Tag Archives: Bill Champlin

♫ You’re The Inspiration ♫

Posted on by under Bits 'n Pieces, History, music

Well, I didn’t start out yesterday with the intention of making it a “Chicago weekend”, but after I played Saturday In The Park yesterday, I found I wanted more Chicago!  So … I hope you guys are up for a bit more, too!

David Foster, who became one of the biggest hitmakers of the ’80s and ’90s, wrote this song with Peter Cetera and also produced the album. In working with Foster, the band made some adjustments to their sound in the interest of achieving more hits. Three members of the band were primarily horn players, and they had little to do on most of the Foster/Cetera songs.

The upside was huge, however, as the band found a new audience and was able to continue unabated for three more decades.  According to Bill Champlin, who joined the band in 1981 …

“They were unhappy with it because a lot of these tunes just didn’t call for horns. So, they were very unhappy with it, because they always saw themselves as the star of Chicago. And, at one point, when they first came out, they probably were. But, suddenly, the listeners and the fans of Chicago all listened to the singers and the guitar playing.”

Personally, I am partial to the horns, but that doesn’t keep me from liking the rest of their music, as well.

I did not know that Cetera and Foster wrote this song for Kenny Rogers. When Rogers didn’t record it, they rewrote it a bit and recorded it for Chicago.  Says Cetera …

“David Foster called me up and he said, ‘I’m in the studio with Kenny Rogers, and he would like you to write a song for him.’ And I said, ‘That’s great! As a matter of fact, I’m leaving for Italy…’ I was going to Europe for something. I don’t remember … and this was like nine o’clock in the morning. I said, ‘I’m leaving for Italy tonight around five o’clock. I’ll be there about two weeks, and I’ll call you when I come back.’ And he goes, ‘No, no, no, he means, like, now.’ (….) And so David was in the studio…and of course…you know, last minute. And so I said, ‘Alright, well you come over here right now, and we’ll see what we can do.’ So in the midst of packing, David drove out to where I was then living. And we basically, in about three hours, came up with a little chordal structure for “You’re the Inspiration,” which it wasn’t called that at the time. And we sort of made this little tape of this chord structure; I took it on the plane, and went to Italy. And, of course, lying in these beautiful baroque and marble rooms, and singing out the window…I was writing things about, ‘Michelangelo you should know, Michelangelo.’ And I came up with, oh…you’re the inspiration! So, I came back with the words, worked on this melody, and came back and presented the song. And Kenny basically didn’t have the time or didn’t want to do it. Good for me!”

This one charted at #1 in Canada, #3 in the U.S., and #14 in the UK.

You’re the Inspiration
Chicago

You know our love was meant to be
The kind of love to last forever
And I want you here with me
From tonight until the end of time
You should know
Everywhere I go
Always on my mind
In my heart
In my soul
Baby

You’re the meaning in my life
You’re the inspiration
You bring feeling to my life
You’re the inspiration
Want to have you near me
I want to have you hear me saying
“No one needs you more than I need you”

And I know (And I know)
Yes I know that it’s plain to see
So in love when we’re together
Now I know (Now I know)
That I need you here with me
From tonight until the end of time
You should know (Yes, you need to know )
Everywhere I go
You’re always on my mind
You’re in my heart
In my soul

You’re the meaning in my life
You’re the inspiration
You bring feeling to my life
You’re the inspiration
Want to have you near me
I want to have you hear me saying
“No one needs you more than I need you”
(No one needs you more than I)
Want to have you near me
I want to have you hear me saying
“No one needs you more than I need you”
(No one needs you more)
You’re the meaning in my life
You’re the inspiration
You bring feeling to my life
You’re the inspiration

When you love somebody
‘Til the end of time
When you love somebody
Always on my mind / No one needs you more than I
When you love somebody
‘Til the end of time
When you love somebody
Always on my mind / No on needs you more than I

Source: LyricFind
Songwriters: Peter Cetera / David Foster
You’re the Inspiration lyrics © Peermusic Publishing, Universal Music Publishing Group

♫ After The Love Has Gone ♫d (Redux)

Posted on by under Bits 'n Pieces, History, music

I have good intentions, but … less energy than my intentions require!  And thus, my friends, I am reduxing one yet again, this one I last played in July 2020, but it is one that I really like … it gives me, somehow, that warm, glowy feeling.  I promise that soon I will come up with a few new ones that you guys have requested … honest I will!!!

Released in 1979, this hit #2 in the U.S. and #4 in the UK.  This was written by David Foster, Jay Graydon and Bill Champlin.  Says Graydon …

“David Foster produced an album for Jaye P. Morgan in 1976. It’s a great record. It’s available in Japan, and never did anything here, really. Then he was at Motown playing some songs with Jaye to try to get a deal over there.

He was in the middle of playing a song and he forgot the chorus, and he ad-libbed the chorus to ‘After The Love Has Gone.’ He comes over to my house, and we went into my little dinky studio. He sits down at the piano, and he says, ‘Listen to this chorus.’ He plays it, and I said, ‘Hey, here’s an idea for a verse.’ And I went, ‘da da dom, A major 7, da-D-minor-6, da da A major 7, bom ba da da da F-sharp minor.’ And he just immediately continued on with that, and we had the whole song written in about half an hour/45 minutes.

We called Champlin: ‘Bill, get over here, we need a lyric.’ David was producing Champlin at the time. David recorded it with Champlin, maybe three different versions. He got one that he really liked, though. But then David was also writing with Maurice White for Earth, Wind & Fire for the I Am album. He played the song for Maurice, and Maurice loved it. David called me and says, ‘Hey, man, Earth, Wind & Fire wants to record it, but I don’t want to tell Champlin that it’s gonna have to get pulled off his record. Will you do it?’ I said, ‘I sure will.’ (laughs) I called Bill and I said, ‘Bill, here’s the story.’ And he says, ‘I’m not an idiot, man.’ (laughing) I said, ‘I’m glad you say you’re not an idiot. Because they say this thing’s gonna be a single for sure. And this could be big.’ Needless to say, that song still generates good money. It’s unbelievable.”

The song won two Grammy Awards. Earth, Wind & Fire took the trophy for Best Rhythm & Blues Vocal Performance by a Group, an award they won four times in their career.  The track also won for Best Rhythm & Blues Song, which is bestowed on the writers. It was the first win for David Foster, who would go on to win a total of 16 Grammys. In 1993, he was named Billboard’s Top Singles Producer and Top R&B Producer, while receiving the largest number of Grammy nominations and winning Producer of the Year for Whitney Houston’s soundtrack to The Bodyguard. He also co-wrote the #1 single St. Elmo’s Fire with John Parr.

After the Love Has Gone
Earth, Wind & Fire

For a while, to love was all we could do
We were young and we knew, and our eyes were alive
Deep inside we knew our love was true
For a while we paid no mind to the past
We knew love would last
Every night somethin’ right
Would invite us to begin the dance
Somethin’ happened along the way
What used to be happy was sad
Somethin’ happened along the way
And yesterday was all we had

Oh, after the love has gone
How could you lead me one
And not let me stay around?
Oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found?
For a while to love each other
With all we would ever need
Love was strong for so long
Never knew that what was wrong
Baby, wasn’t right
We tried to find what we had
Til sadness was all we shared
We were scared this affair
Would lead our love into
Somethin’ happened along the way
Yesterday was all we had
Somethin’ happened along the way
What used to be happy is sad
Somethin’ happened along the way
What used to be was all we had

Oh, after the love has gone
How could you lead me on
And not let me stay around?
Oh, oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found?

Oh, oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found
Oh, oh, after the love has gone

Source: LyricFind
Songwriters: David Foster / Jay Graydon / William B. Champlin
After the Love Has Gone lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management

♫ After The Love Has Gone ♫

Posted on by under music

Tonight, after a few hours relaxing and playing a game with the girls, I was feeling fairly mellow and the first song that came to my mind was September, by Earth, Wind & Fire.  I saw that I had played it in August 2018, almost two years ago … time for a redux … but oops … I reduxed it already and just this past February, as a matter of fact.  Sigh … but wait!  I haven’t played this one yet!

Released in 1979, this hit #2 in the U.S. and #4 in the UK.  This was written by David Foster, Jay Graydon and Bill Champlin.  Says Graydon …

“David Foster produced an album for Jaye P. Morgan in 1976. It’s a great record. It’s available in Japan, and never did anything here, really. Then he was at Motown playing some songs with Jaye to try to get a deal over there.

He was in the middle of playing a song and he forgot the chorus, and he ad-libbed the chorus to ‘After The Love Has Gone.’ He comes over to my house, and we went into my little dinky studio. He sits down at the piano, and he says, ‘Listen to this chorus.’ He plays it, and I said, ‘Hey, here’s an idea for a verse.’ And I went, ‘da da dom, A major 7, da-D-minor-6, da da A major 7, bom ba da da da F-sharp minor.’ And he just immediately continued on with that, and we had the whole song written in about half an hour/45 minutes.

We called Champlin: ‘Bill, get over here, we need a lyric.’ David was producing Champlin at the time. David recorded it with Champlin, maybe three different versions. He got one that he really liked, though. But then David was also writing with Maurice White for Earth, Wind & Fire for the I Am album. He played the song for Maurice, and Maurice loved it. David called me and says, ‘Hey, man, Earth, Wind & Fire wants to record it, but I don’t want to tell Champlin that it’s gonna have to get pulled off his record. Will you do it?’ I said, ‘I sure will.’ (laughs) I called Bill and I said, ‘Bill, here’s the story.’ And he says, ‘I’m not an idiot, man.’ (laughing) I said, ‘I’m glad you say you’re not an idiot. Because they say this thing’s gonna be a single for sure. And this could be big.’ Needless to say, that song still generates good money. It’s unbelievable.”

The song won two Grammy Awards. Earth, Wind & Fire took the trophy for Best Rhythm & Blues Vocal Performance by a Group, an award they won four times in their career.  The track also won for Best Rhythm & Blues Song, which is bestowed on the writers. It was the first win for David Foster, who would go on to win a total of 16 Grammys. In 1993, he was named Billboard’s Top Singles Producer and Top R&B Producer, while receiving the largest number of Grammy nominations and winning Producer of the Year for Whitney Houston’s soundtrack to The Bodyguard. He also co-wrote the #1 single St. Elmo’s Fire with John Parr.

After the Love Has Gone
Earth, Wind & Fire

For a while, to love was all we could do
We were young and we knew, and our eyes were alive
Deep inside we knew our love was true
For a while we paid no mind to the past
We knew love would last
Every night somethin’ right
Would invite us to begin the dance
Somethin’ happened along the way
What used to be happy was sad
Somethin’ happened along the way
And yesterday was all we had

Oh, after the love has gone
How could you lead me one
And not let me stay around?
Oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found?
For a while to love each other
With all we would ever need
Love was strong for so long
Never knew that what was wrong
Baby, wasn’t right
We tried to find what we had
Til sadness was all we shared
We were scared this affair
Would lead our love into
Somethin’ happened along the way
Yesterday was all we had
Somethin’ happened along the way
What used to be happy is sad
Somethin’ happened along the way
What used to be was all we had

Oh, after the love has gone
How could you lead me on
And not let me stay around?
Oh, oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found?

Oh, oh, after the love has gone
What used to be right is wrong
Can love that’s lost be found
Oh, oh, after the love has gone

Source: LyricFind
Songwriters: David Foster / Jay Graydon / William B. Champlin
After the Love Has Gone lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management

♫ Hard To Say I’m Sorry ♫

Posted on by under music

I’m hungry … and therefore, it is inevitable that I would play something by Chicago tonight, right?

This song marked a resurgence for Chicago, who had been dropped from their longtime label, Columbia Records, and picked up by the Full Moon label, distributed by Warner Bros.  Hard to Say I’m Sorry was their first single on Full Moon, providing an instant return for the label when the song went to #1 in the U.S. and even became a rare UK hit for Chicago, reaching #4.

Chicago vocalist Peter Cetera wrote this with David Foster, who also played piano on the track.  Foster worked on a similarly themed song for Earth, Wind & Fire a few years earlier in After The Love Has Gone .

Steve Lukather (guitar), David Paich (synthesizer) and Steve Porcaro (synthesizer), all played on this track. These guys were top studio musicians as well as members of Toto. Bringing them in caused plenty of friction in the band, which didn’t like the idea of other musicians playing their parts. But David Foster knew exactly what he wanted, and was willing to bring in the guys who could achieve it.  Bill Champlin, who joined the band in 1981 and suggested they use Foster, explained …

“Foster would just as soon call the A players and bring them in, and I really don’t blame him. Real major players that can get this stuff for you in a minute. They really eyeball with the producer once and give it to him on take one.”

Hard to Say I’m Sorry
Chicago

Everybody needs a little time away
I heard her say
From each other

Even lovers need a holiday
Far away from each other

Hold me now
It’s hard for me to say I’m sorry
I just want you to stay

After all that we’ve been through
I will make it up to you
I promise to

And after all that’s been said and done
You’re just a part of me I can’t let go

Couldn’t stand to be kept away
Just for the day
From your body
Wouldn’t want to be swept away
Far away
From the one that I love

Hold me now
It is hard for me to say I’m sorry
I just want you to know
Hold me now
I really want to tell you I’m sorry
I could never let you go

After all that we’ve been through
I will make it up to you
I promise to

After all that’s been said and done
You’re just a part of me I can’t let go

After all that we’ve been through
I will make it up to you
I promise to

Songwriters: Peter P. Cetera / David Walter Foster
Hard to Say I’m Sorry lyrics © Peermusic Publishing, Universal Music Publishing Group