♫ The Devil Went Down To Georgia ♫

As I’ve said on more than one occasion, I am not a fan of country music.  However, when a legend dies, no matter his field, he deserves to be honoured.  Charlie Daniels was a country music legend best known for his award-winning country hit The Devil Went Down to Georgia.

Daniels was active as a singer and musician since the 1950s. He was inducted into the Cheyenne Frontier Days Hall of Fame in 2002, the Grand Ole Opry in 2008, the Musicians Hall of Fame and Museum in 2009, and the Country Music Hall of Fame in 2016.

Daniels won the Grammy Award for Best Country Vocal Performance in 1979 for The Devil Went Down to Georgia, which reached #3 on the Billboard Hot 100 in September 1979. The following year, “Devil” became a major crossover success on rock radio stations after its inclusion on the soundtrack for the hit movie Urban Cowboy, in which he made an onscreen appearance. The song still receives regular airplay on U.S. classic rock and country stations.

Although Daniels had a number of hits subsequent to The Devil Went Down to Georgia, this is the only one of his songs that I am familiar with, not being a country music aficionado.  And even though I am not a fan of the genre, I am in awe of the fiddle-playing in this song!

Daniels said that the idea for this song came from a poem he read in high school called “The Mountain Whippoorwill” by Stephen Vincent Benet. Said Daniels:

“We had gone in and rehearsed, written, and recorded the music for our Million Mile Reflections album, and all of a sudden we said, ‘We don’t have a fiddle song.’ I don’t know why we didn’t discover that, but we went out and we took a couple of days’ break from the recording studio, went into a rehearsal studio and I just had this idea: ‘The Devil went down to Georgia.’ The idea may have come from an old poem that Stephen Vincent Benet wrote many, many years ago. He didn’t use that line, but I just started, and the band started playing, and first thing you know we had it down.”

In this song, Satan himself pays a visit to Georgia and challenges a boy named Johnny to a fiddle duel: If Johnny can play the fiddle better than the devil, he gets a golden fiddle, but if he loses, the devil gets his soul.  It was Daniels who played the fiddle for both the Devil and Johnny, and it was also Daniels who dreamed up what they both would sound like.

I actually do like this song … as I said, the fiddle playing is amazing, and it’s got a catchy, toe-tapping tune.  Politically, Charlie and I were miles apart, but that doesn’t keep me from admiring what he did, his talent, his music.  Charlie Daniels died yesterday at the age of 83.  His music will live on …

The Devil Went Down to Georgia
Charlie Daniels Band

The devil went down to Georgia
He was lookin’ for a soul to steal
He was in a bind
‘Cause he was way behind
And he was willin’ to make a deal

When he came upon this young man
Sawin’ on a fiddle and playin’ it hot
And the devil jumped
Up on a hickory stump
And said, “boy, let me tell you what

I guess you didn’t know it
But I’m a fiddle player too
And if you’d care to take a dare, I’ll make a bet with you

Now you play a pretty good fiddle, boy
But give the devil his due
I’ll bet a fiddle of gold
Against your soul
‘Cause I think I’m better than you”

The boy said, “my name’s Johnny
And it might be a sin
But I’ll take your bet
And you’re gonna regret
‘Cause I’m the best there’s ever been”

Johnny, rosin up your bow and play your fiddle hard
‘Cause hell’s broke loose in Georgia, and the devil deals the cards
And if you win, you get this shiny fiddle made of gold
But if you lose, the devil gets your soul

The devil opened up his case
And he said, “I’ll start this show”
And fire flew from his fingertips
As he rosined up his bow

Then he pulled the bow across the strings
And it made an evil hiss
And a band of demons joined in
And it sounded something like this

When the devil finished
Johnny said, “well, you’re pretty good, old son
But sit down in that chair right there
And let me show you how it’s done”

He played Fire on the Mountain run boys, run
The devil’s in the House of the Rising Sun
Chicken in a bread pan pickin’ out dough
Granny, does your dog bite? No child, no

The devil bowed his head
Because he knew that he’d been beat
And he laid that golden fiddle
On the ground at Johnny’s feet

Johnny said, “Devil, just come on back
If you ever want to try again
I done told you once you son of a bitch
I’m the best that’s ever been”

He played Fire on the Mountain run boys, run
The devil’s in the House of the Rising Sun
Chicken in a bread pan pickin’ out dough
Granny, does your dog bite? No child, no

Source: LyricFind
Songwriters: Charles Fred Hayward / Charlie Daniels / Fred Edwards / James W. Marshall / John Crain / William J. Digregorio
The Devil Went Down to Georgia lyrics © Universal Music Publishing Group

♫ R.I.P. Little Richard ♫

Yesterday, the world lost another music pioneer, Richard Wayne Penniman, better known as Little Richard.

Born in Macon, Georgia on December 5th, 1932, he was one of twelve children.  His family listened to singers like Bing Crosby and Ella Fitzgerald. Richard couldn’t find any music he liked, so he created it.  He was an influential figure in popular music and culture for seven decades, and among his nicknames were “The Innovator”, “The Originator”, and “The Architect of Rock and Roll”.  His music, dating back to the 1950s is characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laying the foundation for rock and roll. Little-RichardLittle Richard is cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing blacks and whites together despite attempts to sustain segregation. His contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, the Everly Brothers, Gene Vincent and Eddie Cochran, all recorded covers of his works. Taken by his music and style, and personally covering four of Little Richard’s songs on his own two breakthrough albums in 1956, Presley told him in 1969 that his music was an inspiration to him and that he was “the greatest”.

Of Little Richard, the Rock and Roll Hall of Fame said …

“He claims to be ‘the architect of rock and roll,’ and history would seem to bear out Little Richard’s boast. More than any other performer – save, perhaps, Elvis Presley, Little Richard blew the lid off the Fifties, laying the foundation for rock and roll with his explosive music and charismatic persona. On record, he made spine-tingling rock and roll. His frantically charged piano playing and raspy, shouted vocals on such classics as ‘Tutti Frutti,’ ‘Long Tall Sally’ and ‘Good Golly, Miss Molly’ defined the dynamic sound of rock and roll.”

President Bill Clinton was always a Little Richard fan, and in 1993, Little Richard played at Clinton’s inauguration.  The same year, he was awarded a lifetime achievement Grammy Award.

Mick Jagger of the Rolling Stones famously said about Little Richard …

“I had heard so much about the audience reaction that I thought there must be some exaggeration. But it was all true. He drove the whole house into a complete frenzy. There’s no single phrase to describe his hold on the audience. I couldn’t believe the power of Little Richard on stage. He was amazing. Chuck Berry is my favorite, along with Bo (Diddley), but nobody could beat Little Richard’s stage act. Little Richard is the originator and my first idol.”

Little Richard grew up in a time and place – the American South – that could be very difficult for a black man. He never sang about racism, however, and downplayed his numerous encounters with racism, preferring to focus on the positive things that bring us together. Richard said on the subject: “We are all God’s bouquet, we all need each other the same as the birds need air.” He’s also maintained that homosexuals are equal in the eyes of God, stating: “God don’t just have Heaven for the straight man. Heaven is for all of us if we do his will.”

I have chosen just a couple of songs that I remember best from my youth as a way of paying tribute to Little Richard.

♫ OHIO ♫

Had I remembered the all-important date of May 4th, this is the song I would have played yesterday, on the 50th anniversary of the brutal slaying of four students by National Guardsmen on the campus of Kent State University on 04 May 1970.  I did not remember until Jeff reminded me with his post yesterday afternoon, so I am one day late with this song.

Neil Young wrote Ohio shortly after seeing a news report on the tragedy, and it was released by Crosby, Stills, Nash & Young just 10 days after the shootings.

The Kent State shootings had a profound effect on some of the students who later became prominent musicians. Chrissie Hynde was a student at the time, and eventually formed The Pretenders. Mark Mothersbaugh and Jerry Casale were also on campus, and after the shootings, they developed the band Devo based on the concept of “De-Evolution,” meaning the human race was regressing. Said Casale …

“It refocused me entirely. I don’t think I would have done Devo without it. It was the deciding factor that made me live and breathe this idea and make it happen. In Chrissie Hynde’s case, I’m sure it was a very powerful single event that was traumatic enough to form her sensibility and account for a lot of her anger.”

Mothersbaugh added, “It was the first time I’d heard a song about something I’d been a participant in. It effected us. It was part of our life.”

This song became a protest anthem as Americans became fed up with the war in Vietnam. Providing a firsthand account of the shootings and the effect of this song, Alan Canfora relates:

“On May 4, 1970, I was waving a black protest flag as a symbol of my anger and despair 10 days after I attended the funeral of my 19-year-old friend killed in Vietnam. I was about 250 feet away from the kneeling, aiming guardsmen from Troop G – the death squad – minutes before they marched away up a hillside. They fired 67 shots from the hilltop during 13 seconds of deadly gunfire, mostly from powerful M1 rifles. I was shot through my right wrist. I survived because I jumped behind the only tree in the direct line of gunfire. About a week later, I was riding in the Ohio countryside with other Kent State massacre survivors when WMMS radio played the song ‘Ohio’ for the first time. We were deeply moved and inspired by that great anti-war anthem.”

Ohio
Crosby, Stills, Nash & Young

Tin soldiers and Nixon’s comin’
We’re finally on our own
This summer I hear the drummin’
Four dead in Ohio

Gotta get down to it
Soldiers are gunning us down
Should have been done long ago
What if you knew her and
Found her dead on the ground?
How can you run when you know?

Na na-na-na, na-na na-na
Na na-na-na, na-na na
Na na-na-na, na-na na-na
Na na-na-na, na-na na

Gotta get down to it
Soldiers are cutting us down
Should have been done long ago
What if you knew her and
Found her dead on the ground?
How can you run when you know?

Tin soldiers and Nixon’s comin’
We’re finally on our own
This summer I hear the drummin’
Four dead in Ohio
Four dead in Ohio (Four dead)
Four dead in Ohio (Four)
Four dead in Ohio (How many?)
Four dead in Ohio (How many more?)
Four dead in Ohio (Why?)
Four dead in Ohio (Oh!)
Four dead in Ohio (Four)
Four dead in Ohio (Why?)
Four dead in Ohio (Why?)

Source: Musixmatch
Songwriters: Neil Young
Ohio lyrics © Universal Music – Z Tunes Llc, Almo Music Corp., Sony/atv Tunes Llc, Drop Your Pants Publishing, Zomba Enterprises Inc., Silly Fish Music, Zac Maloy Music, Broken Arrow Music, Almo Music Corporation, Universal Music-z Tunes, Broken Arrow Music Corp., Rondor Music Corp, Sony/atv Tunes Llc Obo Zac Maloy Music, Universal Music-z Tunes Obo Drop Your Pants Publishing, Almo Music Obo Silly Fish Music

♫ Bill Withers — A Tribute ♫

Yesterday was yet another sad day in the music world, with the announcement that soul singer Bill Withers had died at age 81.

Withers’ songs are some of the most beloved in the American songbook. Ain’t No Sunshine is regarded as one of the all-time great breakup tracks, while Lean on Me, an ode to the supportive power of friendship, was performed at the inaugurations of presidents Barack Obama and Bill Clinton.

Born William Harrison Withers Jr in 1938, he faced a difficult childhood in Slab Fork, West Virginia. A stutter held him back from making friends, and, after his father died when Bill was 13, his grandmother helped to raise him. Withers would write a tribute to her with the song Grandma’s Hands from his 1971 debut album Just As I Am: “Grandma’s hands / Used to issue out a warning / She’d say, ‘Billy don’t you run so fast / Might fall on a piece of glass / Might be snakes there in that grass.’”

Withers spent nine years in the US Navy before pursuing a career in music. After moving to Los Angeles in 1967, he found a job making toilet seats and recorded demos through the night. Possessed of a smooth and soulful baritone, he signed to Sussex Records and enlisted Booker T Jones to produce Just As I Am. That album spawned the hit Ain’t No Sunshine, which won Withers his first Grammy for best R&B song.

The 2009 documentary, Still Bill, explored his reasons for quitting the music industry and painted the picture of a fulfilled musician and human being. Writing in the Chicago Sun-Times, film critic Roger Ebert said: “Withers still lives and survives as a happy man. Still Bill is about a man who topped the charts, walked away from it all in 1985 and is pleased that he did.”

I debated about what song to play in honour of Mr. Withers tonight.  I have already played my three favourites, and since I couldn’t decide, I offer all three here, with links to the original posts for trivia and lyrics if you’re interested.

 

Links to original posts:

Ain’t No Sunshine

Just the Two of Us

Lean On Me

♫ Kenny Rogers — Final Tribute ♫

Well, folks, it’s been a week of memories, hasn’t it?  I’m sad to see it end, and I realize I didn’t get to all the requests from everybody, but I have made note of them and … Kenny’s legacy, his music, remains with us to be played over and over, whenever we want.  I debated what to do for this final post.  Lady was requested by a couple of people, but since I had already played it twice, last May and in October 2018, I held off on that one.  For tonight’s grand finale, if you will, I selected a few songs and tributes from other artists.  Rather than take up space with trivia & lyrics, I shall let the videos speak for themselves.  First, of course, it had to be Dolly’s own tribute …

What would any tribute to Kenny be without his iconic The Gambler

Even morning talk/news show Good Morning America had to say ‘goodbye’ to Kenny in style …

And, as our friend Ellen suggested, there might be no better tribute than this song by Kenny Rogers and Dolly Parton, You Can’t Make Old Friends …

I finish with a recording that Kenny, along with so many other wonderful artists, such as Lionel Richie, Stevie Wonder, Paul Simon, Michael Jackson, James Ingram, and too many to even name, participated in to raise money for humanitarian aid.  The first recording session on January 21st, 1985 brought together some of the most well-known artists in the music industry at the time.

This one never fails to bring a lump to my throat and a tear to my eyes.  What a perfect way, I think, to close this tribute to a great artist …

I hope you’ve all enjoyed this week-long tribute to the late Kenny Rogers … I have certainly enjoyed doing it!  R.I,P. Kenny,  and thank you for all you have given us.

♫ Just The Way You Are ♫

Last night I was tired, and forgot to include any Kenny Rogers’ trivia in my post.  As we’re nearing the end of this tribute week, there are a few more things I wanted to include.  Kenny did duets with a number of other artists, but the ones he is most remembered for are the ones he did with Dolly Parton.  So, how did the two meet and connect?kenny-dolly-2The two first crossed paths in Nashville in the early days of their careers, and he helped her when she headlined a syndicated TV show in the 1970s.

“Kenny was a big star, and I couldn’t get any people on my show. Kenny said ‘I’ll do it,’ and I’ll never forget it. He’s always been there for me as a friend.”

Nearly a decade later, Rogers was in the recording studio with Barry Gibb of the Bee Gees, who had just co-written Islands in the Stream and decided to give it to Rogers. After a few days trying to record, Rogers didn’t like how it sounded and was ready to give up. According to Rogers, Gibb said, “You know what we need? We need Dolly Parton.”  By coincidence, Parton happened to be the same studio that day. Rogers’ manager went to go find her.  Recalls Kenny …

“She came marching into the room, and once she came in and started singing, the song was never the same. It took on a personality of its own.” 

Of all their duets, Islands in the Stream is my very favourite, but I find that I have already played it three times here, so … I’ll wait a while before playing it again.


Last night I played We’ve Got Tonight that Kenny sang with Sheena Easton, and I mentioned that while I loved Kenny Rogers, I preferred the Bob Seger version of that particular song.  Well, guess what?  Tonight’s song … same thing!  While I love Kenny Rogers in all things, for this particular one, I prefer Billy Joel’s version.  But, as I said last night, this is a week-long tribute to the late, great Kenny Rogers, not the alive-and-whole Billy Joel.

I actually just discovered that I played the Billy Joel and Barry White versions of this, as well as one where Joel visits Sesame Street with Marlee Matlin back in January, but as I had a special request for the version by Kenny Rogers and Dottie West, that is tonight’s fare!

Just The Way You Are
Kenny Rogers/Dottie West

Don’t go changing to try and please me
You never let me down before
Don’t imagine you’re too familiar
And I don’t see you anymore

I wouldn’t leave you in times of trouble
We never could have come this far
I took the good times; I’ll take the bad times
I’ll take you just the way you are

Don’t go trying some new fashion
Don’t change the color of your hair
You always have my unspoken passion
Although I might not seem to care

I don’t want clever conversation
I never want to work that hard
I just want someone that I can talk to
I want you just the way you are

I need to know that you will always be
The same old someone that I knew
What will it take till you believe in me
The way that I believe in you?

I said I love you and that’s forever
And this I promise from the heart
I could not love you any better
I love you just the way you are

Songwriters: Billy Joel
Just The Way You Are lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Kobalt Music Publishing Ltd., BMG Rights Management

♫ What About Me? ♫

I was still debating, not quite sure if I was ready to do another week-long tribute or not.  It had been suggested by a couple of people, requests had rolled in, and before I fully finished pondering, our friend Ellen commented last night that she was looking forward to the week-long tribute.  So, I guess I have decided to do it!  I was all for it anyway, but I think I have a couple of readers who are not Kenny Rogers’ fans, but … you’ll just have to live with it, guys!  It’s only a week, eh?

This song was written by KennyRogers, noted producer David Foster, and singer-songwriter Richard Marx, who would later achieve superstar status as a musician with Right Here Waiting, and Now and Forever. It was the lead single from Rogers’s Platinum-plus 1984 album of the same name.

Rogers has described What About Me? as “like a three-way love song…Everybody involved said ‘Hey, what about me?’ I think it’s a beautiful record.” Originally the male and female parts not sung by Rogers were to be performed by Lionel Richie and Barbra Streisand, but after Richie backed out of the project, Streisand did as well. The second proposed trio of singers was Rogers, Olivia Newton-John, and Jeffrey Osborne, but Newton-John began working on a duet with Barry Gibb of the Bee Gees and decided not to do both projects simultaneously. Osborne had a conflicting schedule as well, so the line-up of Rogers, Kim Carnes, and James Ingram was ultimately the one that recorded the song.

What About Me?
Kenny Rogers, Kim Carnes, James Ingram

I see you here with me
I’ve waited all my life
For someone like you
Someone to give my heart and soul to

I look into your eyes
Your love for me
Was such a welcome surprise
I think at last I’ve found forever

Oh, what about me?
(I’ll always love you)
Oh, what about me?
(I’ll always need you)
You were my love before
But I need so much more of you

Time after time, I feel I’m losing my mind
Or maybe this is what lovers must go through
It never entered my mind, we could be wasting our time
What am I gonna do?
What about me? Oh, what about me?

No reason to pretend, true love affairs
Don’t have to come to an end
The moment we don’t
Have all the answers

I nearly go insane
(Oh, I go insane)
Each and every time
I hear you whisper my name
(I feel the same)
When I’m around you

But what about me?
(I’ll always love you)
Oh, what about me?
(I’ll always need you)
This is so hard for me
I wanted so much to be with you

Time after time, I feel I’m losing my mind
Or maybe this is what lovers must go through
It never entered my mind, we could be wasting our time
What am I gonna do?

Time after time, I’m losing my mind
It never entered my mind
We could be wasting our time
But what abut me

Source: Musixmatch
Songwriters: David Foster / Kenny Rogers / Richard Marks
What About Me lyrics © Chrysalis Music, Peermusic Iii Ltd, Chrysalis Music (digital Only), Peermusic Iii Ltd (df Account), Lionsmate Music, Co.

♫ Reuben James ♫

It has been suggested by a few that I make a week-long tribute to the late Kenny Rogers.  I hadn’t thought of it … well, I had thought of it, but a number of readers are not fans of Kenny, so I was about to discard the idea, but then I had so many people telling me their faves, and commenting on how Kenny and his music would be sorely missed (we still have his music, folks … it is his legacy to us), that I had to reconsider.

Our friend rawgod has now requested … or rather hinted at … this song twice now, and I feel badly that I hadn’t played it before.  I like the song, though it isn’t one of my favourites, but it highlights that gorgeous, sensual voice of Mr. Rogers (Kenny, not Fred), so for that, I love it.

Typically, I research and report the backstory and history of the song, but quite frankly I could find almost nothing about this song, and since what little I did find was conflicting, I have no history to report.  Rg … if you know of any, please enlighten us?  In lieu of a backstory, I share with you first, the tribute by Kenny’s long-time friend and sometimes musical partner, Dolly Parton, and some pictures of Kenny “through the years”.

kenny-rogers-6kenny-rogers-7

“Well, I couldn’t believe it this morning when I got up, turned on the TV checking to see what the coronavirus was doing, and they told me that my friend and singing partner Kenny Rogers had passed away. You never know how much you love somebody until they’re gone. I’ve had so many wonderful years and wonderful times with my friend Kenny, but above all the music and the success I loved him as a wonderful man and a true friend.

And I know that we all know Kenny is in a better place than we are today but I’m for sure he’s going to be talking to God sometime today, if ain’t already, and he’s going to be asking him to spread some light on this darkness going on here. But I loved Kenny with all my heart. My heart’s broken. A big ol’ chunk of it has gone with him today and I think that I can speak for all his family, his friends and fans, when I say that I will always love him.”

kenny-rogers-8kenny-rogers-9kenny-rogers-10

Reuben James
Kenny Rogers

Reuben James
In my song you live again
And the phrases that I rhyme
Are just the footsteps out of time
From the time when I knew you, Reuben James

Reuben James
All the folks around Madison County cussed your name
You’re just a no-account, sharecropping colored man
Who would steal anything he can
And everybody laid the blame on Reuben James

Reuben James, for you still walk the furrowed field of my mind
Faded shirt, the weathered brow
The calloused hands upon the plow
I loved you then and I love you now, Reuben James

Flora Grey
The gossip of Madison County died with child
And although your skin was black
You were the one that didn’t turn your back
On the hungry white child with no name, Reuben James

Reuben James
With your mind on my soul and a Bible in your right hand
You said “turn the other cheek
A-there’s a better world a-waiting for the meek”
In my mind these words remain from Reuben James

Reuben James, you still walk the furrowed field of my mind
The faded shirt, the weathered brow
The calloused hands upon the plow
I loved you then and I love you now, Reuben James

Reuben Jame
One dark, cloudy day they brought you from the field
Until your lonely pinebox came
Just a preacher and me in the rain
Just to sing one last refrain for Reuben James

Reuben James, you still walk the furrowed field of my mind
The faded shirt, the weathered brow
The calloused hands upon the plow
I loved you then and I love you now, Reuben James

Reuben James, you still walk the furrowed field of my mind
The faded shirt, the weathered brow
The calloused hands upon the plow
I loved you then and I love you now, Reuben James

Source: LyricFind
Songwriters: Alex Harvey / Barry Etris
Reuben James lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management

♫ Through The Years ♫

I had another song already scheduled for this morning.  I was finishing up responding to comments, was on the last one, in fact, and planning to head upstairs to bed at just after 3:00 a.m., when a ‘Breaking News’ banner flashed on my screen:  “Country Music Legend Kenny Rogers Dies at 81”Noooooooooooooooooooo.  cryingI am not a country music fan, but for the most part, I didn’t think of Kenny’s music as hardcore country.  I loved his voice, loved his music, and he wasn’t too hard on the eyes either. 😉 So, tonight I shed a tear and play one two of my favourite Kenny Roger’s songs, Through the Years and Islands in the Stream.

Released in 1981, this song was written by Steve Dorff and Marty Panzer.  The song was produced by Lionel Richie, and it was Richie who decided Through The Years was a good fit for Rogers.  According to co-writer Steve Dorff …

“Kenny was actually the third or fourth person that was approached with that song. Barry Manilow and Mac Davis passed on it. Glen Campbell passed on it. Those were the notable ones. Lionel Richie had heard the song and loved it and played it for his people and that’s how it happened. I got a phone call from Gene Page, that great arranger, who called me and said, ‘Congratulations! We just cut your song with Kenny Rogers, and it sounds amazing.'”

kenny-rogers-1kenny-rogers-2kenny-rogers-3

kenny-rogers-4

Through the Years
Kenny Rogers

I can’t remember when you weren’t there
When I didn’t care for anyone but you
I swear we’ve been through everything there is
Can’t imagine anything we’ve missed
Can’t imagine anything the two of us can’t do

Through the years
You’ve never let me down
You turned my life around
The sweetest days I’ve found
I’ve found with you
Through the years
I’ve never been afraid
I’ve loved the life we’ve made
And I’m so glad I’ve stayed
Right here with you
Through the years

I can’t remember what I used to do
Who I trusted whom, I listened to before
I swear you’ve taught me everything I know
Can’t imagine needing someone so
But through the years it seems to me
I need you more and more

Through the years
Through all the good and bad
I knew how much we had
I’ve always been so glad
To be with you
Through the years
It’s better everyday
You’ve kissed my tears away
As long as it’s okay
I’ll stay with you
Through the years

Through the years
When everything went wrong
Together we were strong
I know that I belonged
Right here with you
Through the years
I never had a doubt
We’d always work things out
I’ve learned what love’s about
By loving you
Through the years

Through the years
You’ve never let me down
You’ve turned my life around
The sweetest days I’ve found
I’ve found with you
Through the years
It’s better everyday
You’ve kissed my tears away
As long as it’s okay
I’ll stay with you
Through the years

Source: LyricFind
Songwriters: Martin Panzer / Stephen Hartley Dorff
Through the Years lyrics © Universal Music Publishing Group


Islands in the Stream
Dolly Parton, Kenny Rogers

Baby, when I met you there was peace unknown
I set out to get you with a fine tooth comb
I was soft inside
There was something going on

You do something to me that I can’t explain
Hold me closer and I feel no pain
Every beat of my heart
We got something going on

Tender love is blind
It requires a dedication
All this love we feel needs no conversation
We ride it together, ah ha
Making love with each other, ah ha

Islands in the stream
That is what we are
No one in between
How can we be wrong
Sail away with me
To another world
And we rely on each other, ah ha
From one lover to another, ah ha

I can’t live without you if the love was gone
Everything is nothing if you got no one
And you did walk in the night
Slowly losing sight of the real thing

But that won’t happen to us and we got no doubt
Too deep in love and we got no way out
And the message is clear
This could be the year for the real thing

No more will you cry
Baby, I will hurt you never
We start and end as one
In love forever
We can ride it together, ah ha
Making love with each other, ah ha

Islands in the stream
That is what we are
No one in between
How can we be wrong
Sail away with me
To another world
And we rely on each other, ah ha
From one lover to another, ah ha

Islands in the stream
That is what we are
No one in between
How can we be wrong
Sail away with me
To another world
And we rely on each other, ah ha
From one lover to another, ah ha

Islands in the stream
That is what we are
No one in between
How can we be wrong
Sail away with me
To another world
And we rely on each other, ah ha
From one lover to another, ah ha

Islands in the stream
That is what we are
No one in between

Source: LyricFind
Songwriters: Maurice Ernest Gibb / Robin Hugh Gibb / Barry Alan Gibb
Islands in the Stream lyrics © Warner Chappell Music, Inc, Universal Music Publishing Group