♫ Against All Odds ♫

Some people are born with talent oozing out of their pores, while others of us do well to remember which sock goes on which foot each morning.

Philip David Charles Collins, aka Phil Collins, is an English drummer, singer, songwriter, multi-instrumentalist, record producer and actor. He was the drummer and singer of the band Genesis and is also a solo artist. Between 1982 and 1989, Collins scored three UK and seven US number-one singles in his solo career. When his work with Genesis, his work with other artists, as well as his solo career is totaled, Collins had more US Top 40 singles than any other artist during the 1980s.

My claim to fame is that I can fold a really neat stack of towels.

Collins originally wrote this song for his album Face Value and titled the song How Can You Just Sit There?  But he decided he didn’t like the song well enough to include it in the album and it was set aside.  Until … movie director Taylor Hackford, who was directing Against All Odds at the time, appeared at the end of one of Collins’ concerts to ask him to write the title song for the film.

As was the case with several of his early solo songs, it was inspired and written shortly after the breakup between him and his first wife, which he says transformed him from being a musician into also being a lyricist.

“That song was written during my first divorce. My first wife and the kids had gone and I was left there. The song was written out of experience as opposed to a ‘what if’ song. If that personal stuff had not happened to me at the time, I probably would never have made an album, and if I was to have made an album eventually, it probably would have been a jazz/rock thing. Without that stuff I wouldn’t have felt the stuff I felt sitting at a piano night after night, day after day writing stuff.”

Against All Odds
Phil Collins

How can I just let you walk away
Just let you leave without a trace?
When I stand here taking every breath with you, ooh ooh
You’re the only one who really knew me at all

How can you just walk away from me
When all I can do is watch you leave?
‘Cause we’ve shared the laughter and the pain
And even shared the tears
You’re the only one who really knew me at all

So take a look at me now
Well there’s just an empty space
And there’s nothing left here to remind me
Just the memory of your face
Ooh, take a look at me now
Well there’s just an empty space
And you coming back to me is against the odds
And that’s what I’ve got to face

I wish I could just make you turn around
Turn around and see me cry
There’s so much I need to say to you
So many reasons why
You’re the only one who really knew me at all

So take a look at me now
Well there’s just an empty space
And there’s nothing left here to remind me
Just the memory of your face

Now Take a look at me now
‘Cause that’s just an empty space
But to wait for you is all I can do
And that’s what I’ve got to face

Take a good look at me now
‘Cause I’ll still be standing here
And you coming back to me is against all odds
It’s the chance I’ve got to take
Take a look at me now

Songwriters: Phil Collins
Against All Odds lyrics © Concord Music Publishing LLC

♫ Up Where We Belong ♫

Earlier this week I wrote a post, the title of which was Who Knows What Tomorrow Brings, a line from this song.  Well, as these things happen, the song got stuck in my head … I seem to have given myself an earworm, and the only way I know of to exorcise it is to share it with my friends!  I’ve always loved this song, loved the voices of Jennifer Warnes and Joe Cocker, but I did not realize it was the theme song to the movie An Officer And A Gentleman.  But it almost wasn’t …

Once the song was recorded, the film’s director, Taylor Hackford said that “the final version was absolute magic—or at least Joel (Joel Sill, who was head of music at Paramount at the time) and I thought so.”  But, when they presented the song to the executives at Paramount, Michael Eisner and Don Simpson, they hated the record and said it would never be a hit.  But, as time was running out and the budget had long since run out, the two ultimately agreed and the song was released as a single on 22 July 1982, to promote the movie, which was released six days later.

Will Jennings wrote the lyrics. He’s responsible for the words to many famous songs, including My Heart Will Go On, Looks Like We Made It, and many of Steve Winwood’s hits.  Of the lyrics he says …

“I am a working class person and these people in the film trying to make it, they are my people. The mountain imagery is about striving for the top – people often don’t hear the lyric right – it is ‘Where eagles cry, on a mountain high’ instead of ‘Where eagles fly, on a mountain high’ – if you have ever heard an eagle cry, the power and beauty of it and all the wild freedom of it, you will get the distinction. As far as “All I know is the way I feel…’ well, if you have nothing else to tell you what to do in your life, you have to go with the way you feel… if you are lost, you have only your instinct and passion to guide you.”

Jack Nitzsche and Buffy Saint-Marie wrote the score for the movie and the music for this song; they got married the following year.

Joe Cocker’s life and career could cover an entire post … or a few.  Sadly, he died in 2014 of lung cancer.

Up Where We Belong
Joe Cocker/Jennifer Warnes

Who knows what tomorrow brings
In a world few hearts survive
All I know is the way I feel
When it’s real, I keep it alive

The road is long
There are mountains in our way
But we climb a step every day

Love lift us up where we belong
Where the eagles cry
On a mountain high
Love lift us up where we belong
Far from the world below
Up where the clear winds blow

Some hang on to used to be
Live their lives looking behind
All we have is here and now
All our lives, out there to find

The road is long
There are mountains in our way
But we climb a step every day

Love lift us up where we belong
Where the eagles cry
On a mountain high
Love lift us up where we belong
Far from the world we know
Where the clear winds blow

Time goes by
No time to cry
Life’s you and I
Alive today

Love lift us up where we belong
Where the eagles cry
On a mountain high
Love lift us up where we belong
Far from the world we know
Where the clear winds blow

Love lift us up where we belong
Where the eagles cry
On a mountain high
Love lift us up where we belong

Songwriters: Jack Nitzsche / Buffy Saint-Marie / Will Jennings
Up Where We Belong lyrics © Sony/ATV Music Publishing LLC

♫ The Israelites ♫

Okay, I’m going out on a limb with this one, for many may not remember or care for it.  In truth, it isn’t one over which I wax nostalgic, but I trust my instincts, and for some reason this one has been in my head ever since this evening when I cussed the driver of the car in front of me who failed to understand that a green light means “GO YOU DUMBASS!!!”

The song was written by Desmond Dekker and Leslie Kong in 1968.  According to Dekker …

“It all happened so quickly. I didn’t write that song sitting around a piano or playing a guitar. I was walking in the park, eating corn. I heard a couple arguing about money. She was saying she needed money and he was saying the work he was doing was not giving him enough. I relate to those things and began to sing a little song – “You get up in the morning and you slaving for bread.” By the time I got home it was complete. And it was so funny, that song never got out of my mind. It stayed fresh in my head. The following day I got my little tape and I just sang that song and that’s how it all started.”

Dekker (born Desmond Dacres) was raised in Kingston, Jamaica and trained as a welder before singing. He formed the Aces and teamed up with hit producer Leslie Kong in 1966 (with whom he worked until Kong’s death in 1971). He has over 20 Jamaican #1 hits and 2 other UK Top 10 hits: It Mek and You Can Get It If You Really Want.  He enjoyed a revival in the UK in the early 1980s thanks to the two-tone movement. Dekker died of a heart attack in 2006 at age 64.

Israelites
Desmond Dekker

Get up in the morning, slaving for bread, sir
So that every mouth can be fed
Poor me Israelites, ah

Get up in the morning, slaving for bread, sir
So that every mouth can be fed
Poor me Israelite

My wife and my kids, they packed up and leave me
Darling, she said, I was yours to be seen
Poor me Israelites

Shirt them a-tear up, trousers is gone
I don’t want to end up like Bonnie and Clyde
Poor me Israelites

After a storm there must be a calm
They catch me in the farm
You sound your alarm
Poor me Israelites

I said I get up in the morning, slaving for bread, sir
So that every mouth can be fed
Poor me Israelites

I said my wife and my kids, they are packed up and leave me
Darling, she said, I was yours to be seen
Poor me Israelites

Look me shirts them a-tear up, trousers are gone
I don’t want to end up like Bonnie and Clyde
Poor me Israelites

After a storm there must be a calm
They catch me in the farm
You sound your alarm
Poor me Israelites
Poor me Israelites, poor me Israelites, poor me Israelites

Songwriters: Desmond Dekker
Israelites lyrics © Universal Music Publishing Group

♫ Baker Street ♫

I might have skipped the song tonight and just gone to bed, for I haven’t felt well today and was tired.  But a recent conversation with our friend David left me with an earworm that just wouldn’t go away!  It is an old favourite, but one I hadn’t heard or thought about in years.  So, when it got stuck in my head tonight, I was excited at the thought of sharing it with you, my friends, and I hope you enjoy it too!

Baker Street is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached #2 on the Billboard Hot 100, where it held that position for six weeks, behind Andy Gibb’s smash Shadow Dancing. Additionally, it hit #1 in Canada, #3 in the United Kingdom, #1 in Australia, #1 in South Africa, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically. But perhaps the best part of the song, in my tone-deaf opinion, is the saxophone riff by Raphael Ravenscroft.

According to one story, Ravenscroft received only £27, and that check bounced, while Rafferty earned £80,000 per annum until his death in 2011. However, the bouncing check story was later denied by Ravenscroft.  

Baker Street
Gerry Rafferty

Winding your way down on Baker Street
Light in your head and dead on your feet
Well, another crazy day
You’ll drink the night away
And forget about everything

This city desert makes you feel so cold
It’s got so many people, but it’s got no soul
And it’s taken you so long
To find out you were wrong
When you thought it held everything

You used to think that it was so easy
You used to say that it was so easy
But you’re trying, you’re trying now

Another year and then you’d be happy
Just one more year and then you’d be happy
But you’re crying, you’re crying now

Way down the street there’s a light in his place
He opens the door, he’s got that look on his face
And he asks you where you’ve been
You tell him who you’ve seen
And you talk about anything

He’s got this dream about buying some land
He’s gonna give up the booze and the one-night stands
And then he’ll settle down
In some quiet little town
And forget about everything

But you know he’ll always keep moving
You know he’s never gonna stop moving
‘Cause he’s rolling, he’s the rolling stone
And when you wake up, it’s a new morning
The sun is shining, it’s a new morning
And you’re going, you’re going home

Songwriters: Gerald Rafferty
Baker Street lyrics © BMG Rights Management

♫ Unforgettable ♫

This song was first released by the late, great Nat King Cole with orchestra leader and arranger Nelson Riddle in 1951.  Nat King Cole was biggest seller for Capitol Records for much of the late ’40s and early ’50s. He did a lot of work with Nelson Riddle at Capitol, but Unforgettable was the first session where Riddle got an official credit for his arrangement. The two continued to work together, with Riddle doing orchestrations for The Nat King Cole Show, a variety show Cole hosted in 1956 that was the first of its kind starring a black man. Riddle also did a lot of work with Frank Sinatra when he joined Capitol in 1953.

Nat King Cole’s daughter, Natalie, grew up in his shadow and largely made an effort to stay away from singing so she wouldn’t face the expectations of being Nat King Cole’s daughter.  Her father died just 11 days after her 15th birthday.  In 1991, forty years after the original release, Natalie Cole breathed new life into the song, dubbing her vocals with his to make a new hit.  It is the title song on her album, Unforgettable… with Love, which sold over seven million copies and also won Cole seven Grammy Awards.

Natalie Cole died on 31 December 2015 of congestive heart failure.  She was 65 years of age.

Unforgettable
Nat King Cole

Unforgettable
That’s what you are
Unforgettable
Tho’ near or far
Like a song of love that clings to me
How the thought of you does things to me
Never before has someone been more
Unforgettable in every way
And forever more, that’s how you’ll stay
That’s why darling it’s incredible
That someone so unforgettable
Thinks that I am unforgettable too

Unforgettable in every way
And forever more, that’s how you’ll stay
That’s why darling it’s incredible
That someone so unforgettable
Thinks that I am unforgettable too

Songwriters: Irving Gordon
Unforgettable lyrics © Bourne Co.

♫ Just My Imagination ♫

Released in 1971, this was the last single for the Temptations with Eddie Kendricks and Paul Williams in the group. Eddie started a solo career and in 1973 scored his biggest hit with Keep On Truckin’. Williams remained on salary as an advisor, but was plagued with personal problems – he was separated from his wife, owed back taxes and was being treated for alcoholism. He committed suicide in 1973 at age 34.

Motown writers Norman Whitfield and Barrett Strong wrote Just My Imagination in the late ’60s, but since psychedelic songs were popular at the time, they decided to wait a few years before releasing it. Whitfield pulled it out of the mothballs after the relative failure of The Temptations’ Ungena Za Ulimwengu (Unite the World), which hit #33 in 1970 (unacceptable by their standards). Whitfield felt they needed to change direction to stay on top of the game, so he steered Temptations away from their string of socially relevant songs and had them record this airy ballad. The strategy worked, and the song rose to #1 in the U.S.

Just My Imagination (Running Away with Me)
The Temptations

Each day through my window I watch her as she passes by
I say to myself you’re such a lucky guy,
To have a girl like her is truly a dream come true
out of all the fellows in the world she belongs to me.
But it was Just my imagination,
once again runnin’ away with me.
It was just my imagination runnin’ away with me. Oo
Soon we’ll be married and raise a family (Oh yeah)
A cozy little home out in the country with two children maybe three.

I tell you I can visualize it all
this couldn’t be a dream for too real it all seems;
But it was Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.
Ev’ry night on my knees I pray Dear Lord, Hear my plea;
Don’t ever let another take her love from me or I would surely die.

Her love is heavenly, when her arms enfold me,
I hear a tender rhapsody; but in reality she doesn’t even know me.

Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.
no, no, no, no, no, no, no, can’t forget her
Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.

Songwriters: Barrett Strong / Norman Whitfield / Norman J. Whitfield
Just My Imagination (Running Away with Me) lyrics © Sony/ATV Music Publishing LLC

♫ Just To See Her ♫

I haven’t posted a song for a couple of days … not because there was no song in my heart, but simply because I save this pleasure for the end of the day, when the comments are all answered, morning post written & scheduled, family finances taken care of … and the past two nights I have simply been too exhausted to do a music post.  Tonight, though, I am ahead of the game and that soul music is calling to me.  Actually, this one is classified R&B (rhythm & blues), but I still think of it as soul, as music that reaches deep down and pulls out something we may have forgotten existed.

The song written by Jimmy George and Lou Pardini in 1987 and recorded by none other than Smokey Robinson.  Smokey was in a bit of a funk … well, more than a bit, actually … at the time.  His last big hit had been Being With You in 1981, and then in 1984, his friend Marvin Gaye was shot to death by his own father.  Robinson was already addicted to drugs, and Gaye’s death just put the final straw on the camel’s back.  Then in 1986, he and his wife Claudette divorced.  But this record put him back on top.  Surprisingly, Robinson’s only Grammy win came for this song; he won for Best R&B Vocal Performance, Male.

Jimmy George and Lou Pardini would go on to join the band Chicago in 2009.

Apropos of nothing, but I found Smokey’s explanation of how he came by his name fascinating:

Smokey-4“My Uncle Claude was my favorite uncle, he was also my godfather. He and I were really, really close. He used to take me to see cowboy movies all the time when I was a little boy because I loved cowboy movies. He got a cowboy name for me, which was Smokey Joe. So from the time I was three years old if people asked me what my name was I didn’t tell them my name was William, I told them my name was Smokey Joe. That’s what everyone called me until I was about 12 and then I dropped the Joe part. I’ve heard that story about him giving it to me because I’m a light skinned Black man but that’s not true.”

Just to See Her
Smokey Robinson

Just to see her
Just to touch her
Just to hold her in my arms again one more time

If I could feel her warm embrace
See her smiling face
Can’t find anyone to take her place
I’ve got to see her again

I would do anything
I would go anywhere
There’s nothing I wouldn’t do
Just to see her again

I can’t hide it no
I can’t fight it
It’s so hard to live without the love she gave to me

Doesn’t she know it
I tried hard not to show it
Can’t I make her realize that she really needs me again

I would do anything
I would go anywhere
There’s nothing I wouldn’t do
Just to see her again
She brightened up my everyday
Made me feel so good in every way
If I could have her back to stay
I’ve got to see her again

I want to see her
(Just to see her)
Hold her hold her hold her
(Just to see her) see her
Just to touch her

Touch her
I would do anything
I would go anywhere
There’s nothing I wouldn’t do
Just to see her again
She brightened up my everyday
Makes me feel so good in every way
If I could have her back to stay (today)
I’ve got to see her again

it would it would it would
(Just to see her) make me feel so good
(Just to see her)if I if I could only see her again
Just see her again
Just to see her theres nothin’ I wouldn’t do
Just to see her oh don’t you know its true
Just to see her (if I could only see her again oh)

Songwriters: Jimmy George / Louis Joseph Pardini
Just to See Her lyrics © Universal Music Publishing Group

♫ In My Life ♫

I was not quite 13 years old when The Beatles made their U.S. debut on The Ed Sullivan Show on 23 February 1964.

Frankly, I was not all that impressed.  BUT … my parents hated them on sight, so that was good enough reason for me to become an instant fan!  (Yes, I was a brat even back then!)  Though not a huge fan, they had a number of songs that definitely ranked among my favourites.  Probably my #1 favourite is Blackbird, both for the tune and the meaning behind the lyrics.  But, I just played Blackbird on this blog back in September, and I have a standard to uphold, y’know!  So, tonight I decided on another that was among my faves, In My Life.

Lennon book imageReleased on the 1965 album Rubber Soul, this song is an autobiographical song about John Lennon’s life. He wrote most of the lyrics after being asked why a book he wrote, In His Own Write, revealed more about him than his songs did.

The lyrics about friends refer to Stu Sutcliffe, an early Beatle and great friend of John’s who died in 1962, and another friend named Pete Shotton. Lennon also thought of his Aunt Mimi and wife Cynthia, as well as other friends. One of the most beautiful Beatles songs, John called it “A little piece of art work.”

There is controversy over how involved McCartney was in writing this song. Lennon claimed in later interviews that he wrote the whole thing, while McCartney claimed it was an equal collaboration. In 2018, a Harvard statistician pegged it as a Lennon composition.
This was voted the best song of all time by a panel of songwriters in a 2000 Mojo magazine poll. The panelists included McCartney, Brian Wilson, Lamont Dozier, and Carole King.

In My Life
The Beatles

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone and some remain
All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life, I’ve loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I love you more

Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I love you more
In my life– I love you more

Songwriters: John Lennon / Paul Mccartney
In My Life lyrics © Sony/ATV Music Publishing LLC

♫ Sexual Healing ♫

So last night we had us some Stevie Wonder, and tonight, I got some Marvin Gaye running barefoot through the detritus of my mind.  Released in 1982, this was Gaye’s first single since leaving Motown earlier that year.

A bit of background:

In the winter of 1981, Marvin Gaye had relocated to Ostend, Belgium, following the end of a European tour amid financial difficulties with the Internal Revenue Service and the end of his second marriage. Struggling with depression and cocaine addiction, Gaye had agreed to move to Ostend on the advice of longtime resident Freddy Cousaert. While in Ostend, Gaye began to curb his drug use and recover from his depression, partaking in Ostend’s beaches. Gaye also began cutting ties with his longtime recording label, Motown, following the release of In Our Lifetime, an album the musician did not declare to be finished. He declared that he would never record with the label ever again after he accused the label of betraying his creativity.

Sexual Healing reached number one on Billboard’s Hot R&B Singles chart, where it stayed for a record ten weeks before being replaced by Michael Jackson and Paul McCartney’s duet, “The Girl Is Mine”. The success was similar on the Hot 100 where it peaked at number three. This peak at number three made Gaye the second artist in the history of the Hot 100 chart (after Aretha Franklin) to have a hit song peak at each position from one to ten on the chart.

When Gaye left Belgium and toured to support the Midnight Love album, he started using drugs again and became mentally unstable. He moved in with his parents and was shot and killed by his father after an argument on April 1, 1984 – the day before his 45th birthday, which I have mentioned before.

Now sit back and like you some Marvin Gaye, okay?

Sexual Healing
Marvin Gaye

Oh, baby now let’s get down tonight
Ooh baby, let’s get down tonight

Baby
Baby let’s get down tonight
Ooh

Baby, I’m hot just like an oven
Ooh
Baby now let’s get down tonight

Baby, I’m hot just like an oven
I need some lovin’
And baby, I can’t hold it much longer
It’s getting stronger and stronger

And when I get that feeling
I want sexual healing
Sexual healing, oh baby
Makes me feel so fine

Helps to relieve my mind
Sexual healing baby, is good for me
Sexual healing is something that’s good for me

Baby, I’m hot just like an oven
I need some lovin’
And baby, I can’t hold it much longer
It’s getting stronger and stronger

Baby, I got sick this mornin’
A sea was stormin’ inside of me
Baby, I think I’m capsizin’
The waves are risin’ and risin’

And when I get that feeling
I want sexual healing
Sexual healing is good for me
Makes me feel so fine, it’s such a rush
Helps to relieve the mind, and it’s good for us

Sexual healing, baby, it’s good for me
Sexual healing is something that’s good for me

You’re my medicine, open up and let me in
Darling, you’re so great, I can’t wait for you to operate
You’re my medicine, open up and let me in
Darling, you’re so great, I can’t wait for you to operate

Baby, open up and let me in
It’s getting stronger and stronger
Baby, open up and let me in
I can’t wait for you to operate
I can’t wait for you to operate, baby
I can’t wait for you to operate
Baby, open up and let me in
I can’t for you to operate

Songwriters: David Ritz / Marvin Gaye / Odell Brown
Sexual Healing lyrics © Sony/ATV Music Publishing LLC

♫ I Just Called To Say ‘I Love You’ ♫

Yes, I know … I’ve played several by Stevie Wonder in the past few months, but … he is ‘Da Man’ … I love his music, admire and respect him as a person, and … well, it just doesn’t get any better, at least for me.

Stevie Wonder wrote, produced, and performed this one.  For a man who has been blind since birth, his talents constantly amaze me.  This song, I Just Called To Say I Love You, has topped a record on 19 charts, and remains his best-selling single to date.

There was a dispute among Wonder, his former writing partner Lee Garrett, and Lloyd Chiate as to who actually wrote the song. Chiate claimed in a lawsuit that he and Garrett wrote the song years before its 1984 release; however, a jury ultimately sided with Wonder.  In his testimony, Wonder said …

“I had the melody and the lyric that I had for the chorus, and I imagined in my mind when hearing the chords that The Beatles were singing with me. And that idea and feeling is what inspired me to use the vocoder, when I heard about the vocoder. And I always imagined myself and The Beatles singing that. It was in 1980 I believe, or ’81 when John Lennon was killed, that I knew that the dream would never be fulfilled.”

When the song won the Academy Award in 1984, Wonder said in his speech, “I would like to accept this award in the name of Nelson Mandela.” The next day, the South African government banned his music, as Mandela was considered an enemy of the state, imprisoned since 1962. This drew a lot of attention to Mandela and his fight against apartheid in that country; later in 1985, a collective of musicians called Artists United Against Apartheid released the song Sun City, taking a stand against entertainers who performed at the popular resort in South Africa. Wonder, energized by the ban, spoke out in interviews and included the song “It’s Wrong (Apartheid)” on his next album, In Square Circle.

The movement culminated in the 1988 Free Nelson Mandela Concert at Wembley Stadium in London, where Sting, Peter Gabriel, Whitney Houston and a host of other stars performed on his behalf. Wonder opened his set with I Just Called To Say I Love You.

I could watch and listen to this guy all night … he has something special …

I Just Called To Say I Love You

Stevie Wonder

No New Year’s Day to celebrate
No chocolate covered candy hearts to give away
No first of spring
No song to sing
In fact here’s just another ordinary day

No April rain
No flowers bloom
No wedding Saturday within the month of June
But what it is, is something true
Made up of these three words that I must say to you

I just called to say I love you
I just called to say how much I care
I just called to say I love you
And I mean it from the bottom of my heart

No summer’s high
No warm July
No harvest moon to light one tender August night
No autumn breeze
No falling leaves
Not even time for birds to fly to southern skies

No Libra sun
No Halloween
No giving thanks to all the Christmas joy you bring
But what it is, though old so new
To fill your heart like no three words could ever do

I just called to say I love you
I just called to say how much I care, I do
I just called to say I love you
And I mean it from the bottom of my heart

I just called to say I love you
I just called to say how much I care, I do
I just called to say I love you
And I mean it from the bottom of my heart, of my heart,
of my heart

I just called to say I love you
I just called to say how much I care, I do
I just called to say I love you
And I mean it from the bottom of my heart, of my heart,
baby of my heart

Writer/s: STEVIE WONDER
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group