♫ Don’t Know Much ♫ (Redux)

I have had this bloomin’ song stuck in my head for two whole days now, so you guys know what that means, right?  Yes, it means I simply must share it before it drives me nuts.  Mind you, I love this song … but anything that inhabits your sleeping as well as waking moments really needs to be shared.  I last played this in September 2018, so it’s time to feature it again.


The husband-and-wife songwriting team of Barry Mann and Cynthia Weil wrote this with Tom Snow, who is known for his work on music for movies such as Footloose.  The song first appeared on Mann’s self-titled album in 1980. Bill Medley recorded it in 1981, and Bette Midler released a version called “All I Need To Know” in 1983. But the version that stands above the crowd is this one, a duet with Linda Ronstadt and Aaron Neville.

Ronstadt and Neville met at the 1984 World’s Fair when both were performing there and realized their mutual admiration. When they decided to work together, they picked this song, which was brought to their attention by producer Steve Tyrell.  This won a Grammy for Best Vocal Performance by a Pop Group or Duo. Ronstadt and Neville would team up for another Grammy-winning song, “All My Life,” which earned the same prize in 1990.

Neville and Ronstadt portray in the song’s music video a couple still in love in their middle age. Neville told Mojo magazine February 2013 that despite the rumors, he and Ronstadt were no more than friends. He said: “The guy who directed called us in a room and said, ‘Look – if y’all ain’t gonna make this thing believable, there ain’t no sense in doin’ it.’ Linda’s a pretty woman – it wasn’t hard to portray that. But they had all kinda stupid rumors out. None of ’em were true ‘cos we’re friends. We respected each other. But I look at the video and it looks kinda suspect (laughs).”

Don’t Know Much
Linda Ronstadt, Aaron Neville

Look at this face I know the years are showing
Look at this life I still don’t know where it’s going

I don’t know much but I know I love you
That may be all I need to know

Look at these eyes they never seen what matters
Look at these dreams so beaten and so battered

I don’t know much but I know I love you
That may be all I need to know

So many questions still left unanswered
So much I’ve never broken through
And when I feel you near me, sometimes I see so clearly
That only truth I’ll never know is me and you

Look at this man so blessed with inspiration
Look at this soul still searching for salvation

I don’t know much but I know I love you
That may be all I need to know

I don’t know much but I know I love you
That may be all I need to know

I don’t know much but I know I love you
That may be all there is to know

Songwriters: Tom Snow / Cynthia Weil / Barry Mann
Don’t Know Much lyrics © Karen Schauben Publishing Administration

♫ Hit The Road Jack ♫

Let’s close our eyes for a minute … no, I didn’t say go to sleep … wake up, Joe!  Close your eyes and travel back in time … the year is 1961 … I was ten years old, but I remember this song like it was yesterday.

Although Ray Charles wrote many of the songs he recorded, this one was actually written by his friend, Percy Mayfield. 

Percy_MayfieldMayfield himself had been a popular performer, singing mainly rhythm & blues, but in 1952, at the height of his career, Mayfield was severely injured in an automobile crash.  He was returning from a performance in Las Vegas to Los Angeles as the front-seat passenger in a chauffeur-driven car. The vehicle hit the back of an unseen stationary truck, and Mayfield was hit by debris. Though pronounced dead at the scene, he eventually recovered but spent two years convalescing. The accident left him with a facial disfigurement that eventually ended his career as a performer but did not halt his prolific songwriting.

This song was first recorded in 1960 as an a cappella demo sent to Art Rupe, but it didn’t become famous until it was recorded by the singer-songwriter-pianist Ray Charles with The Raelettes vocalist Margie Hendrix, and eventually became one of Charles’ signature songs.

Charles’s recording hit #1 for two weeks on the Billboard Hot 100, beginning on Monday, October 9, 1961. Hit the Road Jack won a Grammy award for Best Rhythm and Blues Recording. The song was #1 on the R&B Sides chart for five weeks, thereby becoming Charles’s sixth number-one on that chart. The song is ranked number 387 on Rolling Stone magazine’s list of “The 500 Greatest Songs of All Time”.

I am told that many professional and semi-professional hockey teams play the first few lines whenever a player is sent to the penalty box.

I found a bit of cool trivia about Ray Charles, including the fact that he owned his own plane and even flew it, though he had been blind since the age of 7!  Take a look for yourself.

I am playing two versions tonight … both by Ray Charles, but one is the original recorded in 1961, and the second is 35 years later when Ray Charles, then … played it on Saturday Night live.  I liked both, loved seeing Ray Charles still as vibrant as ever.

Hit the Road Jack
Ray Charles

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more
What’d you say?

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more

Oh woman, oh woman, don’t treat me so mean
You’re the meanest old woman that I’ve ever have seen
I guess if you say so
I’ll have to pack my things and go (that’s right)

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more
What’d you say?

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more

Now baby, listen baby, don’t you treat me this way
‘Cause I’ll be back on my feet some day
Don’t care if you do, ’cause it’s understood
You ain’t got no money, you just ain’t no good
Well, I guess if you say so
I’ll have to pack my things and go (that’s right)

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more
What’d you say?

Hit the road Jack and don’t you come back
No more, no more, no more, no more
Hit the road Jack and don’t you come back
No more

Well (don’t you come back no more)
Uh, what you say? (don’t you come back no more)
I didn’t understand you (don’t you come back no more)
You can’t mean that (don’t you come back no more)
Oh now baby please (don’t you come back no more)
What you tryin’ to do to me? (don’t you come back no more)
Oh, don’t treat me like that, baby (don’t you come back no more)

Source: LyricFind
Songwriters: Percy Mayfield
Hit the Road Jack lyrics © The Ray Charles Foundation Dba Tangerine Music

♫ Caribbean Queen (No More Love On The Run) ♫

It’s funny how you can go for years without thinking of a certain artist or a song, then you hear him/her mentioned and 💡 it’s what I call a lightbulb moment … the sound, the songs, all come rolling back!  A fellow-blogger happened to mention Billy Ocean the other day, and this song has been stuck in my head ever since!

The first version of this song was titled “European Queen (No More Love On The Run)” and released in the UK. In went nowhere, so Ocean and his team edited the song, changing it to “Caribbean Queen.” This version was a hit in both the U.S. and UK, hitting #1 in the U.S. and #6 in the UK.  A third version, “African Queen,” was made for that continent. The video was edited for the different versions so ocean would be singing the right words.

This won the 1984 Grammy Award for Best Rhythm & Blues Vocal Performance. It gave Billy Ocean his first #1 U.S. hit.  

Caribbean Queen (No More Love On The Run)
Billy Ocean


She dashed by me in painted on jeans
And all heads turned ’cause she was the dream
In the blink of an eye I knew her number and her name yeah
Ah she said I was the tiger she wanted to tame


Caribbean queen
Now we’re sharing the same dream
And our hearts they beat as one
No more love on the run


I lose my cool when she steps in the room
And I get so excited just from her perfume
Electric eyes that you can’t ignore
And passion burns you like never before


I was in search of a good time
Just running my game
Love was the furthest
Furthest from my mind


Caribbean queen
Now we’re sharing the same dream
And our hearts they beat as one
No more love on the run


Caribbean queen
Now we’re sharing the same dream
And our hearts they beat as one
No more love on the run


Caribbean queen
Now we’re sharing the same dream
And our hearts they beat as one
No more love on the run


Source: LyricFind
Songwriters: Billy Ocean / Keith Vincent Alexander / Leslie Sebestian Charles
Caribbean Queen (No More Love On The Run) lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Royalty Network

♫ Monday, Monday ♫

I thought this one appropriate for the day …

While awaiting the release of California Dreamin’, band member Denny Doherty was prodding songwriter John Phillips to come up with some new material. Phillips said he would come back in the morning with “A song with universal appeal.”  Monday, Monday was that song, which Phillips said took him all of about 20 minutes to write.

Interestingly, Doherty, who sang lead on this song for The Mamas & the Papas thought very little of Monday Monday when they recorded it.

“Nobody likes Monday, so I thought it was just a song about the working man. Nothing about it stood out to me; it was a dumb f–kin’ song about a day of the week.”

As you can imagine, he was taken by surprise when the song became a huge hit. Doherty wasn’t alone in his incredulity: Mama Cass and Michelle Phillips didn’t like the song either, and John Phillips claimed he had no idea what the song meant.

The Mamas & the Papas used top-tier Los Angeles studio musicians on their recordings. On this track, Larry Knechtel played keyboards, Joe Osborn played bass, Hal Blaine was on drums and P.F. Sloan played guitar. Sloan was the baby of the bunch, just 20 years old when the song was released in 1966.

On March 2, 1967, the Mamas & the Papas won a Grammy Award for this song, in the category Best Pop Performance by a Duo or Group with Vocal.  The song was performed at the Monterey Pop Festival in 1967. The performance was filmed for the movie of the festival, but not included in the final print.

The song charted at #1 in Canada and the U.S., #3 in the UK

Monday, Monday
The Mamas & the Papas

Bah da bah da da da
Bah da bah da da da
Bah da bah da da da

Monday, Monday, so good to me
Monday mornin’, it was all I hoped it would be
Oh Monday mornin’, Monday mornin’ couldn’t guarantee
That Monday evenin’ you would still be here with me

Monday, Monday, can’t trust that day
Monday, Monday, sometimes it just turns out that way
Oh Monday mornin’ you gave me no warnin’ of what was to be
Oh Monday, Monday, how could you leave and not take me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A you can find me cryin’ all of the time

Monday, Monday, so good to me
Monday mornin’, it was all I hoped it would be
But Monday mornin’, Monday mornin’ couldn’t guarantee
That Monday evenin’ you would still be here with me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A you can find me cryin’ all of the time

Monday, Monday, can’t trust that day
Monday, Monday, it just turns out that way
Oh Monday, Monday, won’t go away
Monday, Monday, it’s here to stay
Oh Monday, Monday
Oh Monday, Monday

Writer/s: JOHN EDMUND ANDREW PHILLIPS
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

♫ Another Day In Paradise ♫

I’ve had a song stuck in my head all day, and I have no idea where it came from or why it chose today to pop into my poor head, but it did.  I was rather mindlessly humming it, with intermittent bursts of lyrics emitting in my warbling, wheezy voice that nobody would mistake for Patti LaBelle, when I decided that I rather liked having the song in my head after all.  First, I love … that’s LOVE with a capital ‘L’ … Phil Collins, love the tune to this song, but perhaps what I like most is that it has meaning … is socially conscious.  And so … since I need to sleep for a few hours without Phil Collins singing in my ear … wait a minute, what am I saying???  Anyway, I shall try to transfer my earworm to you for a few hours, eh?

The song, published in 1989, is about the consequences of ignoring the needy and homeless.  According to Collins …

“It was begun at the piano. I started playing and put it down on a tape so I wouldn’t forget it. Then I decided to see what would happen when I started singing. When I began, the words just came out, ‘She calls out to the man on the street.’ I didn’t set out to write a song about the homeless. Those were just the words I happened to sing. It was only then that I decided that was what the song would be about.”

This song was Collins’ seventh and final Billboard Hot 100 #1 single, the last #1 single of the 1980s and the first #1 single of the 1990s. It was also a worldwide success, eventually becoming one of the most successful songs of his solo career. It won Collins and co-producer Hugh Padgham the Grammy Award for Record of the Year at the 1991 awards ceremony, while it was also nominated for Song of the Year, Best Pop Vocal Performance, Male and Best Music Video, Short Form. Another Day in Paradise also won an award for British Single at the 1990 Brit Awards.

Despite the awards gained following its release, the song also generated some controversy over its subject matter and has received a largely negative reaction from music critics.  Singer-songwriter and political activist Billy Bragg was scathing of the song.

“Phil Collins might write a song about the homeless, but if he doesn’t have the action to go with it he’s just exploiting that for a subject.”

Andrew Collins described the song as a “bland redress” for the subject of homelessness.  Caroline Sullivan of The Guardian dismissed the track in 2007 as “a song that addressed the issue of homelessness with the same insight as Sporty Spice’s ‘If That Were Me'”.  David Sheppard described the song’s lyrics as “cringe-worthy” and gave it as an example of Collins “painting the bull’s-eye on his own forehead” when it came to his negative status with music critics.  Hugh Wilson contrasted Collins’ concern for the homeless in the song with his concern as a multimillionaire at the prospect of the UK’s election of a tax-raising socialist government.

Despite all that criticism, the fact remains that this song was a hit in many countries from Australia to Zimbabwe!

Another Day in Paradise
Phil Collins

She calls out to the man on the street
‘Sir, can you help me?
It’s cold and I’ve nowhere to sleep,
Is there somewhere you can tell me?’

He walks on, doesn’t look back
He pretends he can’t hear her
Starts to whistle as he crosses the street
Seems embarrassed to be there

Oh think twice, it’s another day for you and me in paradise
Oh think twice, ’cause it’s just another day for you,
You and me in paradise, think about it

She calls out to the man on the street
He can see she’s been crying
She’s got blisters on the soles of her feet
She can’t walk but she’s trying

Oh think twice, ’cause it’s another day for you and me in paradise
Oh think twice, it’s just another day for you,
You and me in paradise, think about it

Oh Lord, is there nothing more anybody can do
Oh Lord, there must be something you can say

You can tell from the lines on her face
You can see that she’s been there
Probably been moved on from every place
Cause she didn’t fit in there

Oh think twice, ’cause another day for you and me in paradise
Oh think twice, it’s just another day for you,
You and me in paradise, just think about it, think about it

It’s just another day for you and me in paradise
It’s just another day for you and me in paradise, paradise
It’s just another day for you and me in paradise
It’s just another day for you and me in paradise, paradise
It’s just another day for you and me
It’s just another day for you and me
It’s just another day for you and me in paradise
In paradise

Songwriters: Phil Collins
Another Day in Paradise lyrics © EMI Music Publishing, Concord Music Publishing LLC

♫ Blue Eyes ♫

I’m in an Elton sort of mood tonight, and this is one that I haven’t yet played.  Why am I in an Elton sort of mood?  Because I just finished writing a rant-y sort of post that has left me agitated, because I’ve lost the little rubber tip to my cigarette rolling machine, because the a/c still isn’t fixed, because I washed windows today and they don’t look much better than they did before I washed them, and most of all, I think, because I’m tired and frustrated.  A few people can relieve all those symptoms, and Elton is one such.

Released in 1982, both as a single and on the album Jump Up!, it hit #8 in the UK and #10 in the U.S. and was nominated for a Grammy Award in 1983.  The music and lyrics were written by Elton and Gary Osborne, but there really isn’t much trivia that I could find about the song.  The video you are about to see was filmed in Australia, on Sydney’s famous Bondi to Bronte walk.  So, grab a cracker and some peanut butter and just listen …

Blue Eyes
Elton John

Blue eyes
Baby’s got blue eyes
Like a deep blue sea
On a blue blue day

Blue eyes
Baby’s got blue eyes
When the morning comes
I’ll be far away
And I say

Blue eyes holding back the tears
Holding back the pain
Baby’s got blue eyes
And she’s alone
Again

Blue eyes
Baby’s got blue eyes
Like a clear blue sky
Watching over me

Blue eyes
Ooh I love blue eyes
When I’m by her side
Where I long to be
I will see

Blue eyes laughing in the sun
Laughing in the rain
Baby’s got blue eyes
And I am home, and I am home again

Blue eyes laughing in the sun
Laughing in the rain
Baby’s got blue eyes
And I am home again

Songwriters: Elton John, Gary Osborne
Blue Eyes lyrics © Universal Music Publishing Group

♫ How Deep Is Your Love ♫

It seemed that I had played every one of my favourite artists lately, and last night I was randomly searching my dusty memory banks for somebody I hadn’t played in the past month when I hit on the Bee Gees.  Odd, but I haven’t heard their music or thought about them for years.  So, then I had to try to remember which of their repertoire was my favourite, and I came up with this one, How Deep Is Your Love.

The track for this one was written mainly by the Gibb brothers — Barry, Robin and Maurice.  Barry worked out the melody with keyboard player Blue Weaver, though he is not credited officially as a songwriter.  The song was originally written for Amrican singer Yvonne Elliman, but Robert Stigwood, who produced the movie Saturday Night Fever, insisted the Bee Gees perform it themselves for the soundtrack.

The song won Best Pop Performance by a Group at the 20th Grammy Awards which were held on 23 February 1978.

An interesting bit of trivia … according to SongFacts …

A songwriter/antiques dealer in Illinois named Ronald Selle sued the Bee Gees, claiming a song he wrote in 1975 called “Let It End” was the basis for “How Deep Is Your Love.” The case went to a jury in 1983. The Bee Gees claimed that they had never heard “Let It End,” and there was no evidence that they did (that song was never released – Selle made a home recording that he had sent to music publishers). The case was based on the similarities between the songs, and an expert witness for Selle – a musicologist named Arrand Parsons – tried to convince the jury through technical analysis of the notes that the Bee Gees plagiarized the song. The jury bought it, and ruled that the Bee Gees did copy Selle’s song. The judge, however, nullified the verdict. Selle later appealed, and was once again rebuffed.

The case underscored the problem of juries making judgments on music, and it led to a landmark ruling that “striking similarities” between songs was not enough to prove plagiarism (something George Harrison would have appreciated). Henceforth, a songwriter had to prove that the infringing party actually heard the song before the case could move forward. This is one reason why music publishers and songwriters refuse to hear most unsolicited material.

How Deep Is Your Love
Bee Gees

I know your eyes in the morning sun
I feel you touch me in the pouring rain
And the moment that you wander far from me
I want to feel you in my arms again
And you come to me on a summer breeze
Keep me warm in your love, then you softly leave
And it’s me you need to show

How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
‘Cause we’re living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

I believe in you
You know the door to my very soul
You’re the light in my deepest, darkest hour
You’re my savior when I fall
And you may not think I care for you
When you know down inside that I really do
And it’s me you need to show

How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
‘Cause we’re living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

And you come to me on a summer breeze
Keep me warm in your love, then you softly leave
And it’s me you need to show

How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
‘Cause we’re living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

How deep is your love, how deep is your love
I really mean to learn
‘Cause we’re living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

How deep is your love, how deep is your love
I really mean to learn
‘Cause we’re living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

Songwriters: Barry Gibb / Maurice Ernest Gibb / Robin Hugh Gibb
How Deep Is Your Love lyrics © Warner/Chappell Music, Inc, Universal Music Publishing Group, Kobalt Music Publishing Ltd.

♫ Somewhere Out There ♫

The first time I heard this song was when I saw An American Tail … probably some years after its 1986 release.  It’s a cute film and I fell in love with the song.  The only other song I can remember right offhand from that film is There Are No Cats In America, the title of which, of course, is a blatant lie!

The song was written by James Horner, Barry Mann and Cynthia Weil, and produced by Peter Asher and Steve Tyrell.  It is sung by James Ingram and Linda Ronstadt.  The story goes that Stephen Spielberg, who produced An American Tail, invited songwriters Barry Mann and Cynthia Weil to collaborate with James Horner on four songs for its soundtrack, to be completed in a four-week timeframe. The composers “felt no pressure to come up with a radio-friendly hit” and were surprised when Spielberg felt the song had Top 40 hit potential and recruited world-renowned recording artists, Linda Ronstadt and James Ingram, to record a pop version of it for the film’s closing credits.

At the 30th Grammy Awards, the song won two awards, one for Song of the Year and the other for Best Song Written Specifically for a Motion Picture or Television. It also garnered Ronstadt and Ingram a Grammy nomination for Best Pop Performance by a Duo or Group with Vocal.

Somewhere Out There
James Ingram, Linda Ronstadt

Somewhere out there beneath the pale moonlight
Someone’s thinking of me and loving me tonight
Somewhere out there someone’s saying a prayer
That we’ll find one another in that dream somewhere out there

And even though I know how very far apart we are
It helps to think we might be wishin’ on the same bright star
And when the night wind starts to sing a lonesome lullaby
It helps to think we’re sleeping underneath the same big sky

Somewhere out there, if love can see us through
Then we’ll be together somewhere out there
Out where dreams come true

And even though I know how very far apart we are
It helps to think we might be wishin’ on the same bright star
And when the night wind starts to sing a lonesome lullaby
It helps to think we’re sleeping underneath the same big sky

Somewhere out there, if love can see us through
Then we’ll be together somewhere out there
Out where dreams come true

Songwriters: James Horner / Cynthia Weil / Barry Mann
Somewhere Out There lyrics © Universal Music Publishing Group

♫ If You Leave Me Now ♫

Chicago’s bass player Peter Cetera wrote this and sang lead. Cetera specialized in ballads, adding variety to the band’s sound which featured many more rock-oriented songs.

Released in July 1976, the song topped the US charts on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts. If You Leave Me Now was also Chicago’s biggest hit internationally, topping the charts in other countries such as the UK, Australia, Ireland, Canada, and Netherlands.

In 2010 Chicago teamed with the American Cancer Society and offered the opportunity to bid on the chance to sing their hit, If You Leave Me Now with them on stage live at their concerts, with proceeds going to the American Cancer Society to fight breast cancer.

Considering their longevity and success, it’s surprising how Chicago has been spurned by both the Rock and Roll Hall of Fame and the Grammys. The band’s only Grammy award came for this song, when it won for Best Pop Vocal Performance By a Duo, Group or Chorus.

The song also won the award for Best Arrangement Accompanying Vocalist(s), which went to James William Guercio and Jimmie Haskell.

If You Leave Me Now
Chicago

If you leave me now, you’ll take away the biggest part of me
No baby please don’t go
If you leave me now, you’ll take away the very heart of me
No baby please don’t go

A love like ours is love that’s hard to find
How could we let it slip away
We’ve come too far to leave it all behind
How could we end it all this way
When tomorrow comes we’ll both regret
Things we said today

‘Cause I need you more than you’ll ever know

Writer/s: PETER CETERA
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group, Spirit Music Group
Lyrics licensed and provided by LyricFind

♫ Evergreen ♫

This song about new love was the theme to the 1976 remake of A Star Is Born. The film, which starred Streisand, was very popular and this song won the Academy Award for Best Song.  I knew I was in the mood to play some Streisand tonight, but I couldn’t decide between this one and Memories.

Paul Williams, who had written hits for the Carpenters and Three Dog Night, wrote this with Streisand. The songs for A Star Is Born had to be written before filming began, since they were performed on camera. When Williams signed on to the project, Streisand had the music and one verse for the song “Everything.” Over the next seven weeks, they wrote all the songs for the movie.  According to Paul Williams …

Paul-Williams“She sat down and played on a guitar, the melody for ‘Evergreen’ that she’d written. It was just such a beautiful melody. I said, ‘There’s your love song. There’s the big love song.’ I asked her for the melody. She put it on tape for me, and I took it home. I actually wrote that as the last thing, which I think bothered her. But all the Kris Kristofferson stuff was the first thing up on the shoot schedule. So I wrote the songs for Kris first.

You know, Barbra recorded two or three of my songs before we did A Star Is Born. People would always ask, ‘Were you nervous about writing the Streisand music?’ Of course, she’s an amazing talent. But to sit down and write songs and to play songs for Kris… I mean, this is the man who wrote ‘Sunday Morning Coming Down,’ ‘Me And Bobby McGee.’ It was wonderful. Kris was great about the songs. But the very last thing that I wrote was ‘Evergreen.’ I gave that to Barbra, and then hit the road and didn’t look back.

I actually wrote those first two lines in the opposite order. I wrote ‘Love, fresh as the morning air, love soft as an easy chair.’ I called Barbra as I was getting on a plane to go on tour with Olivia Newton-John. We were doing a 6-week tour, and Barbra was in Arizona getting ready to start filming A Star Is Born. I called her and said, ‘You know what, flip those two first lines, because it sings better.’ ‘Love, soft as an easy chair, love, fresh as the morning air.’ ‘Morning’ sang better at that point in the song. And I remember saying to Barbra, ‘They’ll probably laugh us out of the theaters for starting a love song with a line about a chair, but I think it works better that way.’ And I think it was the biggest-selling soundtrack album ever at that time, and of course the song won the triple crown: the Oscar, the Grammy, and the Golden Globe.”

Evergreen
Barbra Streisand

Love soft as an easy chair
Love fresh as the morning air
One love that is shared by two
I have found with you
Like a rose under the April snow
I was always certain love would grow
Love ageless and evergreen
Seldom seen by two
You and I will
Make each night the first
Everyday a beginning
Spirits rise and their dance is unrehearsed
They warm and excite us
‘Cause we have the brightest love
Two lights that shine as one
Morning glory and midnight sun
Time, we’ve learned to sail above
Time, won’t change the meaning of one love
Ageless and ever, evergreen

Songwriters: Barbra Streisand; Paul Williams
Evergreen lyrics © Sony/ATV Music Publishing LLC