♫ Mama Told Me (Not To Come) ♫

As I wrapped up Bob Seger Week just over a week ago, I commented that I had a lot of fun with it and hoped to do another “artist week” soon.  Our friend Keith threw out two suggestions for my next series … Three Dog Night and Jackson Browne.  Both have some really good songs that I love, so I was having a hard time deciding and asked my daughter, who knows my taste in music better than anybody, which she thought I would do best with, to which after some “hmmmm”s, chin-rubbing and head-scratching, she said probably Three Dog Night.  And thus, today is the official beginning of Three Dog Night Week!  Feel free to make requests or suggestions!  Now, let’s have some fun with Three Dog Night!

I’m starting the week off with what is considered to have been their biggest hit on both sides of the pond.   According to SongFacts …

This was written by Randy Newman, the nephew of Academy Award-winning composer Lionel Newman. The song is about a party that left a “bad taste” in the writer’s mouth. The drug scene was fairly new to American middle-class youth at that time.

Randy Newman explained in a 2017 interview with Rolling Stone: “It’s a guy going to a party, and he’s a little scared. The first line (“Will you have whiskey with your water or sugar with your tea”) was a vague connection to acid. I don’t remember being thrown off by that stuff then. If I was that unsophisticated – which is possible – I wouldn’t admit it.”

Eric Burdon & The Animals released the first version of this song, including it on their 1967 album Eric Is Here. That same year, P.J. Proby also covered the song.

At this point, Randy Newman had yet to release any solo material. When he started recording his own material (starting with his 1968 debut album) many of the songs had already been recorded by others. “Mama Told Me Not to Come” was included on his second album, 12 Songs, which came out around the same time Three Dog Night issued it. Newman had little chart success as an artist in these early years, but Three Dog Night did, and their raucous rendition was the one listeners preferred. Newman at first dismissed them as a “teeny-bopper” band, but later rescinded that statement, saying he liked their version a great deal.

He enjoyed the royalty checks as well, a fact confirmed by Three Dog Night’s lead singer Cory Wells who said after it became a #1 hit, Newman called him and said “I just want to thank you for putting my kids through college.”

This song has the distinction of being the very first #1 hit on the American Top 40 syndicated radio program. The show, hosted by Casey Kasem, became popular on AM radio throughout the world until its decline in the mid-1990s. This beat out The Beatles’ “The Long and Winding Road” (their last hit record before the final breakup) and Elvis Presley’s “The Wonder of You” for top chart honors in early August 1970.

This charted at #1 in the U.S., #2 in Canada, and #3 in the UK.  Billboard ranked the record as the #11 song of 1970. The single was certified gold by the Recording Industry Association of America on July 14, 1970. It was also the number-one song on the premiere broadcast of American Top 40 with Casey Kasem on July 4, 1970.

Mama Told Me (Not To Come)

Three Dog Night

Want some whiskey in your water?
Sugar in your tea?
What’s all these crazy questions they’re askin’ me?
This is the craziest party that could ever be
Don’t turn on the lights ’cause I don’t wanna see

Mama told me not to come
Mama told me not to come
That ain’t the way to have fun, no (uh-uh)

Open up the window, let some air into this room
I think I’m almost chokin’ from the smell of stale perfume
And that cigarette you’re smokin’ ’bout scare me half to death
Open up the window, sucker, let me catch my breath

Mama told me not to come
Mama told me not to come
That ain’t the way to have fun, son
That ain’t the way to have fun, son (oh, yeah!)

The radio is blastin’, someone’s knockin’ at the door
I’m lookin’ at my girlfriend, she’s passed out on the floor
I seen so many things I ain’t never seen before
Don’t know what it is, I don’t wanna see no more

Mama told me not to come
Mama told me not to come
She said, (“That ain’t the way to have fun, son”)
(“That ain’t the way to have fun, no”)

Mama told me, mama told me
Mama told me, told me, told me
Mama told me
Oh, yeah
Mama told me, not to go…

That ain’t the way to have fun, no
That ain’t the way to have fun, son
That ain’t the way to have fun, no (look at you)
That ain’t the way to have fun, son

Listen to mama, listen to me baby
Mama told me, not to go…

That ain’t the way to have fun, no (yeah!)
That ain’t the way to have fun, son (somebody tell ’em)
That ain’t the way to have fun, no (mama)
That ain’t the way to have fun, son

Source: Musixmatch

Songwriters: Randy Newman

Mama Told Me (Not to Come) lyrics © Unichappell Music Inc., Walt Disney Music Company

♫ Ain’t No Sunshine ♫ (Redux)

I was in the mood for this tonight … dunno why, don’t care why … just wanted to hear/play it!


Bill Withers was 31 years old, working at a factory making toilet seats for 747s in 1971 when he wrote Ain’t No Sunshine. Casey Kasem reported that when the song went gold, the record company presented Withers with a golden toilet, marking the start of his new career.

Withers was inspired to write this song after watching the 1962 movie Days of Wine and Roses. He explained, in reference to the characters played by Lee Remick and Jack Lemmon, “They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”

For the song’s third verse, Withers had intended to write more lyrics instead of repeating the phrase “I know” 26 times, but then followed the advice of Booker T. Jones, who would later become the front-man for Booker T. and the M.G.s, he left it alone.  Graham Nash and Stephen Stills, both of Crosby, Stills and Nash fame, concurred, so …

“I wasn’t going to do that, then Booker T. said, ‘No, leave it like that.’ I was going to write something there, but there was a general consensus in the studio. It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”

Besides Michael Jackson, this has been covered by many artists in a wide range of styles. Paul McCartney, Isaac Hayes, Lionel Hampton, Prince, Sting, Kenny Rogers, Tom Jones and Lighthouse Family have all recorded it.  I cannot recall having heard any of the others, and will someday manage to check out at least the McCartney and Rogers versions, but for tonight, I am tired and longing for my bed.

I debated between playing this song or Just The Two Of Us … I love them both, but this one came to mind first, as I found myself in the kitchen, singing … “I know, I know, I know, I know …” 

Ain’t No Sunshine
Bill Withers

Ain’t no sunshine when she’s gone
It’s not warm when she’s away
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away

Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away

And I know, I know, I know, I know,
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know,
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone

Ain’t no sunshine when she’s gone
Only darkness every day
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away

Songwriters: Bill Withers
Ain’t No Sunshine – Single Version lyrics © Universal Music Publishing Group, BMG Rights Management

♫ Ain’t No Sunshine ♫ (Redux)

Bill Withers was 31 years old, working at a factory making toilet seats for 747s in 1971 when he wrote Ain’t No Sunshine. Casey Kasem reported that when the song went gold, the record company presented Withers with a golden toilet, marking the start of his new career.

Withers was inspired to write this song after watching the 1962 movie Days of Wine and Roses. He explained, in reference to the characters played by Lee Remick and Jack Lemmon, “They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”

For the song’s third verse, Withers had intended to write more lyrics instead of repeating the phrase “I know” 26 times, but then followed the advice of Booker T. Jones, who would later become the front-man for Booker T. and the M.G.s, he left it alone.  Graham Nash and Stephen Stills, both of Crosby, Stills and Nash fame, concurred, so …

“I wasn’t going to do that, then Booker T. said, ‘No, leave it like that.’ I was going to write something there, but there was a general consensus in the studio. It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”

Besides Michael Jackson, this has been covered by many artists in a wide range of styles. Paul McCartney, Isaac Hayes, Lionel Hampton, Prince, Sting, Kenny Rogers, Tom Jones and Lighthouse Family have all recorded it.  I cannot recall having heard any of the others, and will someday manage to check out at least the McCartney and Rogers versions, but for tonight, I am tired and longing for my bed.

I debated between playing this song or Just The Two Of Us … I love them both, but this one came to mind first, as I found myself in the kitchen, singing … “I know, I know, I know, I know …” 

Ain’t No Sunshine
Bill Withers

Ain’t no sunshine when she’s gone
It’s not warm when she’s away
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away

Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away

And I know, I know, I know, I know,
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know,
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone

Ain’t no sunshine when she’s gone
Only darkness every day
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away

Songwriters: Bill Withers
Ain’t No Sunshine – Single Version lyrics © Universal Music Publishing Group, BMG Rights Management

♫ Ain’t No Sunshine ♫

Bill Withers was 31 years old, working at a factory making toilet seats for 747s in 1971 when he wrote Ain’t No Sunshine. Casey Kasem reported that when the song went gold, the record company presented Withers with a golden toilet, marking the start of his new career.

Withers was inspired to write this song after watching the 1962 movie Days of Wine and Roses. He explained, in reference to the characters played by Lee Remick and Jack Lemmon, “They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”

For the song’s third verse, Withers had intended to write more lyrics instead of repeating the phrase “I know” 26 times, but then followed the advice of Booker T. Jones, who would later become the front-man for Booker T. and the M.G.s, he left it alone.  Graham Nash and Stephen Stills, both of Crosby, Stills and Nash fame, concurred, so …

“I wasn’t going to do that, then Booker T. said, ‘No, leave it like that.’ I was going to write something there, but there was a general consensus in the studio. It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”

Besides Michael Jackson, this has been covered by many artists in a wide range of styles. Paul McCartney, Isaac Hayes, Lionel Hampton, Prince, Sting, Kenny Rogers, Tom Jones and Lighthouse Family have all recorded it.  I cannot recall having heard any of the others, and would check out at least the McCartney and Rogers versions tonight, but … sigh … ’tis the night before Thanksgiving, I’ve been in the kitchen half the day and must get up early to chop veggies for homemade stuffing and put the bird in the oven, so I will pass on the other versions for tonight.

I debated between playing this song or Just The Two Of Us … I love them both, but this one came to mind first, as I found myself in the kitchen, singing … “I know, I know, I know, I know …” 

Ain’t No Sunshine
Bill Withers

Ain’t no sunshine when she’s gone
It’s not warm when she’s away
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away

Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away

And I know, I know, I know, I know,
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know,
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone

Ain’t no sunshine when she’s gone
Only darkness every day
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away

Songwriters: Bill Withers
Ain’t No Sunshine – Single Version lyrics © Universal Music Publishing Group, BMG Rights Management

♫ Indian Reservation ♫

“Indian Reservation (The Lament of the Cherokee Reservation Indian)” is a song written by John D. Loudermilk.  The song is about the plight of the Cherokee Indians, who in 1791 were displaced from their home in Georgia to a reservation in Oklahoma. Raiders frontman Mark Lindsay, whose ancestry was part Indian, thought that this would be a good song to record.

The first hit version of this song was recorded in 1968 by a British singer named Don Fardon, who took the song to #20 in the US and #3 in the UK. Raiders used more keyboards and modern production elements in their 1971 rendition, which reached #1 in the US in July that year.

When Casey Kasem, host of the popular radio show American Top 40 asked John D. Loudermilk about writing this song, Loudermilk embellished a story about meeting a Cherokee indian named Bloody Bear Tooth who told him about the plight of his people. Kasem repeated the story on his show, giving the song an intriguing but false backstory.

This song became not just The Raiders’ biggest hit, but the best-selling single for Columbia Records. Isn’t it ironic that a song like this, brimming with simmering rage and an implied threat to retake the land for the natives, was written by a white country songwriter, recorded by a band named after the white European patriots whose colonization of the US took the land from the Cherokees in the first place, and sold by Columbia Records, a company originating as “Columbia Graphophone Company” in the UK?

The last line of the song was prophetic. The Eastern and Western bands of the Cherokee Nation became one again on April 6, 1984 when the tribes officially reunited at the Red Clay Council Grounds (now a state park) outside Cleveland, Tennessee.

And now, ladies and gentlemen … I give you … Paul Revere and the Raiders!!!

Indian Reservation
Paul Revere & the Raiders

They took the whole Cherokee nation
Put us on this reservation
Took away our ways of life
The tomahawk and the bow and knife
Took away our native tongue
And taught their English to our young
And all the beads we made by hand
Are nowadays made in Japan

Cherokee people
Cherokee tribe
So proud to live
So proud to die

They took the whole Indian nation
Locked us on this reservation
Though I wear a shirt and tie
I’m still part redman deep inside

Cherokee people
Cherokee tribe
So proud to live
So proud to die

But maybe someday when they learn
Cherokee nation will return, will return
Will return, will return, will return

Songwriters: John Loudermilk / John D Loudermilk
Indian Reservation lyrics © Sony/ATV Music Publishing LLC