♫ He Ain’t Heavy, He’s My Brother ♫

And to close our Neil Diamond Week here on Filosofa’s Word, we have this one that was requested by none other than rawgod.  (Bring on the Motown tomorrow!!!)


The history behind the name of the song is interesting …

The title came from the motto for Boys Town, a community formed in 1917 by a Catholic priest named Father Edward Flanagan. Located in Omaha, Nebraska, it was a place where troubled or homeless boys could come for help. In 1941, Father Flanagan was looking at a magazine called The Messenger when he came across a drawing of a boy carrying a younger boy on his back, with the caption, “He ain’t heavy Mr., he’s my brother.” Father Flanagan thought the image and phrase captured the spirit of Boys Town, so he got permission and commissioned a statue of the drawing with the inscription, “He ain’t heavy Father, he’s my brother.”

The statue and phrase became the logo for Boys Town. In 1979, girls were allowed and the name was eventually changed to Girls And Boys Town. The logo was updated with a drawing of a girl carrying a younger girl added.

In 1938, Spencer Tracy portrayed Father Flanagan in the movie Boys Town, which also starred Mickey Rooney. In 1941, they made a sequel called Men Of Boys Town, where they used the phrase “He ain’t heavy, Father, he’s my brother” for the first time in a movie.

This is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies’ version was re-released in 1988 and again was a major hit in the UK.

Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.

The Hollies’ recorded the song in June 1969 at the Abbey Road Studios, with Allan Clarke on lead vocals. I did not know that Elton John, who was working as a session musician at the time, played the piano on the song, as well their next single, I Can’t Tell the Bottom from the Top, for which he was paid a grand sum of £12. The song was released on 26 September 1969 and reached #3 in the UK, and #7 in the US. The song was re-released in August 1988 in the UK following its use in a television advertisement for Miller Lite beer. It reached the #1 spot in the UK chart for two weeks in September 1988.

And then, the following year, came Neil Diamond’s version that appears on his album Tap Root Manuscript, which was released in November 1970.

The song has been covered by many artists, including Olivia Newton-John and The Osmonds!  I like both the Hollies and Neil Diamond’s version, and since it IS Neil Diamond Week, and since rg did request the Diamond version, I shall play both, leading off with Neil’s version.

He Ain’t Heavy, He’s My Brother

The Hollies/Neil Diamond

… The road is long
With many a winding turn
That leads us to who knows where, who knows where
But I’m strong
Strong enough to carry him
He ain’t heavy, he’s my brother

… So on we go
His welfare is of my concern
No burden is he to bear
We’ll get there

… For I know
He would not encumber me
He ain’t heavy, he’s my brother

… If I’m laden at all
I’m laden with sadness
That everyone’s heart
Isn’t filled with the gladness
Of love for one another

… It’s a long, long road
From which there is no return
While we’re on the way to there
Why not share?

… And the load
Doesn’t weigh me down at all
He ain’t heavy, he’s my brother

… He’s my brother
He ain’t heavy, he’s my brother
He ain’t heavy, he’s my brother

Source: LyricFind

Songwriters: Bob Russell / Bobby Scott

He Ain’t Heavy, He’s My Brother lyrics © Music Sales Corporation

♫ A Taste Of Honey ♫ (Redux)

It has been a dark day, newswise, and I determined that I would find a song that would make me smile, for my face seemed to be permanently contorted into a scowl by evening.  An aside … I had thought to do Great Balls of Fire here today, as something of a tribute to Jerry Lee Lewis who died yesterday, but … after reading a bio about Mr. Lewis, I couldn’t, in all good conscience, do it.  He was rather a nasty piece of work throughout his life, and … I just couldn’t.  Then, I thought perhaps something by Barbra Streisand, but nothing put a smile on my face until … HERB ALPERT & THE TIJUANA BRASS!  A few centuries ago when I was a teenager, I was a big fan of Herb Alpert and the Tijuana Brass.  They were by no means the first, nor the last to record this song, but theirs is my favourite version.  As I began listening to the song, I heard a crackling sound … it was the corners of my mouth turning upward for the first time all day!

Songwriters Bobby Scott and Ric Marlow wrote this as the theme to a play of the same name by Shelagh Delaney that was made into a movie in 1961. This instrumental version was recorded by piano player Martin Denny and won a Grammy for Best Instrumental Theme.

In 1966, Alpert received Grammys with his version of the song in three different categories: Best Instrumental Arrangement; Best Instrumental Performance, Non-Jazz; and Record of the Year. In addition, Larry Levine (the engineer for this song) received a Grammy with Alpert’s version for Best Engineered Recording – Non-Classical.

This song has been recorded both as an instrumental and as a vocal by so many artists it would make your head spin.  The Beatles recorded it in 1962, and Tony Bennett in 1964.  Acker Bilk recorded an instrumental version in 1963 that reached #16 in the UK. Barbra Streisand also recorded it in 1963.  I had never heard The Beatles version, so tonight I listened to it, thinking I might play it alongside Herb Alpert’s.  Um … no.  I like The Beatles, mind you, but … not their rendition of this song.  I also listened to Streisand’s version, and again, while I love Barbra … no, just no.  And so, tonight you get … Herb Alpert and the Tijuana Brass …

♫ A Taste Of Honey ♫

For no earthly reason, this popped into my head today in the shower and has refused to leave all day, so … you know what that means!  A few centuries ago when I was a teenager, I was a big fan of Herb Alpert and the Tijuana Brass.  They were by no means the first, nor the last to record this song, but theirs is my favourite version.

Songwriters Bobby Scott and Ric Marlow wrote this as the theme to a play of the same name by Shelagh Delaney that was made into a movie in 1961. This instrumental version was recorded by piano player Martin Denny and won a Grammy for Best Instrumental Theme.

In 1966, Alpert received Grammys with his version of the song in three different categories: Best Instrumental Arrangement; Best Instrumental Performance, Non-Jazz; and Record of the Year. In addition, Larry Levine (the engineer for this song) received a Grammy with Alpert’s version for Best Engineered Recording – Non-Classical.

This song has been recorded both as an instrumental and as a vocal by so many artists it would make your head spin.  The Beatles recorded it in 1962, and Tony Bennett in 1964.  Acker Bilk recorded an instrumental version in 1963 that reached #16 in the UK. Barbra Streisand also recorded it in 1963.  I had never heard The Beatles version, so tonight I listened to it, thinking I might play it alongside Herb Alpert’s.  Um … no.  I like The Beatles, mind you, but … not their rendition of this song.  I also listened to Streisand’s version, and again, while I love Barbra … no, just no.  And so, tonight you get … Herb Alpert and the Tijuana Brass …