When rawgod mentioned this one tonight, it immediately began playing in my head and, since I was pondering what to do for a music post, I seized upon it! Hope you guys like it!
I hope you’re in the mood for a bit of something upbeat tonight, for I am greatly in need of what I think of as ‘happy music’, which often leads me to Motown, and tonight is no exception.
This song was written by Motown songwriters Marvin Gaye, Ivy Jo Hunter, and William “Mickey” Stevenson. It became the biggest hit and trademark song for Martha & the Vandellas. According to the song’s co-writer Mickey Stevenson, the idea for dancing came to him while riding with Marvin Gaye through Detroit. During the summer, the city would open up fire hydrants and let the water out in the streets so they could play in the water to cool off. They appeared to be dancing in the water. I actually remember one city I lived in as a child doing that … opening the fire hydrants on hot summer days!
Martha Reeves was the leader of the group. Back in the early days, she was trying to get her foot in the door at Motown, but they wouldn’t even give her an audition, so she applied for and got a job as secretary. Part of her secretarial duties was singing lyrics to new songs onto tapes so backup singers could learn the words. This led to fill-in work as a backup singer, where she impressed Motown executives with her voice. She convinced them to hire her friends, Annette Sterling and Rosalind Ashford, and thus was born Martha and the Vandellas! After backing up Marvin Gaye on some of his songs, Motown gave them songs to sing on their own, including the hit Heat Wave.
Martha Reeves told the story behind this song …
“Marvin Gaye had recorded ‘Dancing in the Street” when I first heard it, and he had put a real smooth vocal on there, sort of like (jazzy singing) ‘Calling all around the world, are you ready for a brand new beat baby?’ and for some reason, Marvin said, “let’s try this song on Martha.” I was in the office and they let me hear the song, but I couldn’t quite feel it that way. I had been to Rio De Janeiro, I had travelled to New Orleans during Carnival time, so I just knew it had to be somewhere about dancing in the street. I said, ‘Can I sing it the way that I feel it?’ And they said, ‘Go ahead.’
So, I sang it (singing on the beat) ‘calling all around the world are you ready for a brand-new beat,’ and, they loved it. There was all kinds of congratulatory hand slaps and ‘hey man, we got a hit in that window up there,’ and the engineer, Lawrence Horn, looked and said, ‘I didn’t turn the machine on.’
I had to sing it again. So, the second time I sang it, there’s a little bit of anger there because I had to repeat it. It was a straight performance and that’s why it sounds live. I think that’s the secret of the success of the hit – the fact that I had to do it again, and I did it without a mistake or without any interruption, and the feeling was just right on that song.”
The song took on a different meaning when riots in inner-city America led to many young black demonstrators citing the song as a civil rights anthem to social change which also led to some radio stations taking the song off its play list because certain black advocates such as H. Rap Brown began playing the song while organizing demonstrations.
The British press aggravated Reeves one time when someone put a microphone in her face and asked her if she was a militant leader. The British journalist wanted to know if Reeves agreed, as many people had claimed, that Dancing in the Street was a call to riot. To Reeves, the query was patently absurd. ‘My Lord, it was a party song,’ she remarked.
Like many a Motown hit, this song has been covered by many, including The Mamas and The Papas, Val Halen, Grateful Dead, David Bowie & Mick Jagger as a duet, and many more. But to me, Martha and the Vandellas own this one.
Dancing in the Street
Martha and the Vandellas
Calling out around the world,
Are you ready for a brand new beat?
Summer’s here and the time is right
For dancing in the street.
They’re dancing in Chicago,
Down in New Orleans,
In New York City.
All we need is music, sweet music.
There’ll be music everywhere.
There’ll be swinging and swaying and records playing,
Dancing in the street.
Oh, it doesn’t matter what you wear,
Just as long as you are there.
So come on, every guy, grab a girl.
Everywhere around the world
They’ll be dancing.
They’re dancing in the street.
It’s an invitation across the nation,
A chance for folks to meet.
There’ll be laughing, singing, and music swinging,
Dancing in the street.
Philadelphia, P.A.
Baltimore and D.C. now.
Can’t forget the Motor City.
All we need is music, sweet music.
There’ll be music everywhere.
There’ll be swinging and swaying and records playing,
Dancing in the street.
Oh, it doesn’t matter what you wear,
Just as long as you are there.
So come on, every guy, grab a girl.
Everywhere around the world
They’re dancing.
They’re dancing in the street.
Way down in L.A. ev’ry day,
They’re dancing in the street.
(Dancing in the street.)
Let’s form a big, strong line, get in time,
We’re dancing in the street.
(Dancing in the street.)
Across the ocean blue, me and you,
We’re dancing in the street.
Songwriters: Marvin Gaye / William Stevenson / Ivy Hunter
Dancing in the Street lyrics © Sony/ATV Music Publishing LLC, Carlin America Inc
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