were set to play a Friday night dance, and we were practicing … I was messing around on the organ when this riff came up out of nowhere. There was no one in the club but us. I told Calvin to go home and write some words.”

According to SongFacts …

In Sledge’s version of the story, he co-wrote the song with his bandmates Calvin Lewis and Andrew Wright, but let them have sole composer credits, since they gave him the opportunity to sing his heart out. Whether Sledge was acting out of the goodness of his heart or had nothing to do with writing the song is a matter of debate, but the writing credit had huge implications, resulting in a windfall for Lewis and Wright, who get the royalties every time it is played. Since the song went on to be covered by many artists, they get paid for those as well. If it was a goodwill gesture by Sledge, it cost him millions of dollars.

Who knows?  Percy Sledge died in April 2015, at the age of 73, so we will likely never know quite how this song came to be.  It was later recorded by Michael Bolton, among others, but I remain partial to the Percy Sledge version.

When a Man Loves a Woman
Percy Sledge

When a man loves a woman
Can’t keep his mind on nothing else
He’ll trade the world
For the good thing he’s found
If she’s bad he can’t see it
She can do no wrong
Turn his back on his best friend
If he put her down

When a man loves a woman
Spend his very last dime
Trying to hold on to what he needs
He’d give up all his comfort
Sleep out in the rain
If she said that’s the way it ought to be

Well, this man loves a woman
I gave you everything I had
Trying to hold on to your precious love
Baby, please don’t treat me bad

When a man loves a woman
Down deep in his soul
She can bring him such misery
If she plays him for a fool
He’s the last one to know
Loving eyes can’t ever see

When a man loves a woman
He can do no wrong
He can never own some other girl
Yes when a man loves a woman
I know exactly how he feels
‘Cause baby, baby, baby, you’re my world

When a man loves a woman

Songwriters: Andrew James Wright / Calvin Houston Lewis
When a Man Loves a Woman lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc

♫ I Wanna Dance With Somebody (Who Loves Me) ♫

This song, recorded by Whitney Houston and released in 1987, was written by George Merrill and Shannon Rubicam, of the band Boy Meets Girl, who had previously written the number-one Whitney Houston hit How Will I Know.

According to Ms. Rubicam …

I pictured somebody single wishing that they could find that special person for themselves. It wasn’t, ‘I wanna go down the disco and dance,’ really. It was, ‘I wanna do that dance of life with somebody.’ That was the thought behind the song. So we sent our demo version off to Clive Davis and he loved it.

But, the song did not impress the producer Narada Michael Walden, who had produced How Will I Know. He took a little more persuading with regard to the song’s potential, and at first was not too keen on having Houston record it, as he felt it was too “country and western sounding.” He said of it …

[It] reminded me of a rodeo song with Olivia Newton-John singing. I love Olivia Newton-John, but for Whitney Houston it didn’t seem right. I felt the song needed a much more funkier feel. I slept, dreaming about it, woke up in the morning thinking about it, wondering what am I gonna do with this dance song. So, we just jumped in the water and lo and behold a magic record was born, Houston just knocked it out and then I knew we had a good record.

An interesting aside … George Merrill and Shannon Rubicam met when they both performed at the wedding of Seattle socialite Susan Boeing (yes, of the infamous aircraft Boeing family) and began playing clubs in the Northwest US. In 1985, they released an album as Boy Meets Girl and wrote Houston’s hit How Will I Know. A year after this was released, they had a hit with Waiting For A Star To Fall.

I Wanna Dance with Somebody (Who Loves Me)
Whitney Houston

Clock strikes upon the hour
And the sun begins to fade
Still enough time to figure out
How to chase my blues away
I’ve done alright up to now
It’s the light of day that shows me how
And when the night falls, loneliness calls

Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me
Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me

I’ve been in love and lost my senses
Spinning through the town
Sooner or later, the fever ends
And I wind up feeling down
I need a man who’ll take a chance
On a love that burns hot enough to last
So when the night falls
My lonely heart calls

Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me
Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me

Somebody oo Somebody oo
Somebody who loves me yeah
Somebody oo Somebody oo
To hold me in his arms oh
I need a man who’ll take a chance
On a love that burns hot enough to last
So when the night falls
My lonely heart calls

Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me
Oh, I wanna dance with somebody
I wanna feel the heat with somebody
Yeah, I wanna dance with somebody
With somebody who loves me

Don’tcha wanna dance with me baby
Dontcha wanna dance with me boy
Hey Don’tcha wanna dance with me baby
With somebody who loves me

Don’tcha wanna dance say you wanna dance
Don’tcha wanna dance
Don’tcha wanna dance say you wanna dance
Don’tcha wanna dance
Don’tcha wanna dance say you wanna dance
With somebody who loves me
Dance

Songwriters: George Robert Merrill / Shannon Rubicam
I Wanna Dance with Somebody (Who Loves Me) lyrics © Universal Music Publishing Group

♫ Sacrifice ♫

When I am down, I turn to either Motown or Elton to cheer me.  Sure, there are others, but those are my ‘go-to’ choices.  Every time I have an Elton song in my head, though, I find that I have already played it here.  But tonight, I was whistling (I sing when I’m happy, whistle when I’m not) Elton’s Sacrifice, figured I had probably already posted it at least once, and found that … Lo and Behold, I had not!

As is the case with most of Elton’s songs, the lyrics are by Bernie Taupin and the music by Elton.  It was inspired both by the Aretha Franklin song Do Right Woman, Do Right Man and described as a Percy Sledge song by Elton John.

Actually, now that I think about it, it’s rather a sad song and I was hoping for one to give me good cheer.  Oh well.

Sacrifice
Elton John

It’s a human sign
When things go wrong
When the scent of her lingers
And temptation’s strong

Into the boundary
Of each married man
Sweet deceit comes calling
And negativity lands

Cold, cold heart
Hard done by you
Some things look better, baby
Just passing through

And it’s no sacrifice
Just a simple word
It’s two hearts living
In two separate worlds
But it’s no sacrifice
No sacrifice
It’s no sacrifice at all

Mutual misunderstanding
After the fact
Sensitivity builds a prison
In the final act

We lose direction
No stone unturned
No tears to damn you
When jealousy burns

Cold, cold heart
Hard done by you
Some things look better, baby
Just passing through

And it’s no sacrifice
Just a simple word
It’s two hearts living
In two separate worlds
But it’s no sacrifice
No sacrifice
It’s no sacrifice at all

Cold, cold heart
Hard done by you
Some things look better, baby
Just passing through

And it’s no sacrifice
Just a simple word
It’s two hearts living
In two separate worlds
But it’s no sacrifice
No sacrifice
It’s no sacrifice at all

No sacrifice at all
No sacrifice at all
No sacrifice at all
No sacrifice at all

Songwriters: Bernie Taupin / Elton John
Sacrifice lyrics © Universal Music Publishing Group

♫ The Power Of Love ♫

Yesterday’s song, Because You Loved Me, went over well with most, but our dear friend David did not care for it.  He mentioned another song, and since I like the one he mentioned, although I had never heard this version, I decided to try to redeem myself and play this tonight.  Now, I had heard this song by others, but never by Jennifer Rush, and frankly, when I heard this version, I can see why David prefers it to the others!

The song was co-written and originally recorded by Jennifer Rush in 1984, though it has been covered by many others including Air Supply, Celine Dion, and Laura Branigan. Rush’s original version, released in her native United States at the end of 1984 and in Europe during 1985, went to number one in the United Kingdom in October 1985 and became the biggest-selling single of the year in that country. It was also a number one single in several other European countries, as well as Canada, Australia and New Zealand. Dion’s version went to number one in the United States, Canada and Australia in 1994.

CBS held off on releasing The Power of Love in North America feeling the disc was too European, though I’m not quite sure what that means. It finally saw release in the United States and Canada in January 1986 but despite rising to number one in Canada, The song failed to become a significant US hit, stalling at number fifty-seven on the Billboard Hot 100.

Jennifer Rush says she wrote the lyric about her boyfriend, the Harvard graduate Steven Engebretson. She said he was just her second boyfriend; the couple was still together long after the song was released.

The Power of Love
Jennifer Rush

The whispers in the morning
Of lovers sleeping tight
Are rolling by like thunder now
As I look in your eyes

I hold on to your body
And feel each move you make
Your voice is warm and tender
A love that I could not forsake

‘Cause I’m your lady
And you are my man
Whenever you reach for me
I’ll do all that I can

Even though there may be times
It seems I’m far away
Well, never wonder where I am
‘Cause I am always by your side

‘Cause I’m your lady
And you are my man
Whenever you reach for me
I’ll do all that I can

We’re heading for something
Somewhere I’ve never been
Sometimes I am frightened
But I’m ready to learn
Of the power of love

The sound of your heart beating
Made it clear suddenly
The feeling that I can’t go on
Is light years away

‘Cause I’m your lady
And you are my man
Whenever you reach for me
I’m gonna do all that I can

We’re heading for something
Somewhere I’ve never been
Sometimes I am frightened
But I’m ready to learn
Of the power of love
Ooh, the power of love

Songwriters: Wolfgang Detmann / Jennifer Rush / Mary Susan Applegate / Gunther Mende
The Power of Love lyrics © Sony/ATV Music Publishing LLC

♫ Because You Loved Me ♫

Released in 1996, Because You Loved Me was written by Diane Warren and produced by David Foster, and served as the theme song from the 1996 film Up Close and Personal, starring Robert Redford and Michelle Pfeiffer.

The song became a worldwide hit, reaching number one in the United States, Canada and Australia, and reaching top ten in many other countries.  It was nominated for an Academy Award and a Golden Globe Award and won a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.

Because You Loved Me
Celine Dion

For all those times you stood by me
For all the truth that you made me see
For all the joy you brought to my life
For all the wrong that you made right
For every dream you made come true
For all the love I found in you
I’ll be forever thankful baby
You’re the one who held me up
Never let me fall
You’re the one who saw me through through it all

You were my strength when I was weak
You were my voice when I couldn’t speak
You were my eyes when I couldn’t see
You saw the best there was in me
Lifted me up when I couldn’t reach
You gave me faith ’cause you believed
I’m everything I am
Because you loved me

You gave me wings and made me fly
You touched my hand I could touch the sky
I lost my faith, you gave it back to me
You said no star was out of reach
You stood by me and I stood tall
I had your love I had it all
I’m grateful for each day you gave me
Maybe I don’t know that much
But I know this much is true
I was blessed because I was loved by you

You were my strength when I was weak
You were my voice when I couldn’t speak
You were my eyes when I couldn’t see
You saw the best there was in me
Lifted me up when I couldn’t reach
You gave me faith ’cause you believed
I’m everything I am
Because you loved me

You were always there for me
The tender wind that carried me
A light in the dark shining your love into my life
You’ve been my inspiration
Through the lies you were the truth
My world is a better place because of you

You were my strength when I was weak
You were my voice when I couldn’t speak
You were my eyes when I couldn’t see
You saw the best there was in me
Lifted me up when I couldn’t reach
You gave me faith ’cause you believed
I’m everything I am
Because you loved me

You were my strength when I was weak
You were my voice when I couldn’t speak
You were my eyes when I couldn’t see
You saw the best there was in me
Lifted me up when I couldn’t reach
You gave me faith ’cause you believed
I’m everything I am
Because you loved me

I’m everything I am
Because you loved me

Songwriters: Diane Warren
Because You Loved Me lyrics © Walt Disney Music Company