♫ It’s The Same Old Song ♫ (Redux)

I’m in the mood for some Motown tonight!  Last month was Black History Month, and while I usually play an abundance of Motown during the month of February, I did not last month.  No particular reason, just oversight on my part, or too much else taking up space in my head these days.  But a few years ago (2021) I wrapped up Black History Month with this one and I think it’s still a good choice.  Gets the feet tapping.

The story goes, according to SongFacts …

The Four Tops were signed to Columbia Records in 1960, releasing just one single – “Ain’t That Love” (written by their lead singer, Levi Stubbs) – before moving on to Riverside Records and eventually joining Motown in 1963. As “I Can’t Help Myself” was coming off the charts, word got out that Columbia was going to re-release “Ain’t That Love” to capitalize on the group’s sudden success. Motown head Berry Gordy made a big push to thwart this, and put the rush on a new song. Fortunately, Holland-Dozier-Holland were very good at reworking their hits – they did it the previous year when they followed up their Martha & The Vandellas smash “Heat Wave” with the copycat “Quicksand.” The Four Tops were also up for the task, as they were one of the most seasoned Motown acts.

HDH quickly wrote the song, and on Thursday, July 8, it was furiously recorded and pressed. It was delivered to radio stations the next day, and by that Monday, it was in stores.

Columbia did issue “Ain’t That Love,” but it stalled at #93 on the Hot 100.

It’s the Same Old Song
Four Tops

You’re sweet as a honey bee
But like a honey bee stings
You’ve gone and left my heart in pain
All you left is our favorite song
The one we danced to all night long
It used to bring sweet memories
Of a tender love that used to be

Now it’s the same old song
But with a different meaning
Since you been gone
It’s the same old song
But with a different meaning
Since you been gone
I, oh I

Sentimental fool, am I
To hear a old love song and wanna cry
‘Cause the melody keeps haunting me
Reminding me how in love we used to be
Keep hearing the part that used to touch my heart
Saying together forever, breaking up never

It’s the same old song
But with a different meaning
Since you been gone
But it’s the same old song
But with a different meaning
Since you been gone

Precious memories keep a lingering on
Every time I hear our favorite song
Now you’re gone, left this emptiness
I only reminisce the happiness we spent
We used to dance to the music
Make romance through the music

Now it’s the same old song
But with a different meaning
Since you been gone
It’s the same old song
But with a different meaning
Since you been gone
I, oh I

It’s the same old song
But with a different meaning
Since you been gone
It’s the same old song

Songwriters: Edward Jr. Holland / Lamont Dozier / Brian Holland
It’s the Same Old Song lyrics © Sony/ATV Music Publishing LLC

♫ Reach Out I’ll Be There ♫ (Redux)

There are times when only Motown will do.  Tonight is one of those times, and this is one I haven’t played for a couple of years, so hopefully it will bring a smile to your faces!


Interestingly,  two people have mentioned this song to me in the last week or so, and as I was working on my Jolly Monday post tonight, I found this one kept running through my head.  Now, at the same time, simultaneously, I have Elton’s Tiny Dancer running through my head, melding together with the Motown sound … is it any wonder the inside of my head looks like a 5-day-old bowl of mush?  Usually when that happens, I figure I should share the song and let it run through your heads also!

I thought this song was older than this, but it was released in 1966 and is considered to be the Four Tops signature song.

In 2014, interviewed by The Guardian, Four Tops singer Duke Fakir said:

Eddie [songwriter Edward Holland] realised that when Levi hit the top of his vocal range, it sounded like someone hurting, so he made him sing right up there. Levi complained, but we knew he loved it. Every time they thought he was at the top, he would reach a little further until you could hear the tears in his voice. The line “Just look over your shoulder” was something he threw in spontaneously. Levi was very creative like that, always adding something extra from the heart.

Written by Eddie Holland, Lamont Dozier and Brian Holland (Holland-Dozier-Holland), Dozier would later say …

“Brian, Eddie and I often had discussions about what women really want most of all from a man, and after talking about some of our experiences with women, we all three agreed that they wanted someone to be there for them, through thick or thin, and be there at their beck and call! Thus this song was born.”

The Four Tops recorded this in just two takes, and then proceeded to forget about it, figuring it to be a  “throwaway” album track. Motown boss Berry Gordy, however, had other ideas and released it as a single. Gordy had a knack for identifying hit songs, and got this one right.

And now … just sit back, close your eyes, and listen … feel …

Reach Out I’ll Be There
Four Tops

Now if you feel that you can’t go on
Because all of your hope is gone,
And your life is filled with much confusion
Until happiness is just an illusion,
And your world around is crumblin’ down;
Darling, reach out (come on girl, reach on out for me)
Reach out (reach out for me.)
I’ll be there, with a love that will shelter you.
I’ll be there, with a love that will see you through.
I’ll be there to always see you through.

When you feel lost and about to give up
‘Cause your best just ain’t good enough
And you feel the world has grown cold,
And you’re drifting out all on your own,
And you need a hand to hold:
Darling, reach out (come on girl, reach out for me)
Reach out (reach out for me.)
I’ll be there, to love and comfort you,
And I’ll be there, to cherish and care for you.
I’ll be there to love and comfort you.

I can tell the way you hang your head,
You’re without love and now you’re afraid
And through your tears you look around,
But there’s no peace of mind to be found.
I know what you’re thinkin’,
You’re alone now, no love of your own,
But darling, reach out (come on girl, reach out for me)
Reach out (reach out for me.)
Just look over your shoulder
I’ll be there, to give you all the love you need,
And I’ll be there, you can always depend on me.

Songwriters: Paul Vincent Collins / Lamont Dozier / Brian Holland / Edward Jr. Holland
Reach Out I’ll Be There lyrics © Sony/ATV Music Publishing LLC

♫ Baby Love ♫ (Redux)

I’m taking you back more than half a century tonight, to 1964 when The Supremes recorded Baby Love and hit #1 on both the U.S. and UK charts.  The Motown songwriting team of Holland-Dozier-Holland wrote this, and according to Lamont Dozier …

“I would collaborate with Eddie on lyrics and with Brian on melodies. Then Brian and I would go into the studio and produce the actual record although Eddie should have been put down as one of the producers because he helped teach the artists the tune when the lyric was finished.”

This was the follow-up to Where Did Our Love Go, The Supremes breakout hit and first #1 in America. That song mentions the word “baby” 68 times, so its fitting that their next single had that word in the title.  Baby Love was released on September 17, 1964, while “Where Did Our Love Go” was still on the charts.

The Supremes became the first Motown act to have more than one American number-one single, and by the end of the decade, would have more number-one singles than any other Motown act (or American pop music group) with 12, a record they continue to hold.

Motown gave this song a big push in the UK, where The Supremes were sent to tour starting on October 7, 1964. On October 15, they performed the song on the popular program Top Of The Pops, and near the end of the tour made an appearance with Paul McCartney and Ringo Starr. On November 25, the song hit #1 on the UK chart, making The Supremes the first Motown group and the first girl group to reach #1 in that territory. It was their only UK #1, as the rest of their career was focused on America. Then second Motown act to hit #1 in the UK was The Four Tops with Reach Out I’ll Be There in 1966.

Baby Love
The Supremes

Baby love, my baby love
I need you, oh how I need you!
But all you do is treat me bad
Break my heart and leave me sad
Tell me, what did I do wrong?
To make you stay away so long

‘Cause baby love, my baby love
Been missing ya, miss kissing ya
Instead of breaking up
Let’s do some kissing and making up
Don’t throw our love away
In my arms why don’t you stay?
Need ya, need ya, baby love, baby love

Baby love, my baby love
Why must we separate, my love?
All of my whole life through
I never loved no one but you
Why you do me like you do?
I get this need

Need to hold you, once again, my love
Feel your warm embrace, my love
Don’t throw our love away
Please don’t do me this way
Not happy like I used to be
Loneliness has got the best of me

My love, my baby love
I need you, oh how I need you!
Why you do me like you do?
After I’ve been true to you
So deep in love with you

Baby, baby, ’til it’s hurtin’ me
‘Til it’s hurtin’ me, baby love
Don’t throw our love away
Don’t throw our love away

Source: Musixmatch
Songwriters: Lamont Dozier / Brian Holland / Eddie Holland

♫ Bernadette ♫ (Redux)

Tonight it’s back to that unbeatable Motown sound and The Four Tops.  Bernadette is another written by the team of Holland–Dozier–Holland.  Was there really a girl named Bernadette, you ask?  Yes, in fact three of them, I am told.  I have played this only once, back in 2018, but it’s one that’s well worth revisiting!

According to Lamont Dozier …

“There were three Bernadettes, and they were all different girls. We sorta kept that to ourselves that we all had our own Bernadette. We always said, we’d never bring a girlfriend’s name into the songs. We had this hidden thing when the name came up, so we didn’t say anything. So at least two of us were thinking about the Bernadettes we knew.”

In Dozier’s case, “Bernadette” was inspired by his unrequited love for a girl when he was 12; a “beautiful Italian girl with eyes for somebody else.”

And now I bring you … Bernadette

Bernadette
Four Tops

Bernadette, people are searchin’ for the kind of love that we possess
Some go on searchin’ their whole life through
And never find the love I’ve found in you
And when I speak of you I see envy in other men’s eyes
And I’m well aware of what’s on their minds
They pretend to be my friend

When all the time they long to persuade you from my side
They’d give the world and all they own for just one moment we have known

Bernadette, they want you because of the pride that gives
But Bernadette, I want you because I need you to live
But while I live only to hold you some other men
They long to control you
But how can they control you Bernadette
When they can not control themselves, Bernadette
From wanting you, needing you
But darling, you belong to me

I’ll tell the world you belong to me
I’ll tell the world, you’re the soul of me
I’ll tell the world you’re a part of me

In your arms I find the kind of peace of mind the world is searching for
But you, you give me the joy this heart of mine has always been longing for
In you I have what other men long for
All men need someone to worship and adore
That’s why I treasure you and place you high above
For the only joy in life is to be loved
So whatever you do
Bernadette, keep on loving me, Bernadette, keep on needing me Bernadette

You’re the soul of me
On that dream, you’re a ? to me
And Bernadette, you mean more to me
Than a woman was ever meant to be

Songwriters: Edward Jr. Holland / Lamont Dozier / Brian Holland
Bernadette lyrics © Sony/ATV Music Publishing LLC

♫ Heat Wave ♫

My daughter, who is playing, along with her band, at a St. Andrew’s night event downtown this evening, texted me to say that the hotel where they are playing is so hot … and immediately this song, despite the fact that it is only 40° F (4° C) outside, popped into my head and, as so often happens, refused to vacate!  Ah well, it is the energy of the song that I love, so even if we aren’t experiencing a heat wave and I am bundled up in my sweat shirt & sweat pants, the song calls out to be played!


Written by the Motown songwriting team of Eddie Holland, Lamont Dozier and Brian Holland, this was the first Top 10 hit for Martha & the Vandellas, whose lead singer, Martha Reeves, started as a secretary at Motown.  

The origins of the song, according to Lamont Dozier …

“It was summertime and hot and sticky in Detroit. I often sat at the piano and played a warm-up riff to get my day started. This one particular day the heat was over the top and I was watching tv and the weatherman said we had a record-breaking five-day heat wave that was not going to let up. So all this funky riff needed was for me to throw a girl into the mix and this song was born.”

Martha & the Vandellas became the first Motown group ever to receive a Grammy Award nomination when this song was nominated in 1964 for Best Rhythm & Blues Recording; it lost to Ray Charles’ hit Busted.

This song charted at #4 in the U.S., and in 1975, Linda Ronstadt put out a version that hit #5 in the U.S. and #12 in Canada.

Heat wave
Martha and the Vandellas

Whenever I’m with him
Something inside
Starts to burning
And I’m filled with desire
Could it be a devil in me
Or is this the way love’s supposed to be?

It’s like a heat wave
Burning in my heart (It’s like a heat wave)
I can’t keep from crying (It’s like a heat wave)
It’s tearing me apart

Whenever he calls my name
Soft, low, sweet, and plain
Right then, right there, I feel that burning flame
Has high blood pressure got a hold on me
Or is this the way love’s supposed to be?

It’s like a heat wave
Burning in my heart (It’s like a heat wave)
I can’t keep from crying (It’s like a heat wave)
It’s tearing me apart

Ooh-ooh-ooh-ooh-ooh
Ooh, heat wave
Ooh-ooh-ooh-ooh-ooh
Ooh, heat wave

Sometimes I stare in space
Tears all over my face
I can’t explain it, don’t understand it
I ain’t never felt like this before
Now that funny feeling has me amazed
Don’t know what to do, my head’s in a haze
It’s like a heat wave

Yeah, yeah, yeah, yeah
(But it’s all right, girl)
Oh
(Go ahead, girl)
Yeah, yeah
(Well, it’s all right, girl)
Oh
(Can’t miss it, that’s love, girl)
I feel it burning
(Don’t pass up this chance)
Right here in my heart
(It sounds like a true romance)
Don’t you know it’s like a heat wave?

Yeah, yeah, yeah, yeah (Burning, burning)
Oh (Burning, burning, burning)
Yeah, don’t you know it’s like a heat wave?
Burning right here (Burning, burning, burning)
In my heart (Burning, burning, burning)
Yeah, yeah, yeah, yeah (Burning, burning)
Oh (Burning, burning, burning)

Source: Musixmatch
Songwriters: Lamont Dozier / Brian Holland / Eddie Holland
(Love is like a) Heat wave lyrics © Stone Agate Music

♫ This Old Heart Of Mine ♫ (Redux)

Exhaustion seems to be my perpetual state of being these days … not sure if it’s roots are physical, emotional (state of the nation), or a combination of the two, but at any rate, I’m settling for a redux once again tonight.  I have played this only once, back in 2019.


Earlier this evening, I was reading a transcript of a podcast, part of a fascinating series put together by Jonathan Capehart for The Washington Post called Voices of the Movement about how music propelled the Civil Rights movement.  It’s a fascinating series in case you’re interested, and you can either listen to the podcast or read the transcript.  Anyway, as I was reading, this song by the Isley Brothers literally popped into my head.Isley-BrothersThe Isley Brothers became one of the most successful acts of the ’70s, and also one of the most independent – they wrote, produced and released their own music throughout the decade. But in 1966, they were signed to Motown Records, who teamed them with the songwriting/production team of Eddie Holland, Lamont Dozier and Brian Holland (Holland-Dozier-Holland), who originally wrote this song for The Supremes.

Released as their first Motown single, it was a hit, but their last Top 40 with the label, who reassigned Holland-Dozier-Holland to other artists. In 1968, The Isley Brothers left Motown to record on their own label, T-Neck Records. Their first T-Neck release was the group’s biggest hit: It’s Your Thing.

Lamont Dozier said this song was inspired by girl he just couldn’t give up …

“The more I tried the deeper I fell. I made excuses for her and all the wrong she had done to me. She was a necessary evil that I just couldn’t overcome.”

Rod Stewart, a huge fan of both Motown and The Isley Brothers, recorded his own version in 1975 and released it as a single. His rendition was a big hit in the UK, climbing to #4, but it only went to #83 in the U.S. He did a lot better stateside when he recorded the song as a duet with Ronald Isley in 1989. This version made #10 in the US.

This Old Heart of Mine
The Isley Brothers

This old heart of mine been broke a thousand times
Each time you break away, I fear you’ve gone to stay
Lonely nights that come, memories that flow, bringing you back again
Hurting me more and more

Maybe it’s my mistake to show this love I feel inside
‘Cause each day that passes by you got me
Never knowing if I’m coming or going, but I, I love you
This old heart darling, is weak for you
I love you, yes, I do
These old arms of mine miss having you around
Makes these tears inside start a-falling down

Always with half a kiss
You remind me of what I miss
Though I try to control myself
Like a fool I start grinnin’ ’cause my head starts spinnin’ ’cause I

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do

Ooh, I try hard to hide, my hurt inside
This old heart of mine always keeps me cryin’
The way you’re treating me, leaves me incomplete
You’re here for the day, gone for the week now

But if you leave me a hundred times
A hundred times I’ll take you back
I’m yours whenever you want me
I’m not too proud to shout it, tell the world about it ’cause I

I love you
This is old heart, darling is weak for you
I love you
This is old heart, darling is weak for you

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do
I love you, yes I do, darling is weak for you

Songwriters: Edward Jr. Holland / Lamont Dozier / Sylvia Moy / Brian Holland
This Old Heart of Mine lyrics © Sony/ATV Music Publishing LLC

♫ Stop! In The Name Of Love ♫

I was in the mood for something upbeat tonight, and the Supremes seemed like an answer to that, so I dug back through the archives but either I had already played them within the last 2 years, or they didn’t go over that well, so I decided to go with one I hadn’t yet played.  I’m surprised to find I hadn’t already played this one, so I double-checked the data, but nope … I haven’t!

Like so much of Motown music, this was written by the songwriting team Eddie Holland, Lamont Dozier and Brian Holland (Holland/Dozier/Holland). Dozier got the idea for the title after an argument with his girlfriend (she caught him cheating). In the heat of battle, he said, “Baby, please stop. In the name of love – before you break my heart.” He was trying to diffuse the situation, but it didn’t help – she was still going to break up with him. So, he asked her to “think it over.”

When the song rose to #1 in the U.S., The Supremes became the first act to land four consecutive singles at the top of the Hot 100. They made it five with their next one, Back in My Arms Again.

This song received a Grammy nomination in 1966 for Best Contemporary Performance – Group (Vocal Or Instrumental); it lost to the Statler Brothers’ hit Flowers on the Wall.

While the song reached #1 in the U.S., it peaked at #3 in Canada and Germany, and only #7 in the UK – still not too shabby, eh?

Stop!  In the Name of Love

The Supremes

Stop! In the name of love
Before you break my heart

Baby, baby I’m aware of where you go
Each time you leave my door
I watch you walk down the street
Knowing your other love you’ll meet
But this time before you run to her
Leaving me alone and hurt
(Think it over) After I’ve been good to you
(Think it over) After I’ve been sweet to you

Stop! In the name of love
Before you break my heart
Stop! In the name of love
Before you break my heart
Think it over
Think it over

I’ve known of your
Your secluded nights
I’ve even seen her
Maybe once or twice
But is her sweet expression
Worth more than my love and affection
But this time before you leave my arms
And rush off to her charms
(Think it over) Haven’t I been good to you
(Think it over) Haven’t I been sweet to you

Stop! In the name of love
Before you break my heart
Stop! In the name of love
Before you break my heart
Think it over
Think it over

I’ve tried so hard, hard to be patient
Hoping you’d stop this infatuation
But each time you are together
I’m so afraid I’ll be losing you forever

Stop! In the name of love
Before you break my heart
Stop! In the name of love
Before you break my heart
Stop! In the name of love

Writer/s: Brian Holland, Edward Holland, Lamont Dozier
Publisher: Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

♫ There’s A Ghost In My House ♫

As a rule, I typically play only songs that I like at least a little bit here on Filosofa’s Word.  However, once or twice in the past I’ve stepped outside that box, and today is yet another such time.  A few days ago, our friend Clive mentioned R. Dean Taylor.  Now, the only song I could recall by Taylor was Indiana Wants Me, which I played here last year, but Clive mentioned There’s A Ghost In My House, which I was pretty sure I had never heard.  Veni, Vidi, Odi.  I came, I saw, I didn’t like.  However, since Clive is a good friend, I decided to give it a second shot yesterday.  It was slightly less annoying than the first time I listened.  Clive is convinced I won’t play it here, so … being a somewhat stubborn person, and liking to have a bit of fun, I decided to surprise Clive!  Note, friends, that if you listen a second time, it’s not quite so bad the second time around. 😊  The lyrics, in fact, are actually quite touching.

I was surprised to learn that this was co-written with Brian Holland, Eddie Holland and Lamont Dozier, for I typically love all of their work.  According to SongFacts …

This uptempo track about a love that is no more flopped in the US but was a big hit in the UK. In R. Dean Taylor: raising a ghost, an article/interview published in the July 6, 1974 issue of Melody Maker, Taylor said it was originally recorded on Tamla Motown several years previously, but the label never did anything to promote it. They weren’t really interested in him as an artist because they had a name for being a black label. He added: “I hope it will eventually be strong for white artists too, but I can’t wait for that. I can’t hang around. I could be 68 years old.” He was “staggered but delighted” when “Ghost” started leaping up the British charts having been adopted by the Northern Soul and disco circuit.

Although recorded early on in his career, it remains one of the white Canadian’s two biggest hits.

I could find no additional trivia about the song, so here it is, in all it’s {cough} splendor …

There’s a Ghost in My House

R. Dean Taylor

There’s a ghost in my house
The ghost of your memories
The ghost of the love you took from me

Where our love used to be
Only shadows from the past I see
Time can’t seem to erase
The vision of your smiling face
Though you found someone new

I can’t get over you
There’s a ghost in my house
I can’t hide
(Ghost in my house)
From the ghost of your love that’s inside
(Ghost in my house)

It keeps on haunting me
(Ghost in my house)
Just keeps on reminding me
(Ghost in my house)

In my mind I know you’re gone
But my heart keeps holding on
To the memories of those happy times
To the love that once was mine
Though we’re far apart

You’re always in my heart
There’s a ghost in my house
I can’t hide
(Ghost in my house)
From the ghost of your love that’s inside

You’re still such a part of me
(Ghost in my house)
Still so deep in the heart of me
(Ghost in my house)

I just keep hearing your footsteps on the stairs
When I know there’s no-one there
Every day I love you more
So much more than the day before

Sittin’ in my easy chair
I feel your fingers running through my hair
Lookin’ down in my coffee cup
I think I see your face lookin’ up
All alone in my gloom

You voice echoes through the room
There’s a ghost in my house
And I can’t hide
(Ghost in my house)
From the ghost of your love that’s inside
(Ghost in my house)

It keeps on haunting me
(Ghost in my house)
Just keeps on reminding me
(Ghost in my house)

I just keep hearing your footsteps on the stairs
When I know there’s no-one there
You’re still such a part of me
(Ghost in my house)

Still so deep in the heart of me
(Ghost in my house)
I can’t hide
(Ghost in my house)
From the ghost of your love that’s inside
(Ghost in my house)

Source: LyricFind

Songwriters: Brian Holland / Edward Holland / Edward / Jr. Holland / Jr. / Lamont Dozier / Lamont Herbert Dozier / R. Dean Taylor

There’s a Ghost in My House lyrics © Sony/ATV Music Publishing LLC

♫ This Old Heart Of Mine ♫ (Redux)

I was planning to do a different song tonight, one that I had not played here before, but time got away from me and it’s now well after 2:00 a.m. and I’d like to go to bed sometime, so I decided to redux this one from back in 2019, but have added a second version for your listening pleasure!


Earlier this evening, I was reading a transcript of a podcast, part of a fascinating series put together by Jonathan Capehart for The Washington Post called Voices of the Movement about how music propelled the Civil Rights movement.  It’s a fascinating series in case you’re interested, and you can either listen to the podcast or read the transcript.  Anyway, as I was reading, this song by the Isley Brothers literally popped into my head.Isley-BrothersThe Isley Brothers became one of the most successful acts of the ’70s, and also one of the most independent – they wrote, produced and released their own music throughout the decade. But in 1966, they were signed to Motown Records, who teamed them with the songwriting/production team of Eddie Holland, Lamont Dozier and Brian Holland (Holland-Dozier-Holland), who originally wrote this song for The Supremes.

Released as their first Motown single, it was a hit, but their last Top 40 with the label, who reassigned Holland-Dozier-Holland to other artists. In 1968, The Isley Brothers left Motown to record on their own label, T-Neck Records. Their first T-Neck release was the group’s biggest hit: It’s Your Thing.

Lamont Dozier said this song was inspired by girl he just couldn’t give up …

“The more I tried the deeper I fell. I made excuses for her and all the wrong she had done to me. She was a necessary evil that I just couldn’t overcome.”

Rod Stewart, a huge fan of both Motown and The Isley Brothers, recorded his own version in 1975 and released it as a single. His rendition was a big hit in the UK, climbing to #4, but it only went to #83 in the U.S. He did a lot better stateside when he recorded the song as a duet with Ronald Isley in 1989. This version made #10 in the US.  Last time I played this, I only included The Isley Brothers’ version, but this time I decided to add the Rod Stewart one with Ronald Isley. 

This Old Heart of Mine
The Isley Brothers

This old heart of mine been broke a thousand times
Each time you break away, I fear you’ve gone to stay
Lonely nights that come, memories that flow, bringing you back again
Hurting me more and more

Maybe it’s my mistake to show this love I feel inside
‘Cause each day that passes by you got me
Never knowing if I’m coming or going, but I, I love you
This old heart darling, is weak for you
I love you, yes, I do
These old arms of mine miss having you around
Makes these tears inside start a-falling down

Always with half a kiss
You remind me of what I miss
Though I try to control myself
Like a fool I start grinnin’ ’cause my head starts spinnin’ ’cause I

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do

Ooh, I try hard to hide, my hurt inside
This old heart of mine always keeps me cryin’
The way you’re treating me, leaves me incomplete
You’re here for the day, gone for the week now

But if you leave me a hundred times
A hundred times I’ll take you back
I’m yours whenever you want me
I’m not too proud to shout it, tell the world about it ’cause I

I love you
This is old heart, darling is weak for you
I love you
This is old heart, darling is weak for you

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do
I love you, yes I do, darling is weak for you

Songwriters: Edward Jr. Holland / Lamont Dozier / Sylvia Moy / Brian Holland
This Old Heart of Mine lyrics © Sony/ATV Music Publishing LLC

♫ The Happening ♫ (Redux)

Lately I’ve played some pretty dark music, In the Year 2525, Eve of Destruction, and even Imagine can be viewed as dark, given that it speaks of a world we’ll never know.  So tonight I wanted to do something … something really upbeat.  And this was the first one that popped into my head!  Naturally, I have already posted it before, but it’s been a few years, so … take a listen, sing along, tap your toes, and maybe even put on a bit of a smile …


This song was written for the 1967 movie The Happening, which starred Anthony Quinn, George Maharis, Michael Parks, Robert Walker Jr., and Faye Dunaway. The film flopped, but the song went to #1 in the US, giving The Supremes their 10th chart-topper in that country.  The songwriting team of Holland-Dozier-Holland co-wrote this with Frank DeVol, who was the musical director for the film.

According to Lamont Dozier …

“We wrote it because of the title. Frank DeVol, it was his music that had to do a lot with that. He had partial music already written, so we took that feeling that he had and added our own interpretation and added melodies and whatever we had to do to make it a pop song. That’s why you’ll find his name on the credits, because he was responsible for some of the music.”

This was The Supremes last hit released under the name “The Supremes.” Later in 1967, they became “Diana Ross & the Supremes.” They reverted back to “The Supremes” in 1970 when Ross left the group.

So now, how ’bout I shut up and just play the song …

The Happening
The Supremes

Hey! Life, look at me, I can see the reality,
‘Cause when you shook me, took me outta my world, I woke up.
Suddenly I just woke up to The Happening.

When you find that you left the future behind.
‘Cause when you got a tender love you don’t take care of,
then you better beware of,
The Happening.

One day you’re up, when you turn around,
You find your world is tumbling down.
It happened to me and it can happen to you.

I was sure, I felt secure until love took a detour.
Yeah! Riding high on top of the world, it happened.
Suddenly it just happened,

I saw my dreams torn apart
when love walked away from my heart.
And when you lose a precious love you need to guide you
something happens inside you,
The Happening.

Now I see life for what it is.
It’s not of dreams, it’s not of bliss.
It happened to me and it can happen to you

And then it happened.
Oo, and then it happened.
Oo, and then it happened.

Is it real? Is it fake?
Is this game of life a mistake?
‘Cause when I lost the love I thought was mine for certain,
Suddenly it starts hurtin’.

I saw the light too late when that fickle finger of fate.
Yeah! It came and broke my pretty balloon,
I woke up, suddenly I just woke up, so sure,
I felt secure until love took a detour.
‘Cause when you got a tender love you don’t take care of,
then you better beware of,
The Happening.
The Happening.

Songwriters: FRANK DE VOL, EDDIE HOLLAND, BRIAN HOLLAND, LAMONT DOZIER
The Happening lyrics © Sony/ATV Music Publishing LLC