♫ Hello ♫ (Redux)

According to my records, I last played this one in September 2019, just two years ago.  I’m still reduxing this week to conserve my small amount of energy, but this one always brings a happy feeling to my heart … partly, of course, because … well, it’s Lionel!!!  And partly because it’s a beautiful song in my book.

Tonight’s selection, Hello, was Lionel’s second #1 song after leaving the Commodores and going solo (Truly, which I almost played tonight, was his first).  The album that features tonight’s song, Can’t Slow Down, won the 1984 Grammy for Album of the Year, and is the biggest-selling album in the history of Motown Records.

When you think of Motown, you probably think of Michael Jackson, Smokey Robinson and The Temptations, but Lionel Richie was also one of their biggest stars, and Hello was one of their biggest hits, especially in Britain. It was Motown’s first ever UK million selling single.

The song was promoted with a much derided video which included dialogue. Lionel Richie plays a teacher, Mr. Reynolds, who falls in love with a blind pottery student, Laura. When he looks in at her class, he finds that she has made a perfect clay model of his head. During the making of the video, Richie protested to the director Bob Giraldi that the story about the blind woman had no relationship to the song. Giraldi replied to him, “You’re not creating the story, I am.” The video was voted the worst music video of all time (don’t worry — I’m not playing that one!) in a poll of 8,000 music fans by UK TV music channel The Box, but Giraldi, who also directed Michael Jackson’s Beat It, stands by it. He’s quoted in the book I Want My MTV as saying, “I came up with the idea of a blind girl and Lionel as a teacher. ‘Hello’ is one of the top videos ever.” Giraldi adds that Richie was concerned that the bust didn’t look like him, until Giraldi pointed out that the girl making it was supposed to be blind.

Hello

Lionel Richie

I’ve been alone with you inside my mind
And in my dreams I’ve kissed your lips a thousand times
I sometimes see you pass outside my door
Hello, is it me you’re looking for?

I can see it in your eyes
I can see it in your smile
You’re all I’ve ever wanted, and my arms are open wide
‘Cause you know just what to say
And you know just what to do
And I want to tell you so much, I love you

I long to see the sunlight in your hair
And tell you time and time again how much I care
Sometimes I feel my heart will overflow
Hello, I’ve just got to let you know

‘Cause I wonder where you are
And I wonder what you do
Are you somewhere feeling lonely, or is someone loving you?
Tell me how to win your heart
For I haven’t got a clue
But let me start by saying, I love you

Hello, is it me you’re looking for?
‘Cause I wonder where you are
And I wonder what you do
Are you somewhere feeling lonely, or is someone loving you?
Tell me how to win your heart
For I haven’t got a clue
But let me start by saying I love you

Songwriters: Lionel Richie / Eddy Marnay
Hello lyrics © Warner/Chappell Music, Inc

Monster Mish-Mash

Since I was not able to do a music post this morning, I am instead sharing our friend David’s Saturday music treats! He’s done a great mix today, one that will brighten your day and give you something to sing about! Thanks, David!

The BUTHIDARS

Or, where my mind takes me. And for a start it takes me back to an old favourite straight away. Let’s slip back to 1973.

Dobie Grey- Drift Away.

Back to 1968 now and a truly unusual record.

Sly and the family Stone – Everyday People

1985 next finds one of my favourite groups outside Motown in action.

Commodores- Nightshift

I’m getting almost modern now with a single from 1978. Bob Segar is a World Class writer and performer. Here he is with his Silver Bullet Band.

Bob Segar- Hollywood Nights

Finally, from 1985 I bring you a man whom some say the word conceited was written. Well, judging by some of his partners I’d say he has every right. But, and this is the important bit. He’s hugely talented and this single was what blew me away when I first heard it. Simply Red with Holding Back the Years…

View original post 39 more words

♫ We Are The World ♫ (Redux)

I play this one about once a year, for it carries a message that we all need to hear from time to time.  Right now, all over the world, troubles abound.  In Haiti, Cuba, South Africa, protests are rocking the nations.  In much of the world, the new variants of the coronavirus pandemic are causing renewed surges, people are dying and there aren’t enough vaccines in many countries, economies are in trouble, climate change is bringing disastrous effects to people around the globe, to food and water supplies, and the list goes on.  Here in the U.S., we have such a political divide that families are being torn apart and white supremacy is threatening us all.  So tonight I play this one for everyone, to remind us that … we all share this planet, that we must come together, find ways to mend our fences, to overcome our differences.  

When I played this just over a year ago, our friend John Howell provided a tidbit that I wasn’t aware of at the time …

“I loved the Michael Jackson comment to all the stars that were in studio for the “We are the World” recording session. He said that egos were to be left at the door and that anyone who had a problem with that would be driven home…by Stevie Wonder.”

I don’t imagine too many egos were on display after that!!!

This song … it is what we need today … and every day.  Please listen and enjoy.


Hello my friends.  With a heavy heart tonight, I was not going to do a music post, but two special people convinced me, without realizing that they had a thing to do with it, to do one … and this one in particular.  I shall explain …

A few nights ago, I was chatting via email with our friend Ellen, and she noted that while sometimes one doesn’t feel that they have a song in their heart, they should … sing anyway!  Tonight, I felt as if I had no song in my heart, and really, I just wanted to go to bed.  But, somewhere in my head, I heard Ellen saying, “C’mon, Filosofa … sing anyway!”

And the second motivator was another dear friend, Dutch (Larry Woller) who posted on his own blog this song … We Are The World … and everything just suddenly clicked into place.

This was a benefit single for victims of famine in Africa. It raised over $60 Million, which was distributed to Ethiopia, Sudan, and other impoverished countries.

Michael Jackson and Lionel Richie wrote this song, and Quincy Jones produced it. This talented trio was perfect for the job: Quincy Jones was the hottest producer around, and his Rolodex (what would now be a contact list) was filled with the biggest names in music; Richie had written songs that went to #1 on the Hot 100 each of the previous seven years (“We Are The World” made it eight); Michael Jackson had the biggest album of 1984 with Thriller (produced by Jones) and was the biggest star in the world.

The USA For Africa project began as an idea calypso singer Harry Belafonte had for a benefit concert featuring black musicians. In late December 1984, looking for artists to participate, Belafonte called Ken Kragen, who managed an impressive roster of talent, including Lionel Richie. Kragen convinced Belafonte that they could raise more money and make a bigger impact with an original song; Belafonte agreed and Richie came on board to help.

Kragen asked Quincy Jones to produce, and Jones enlisted Michael Jackson. Richie got Stevie Wonder involved, and from there, word got out and many members of the music industry signed on to help. The project from conception to recording took about a month.

This all-star charity single was inspired by Band Aid, the British group Bob Geldof put together the year before to record Do They Know It’s Christmas?. Band Aid, which included Bono, Phil Collins, David Bowie, Paul McCartney, and Sting, served as a template, showing how a disparate group of famous artists could come together in one day to record a song.

The stars who sang solos were, in order, Lionel Richie, Stevie Wonder, Paul Simon, Kenny Rogers, James Ingram, Billy Joel, Tina Turner, Michael Jackson, Diana Ross, Dionne Warwick, Willie Nelson, Al Jarreau, Bruce Springsteen, Kenny Loggins, Steve Perry, Daryl Hall, Michael Jackson (again), Huey Lewis, Cyndi Lauper, and Kim Carnes. Bob Dylan and Ray Charles were also featured on the song and given close-ups in the video.

Harry Belafonte, who had the original idea for the project, was in the chorus but didn’t get a solo, joining Bette Midler, Smokey Robinson, The Pointer Sisters, LaToya Jackson, Bob Geldof, Sheila E., and Waylon Jennings as backing singers.

Quincy Jones was responsible for managing the egos of all the stars. It went very smoothly considering some very famous people did not get to sing a line. Most of the singers knew Jones personally and respected his wishes that they check their egos at the door.

Just goes to show what we can accomplish when people of all sorts come together for a common cause.  I think … though the cause is different … this song has just as much meaning for our world today as it did when it was released in 1985, some 34 years ago, don’t you?

We Are the World
U.S.A. for Africa

There comes a time
When we heed a certain call
When the world must come together as one
There are people dying
Oh, and it’s time to lend a hand to life
The greatest gift of all

We can’t go on
Pretending day-by-day
That someone, somewhere soon make a change
We’re all a part of God’s great big family
And the truth, you know, love is all we need

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

Oh, send them your heart
So they know that someone cares
And their lives will be stronger and free
As God has shown us by turning stones to bread
And so we all must lend a helping hand

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
Oh, there’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

When you’re down and out, there seems no hope at all
But if you just believe there’s no way we can fall
Well, well, well, well let us realize
Oh, that a change can only come
When we stand together as one, yeah, yeah, yeah

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world (are the world)
We are the children (are the children)
We are the ones who’ll make a brighter day, so let’s start giving (so let’s start giving)
There is a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

Oh, let me hear you!

We are the world (we are the world)
We are the children (said we are the children)
We are the ones who’ll make a brighter day so let start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, come on now, let me hear you

We are the world (we are the world)
We are the children (we are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, yeah

We are the world (we are the world)
We are the children (we are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
And we’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world (are the world)
We are the children (are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world, we are the world (are the world)
We are the children, yes sir (are the children)
We are the ones that make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, ooh-hoo!

We are the world (dear God) (are the world)
We are the children (are the children)
We are the ones that make a brighter day so let’s start giving (all right, can you hear what I’m saying?)
There’s a choice we’re making, we’re saving our own lives

Songwriters: Michael Jackson / Lionel Richie
We Are the World lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc

♫ Love Will Conquer All ♫

Tonight I am in the mood for me some Lionel and thus, I shall play me some Lionel!  My friend Herb tells me that I should play more contemporary music, ditch the “old guys” as he calls them, and play the sort of dark, depressing music that he most likes.  However, this is my bloomin’ blog and I play what I like, and tonight what I like is some Lionel!  I just spent 30 minutes finding one that I really like and haven’t yet played here.

This song is a track from Lionel Richie’s 1986 album Dancing on the Ceiling featuring Marva King on backing vocals. The song was written by Richie along with Greg Phillinganes and Cynthia Weil. Love Will Conquer All was Richie’s tenth number one on the Adult Contemporary chart.  Overall, the song was #9 in the U.S., #19 in Canada, and #45 in the UK.

The video is a road trip by Richie from San Francisco to Los Angeles through the rain and night to catch a woman who is concurrently leaving a note for him, refusing to answer his calls, and planning to leave.

I don’t have much background trivia for this song, nor do I have the energy tonight to search for it, so you’ll just have to sit back, dim the lights, and listen …

Love Will Conquer All
Lionel Richie

Here we are
Out here me and you
Reaching out each other
Is all that we can do

Here we stand
Trying not to fall
There’s no need to worry
Love will conquer all

Do you really want to know
Just how long love will last
Will all of the bad times pass
How can we make things right

Ooh and why
Why is the world so unkind,
We surely can find peace of mind
If we only see the light, can’t we see that

Here we are
Out here me and you
Reaching out each other
Is all that we can do

Ooh here we stand
Trying not to fall
There’s no need to worry
Love will conquer all

Can somebody tell me why
Why do our dreams go wrong
Why can’t we all belong
Ooh, where do we start
Oh and tell me when
When will we ever learn
There’s nowhere else we can turn
The truth is in our hearts, here we are together
Sometimes the road gets hard to travel
Sometimes the pains too much to bear
Sometimes when life seems to unravel
That’s the time oh – to say
We’re gonna make it anyway
Can’t we see that

Here we are
Out here me and you
Reaching out each other
Is all that we can do

Here we stand
Trying not to fall
There’s no need to worry
Love will conquer all

Source: LyricFind
Songwriters: Lionel Richie / Cynthia Weil / Greg Phillinganes
Love Will Conquer All lyrics © DYAD Music Ltd., Wixen Music Publishing

♫ All Night Long (All Night) ♫ (Redux)

I do realize that I played this one just under a year ago, September 2020, but when I played Running with the Night a couple of nights ago, two of my music aficionados, David & Clive, mentioned this one, so I thought perhaps it is time to … play it again, Sam!  (Thanks, Keith … yes, I am still spouting Casablanca lines!)


Lionel Richie is among my top ten favourite artists, and I was amazed when earlier tonight it was brought to my attention that I hadn’t played any of his songs for a while (actually, it was just over three weeks ago when I played Endless Love, but heck, three weeks is a long time).  At any rate, since I do love Lionel, and since I haven’t yet played this one here …

Written by the man himself, this was Lionel Richie’s fourth solo single – the first being a duet with Diana Ross.  Released in 1983 on the Motown Label, co-produced with James Carmichael, it topped the Hot 100 for four weeks. The song also sold well internationally, and was performed by Richie at the closing ceremony of the 1984 Olympics in Los Angeles.

Lionel said this one took him about two months to write because …

“I just couldn’t find the ending – I couldn’t find all night long to save my life. I had everything, the verses, the middle part, all the stuff. I just did not have all night long. It took me forever to find it. And finally one night, the heavens opened up and came through.”

As for the origin of the song, he says he got the vibe for this song from his vacations in the Caribbean …

“I’m one of those guys that – I don’t look for something new. I look for what people do everyday. And I noticed that, anytime I would come on vacation, everybody who can rap is on vacation doing a calypso dance. Everybody who’s singing Opera, they conform to some form of calypso or some form of reggae. So when I went back to do ‘All Night Long’ it was very simple. All I had to do was find that beat that everybody dances to when they go on vacation.”

There is a very multicultural vibe to this song, as Richie mentions joyful words in different languages. “Karamu” is a Swahili word for a party accompanied by a feast; “Liming” is a Caribbean term for getting together, and “Fiesta” is Spanish for party.  Richie explains the lyric “Tambo liteh sette mo-jah! Yo! Jambo jambo” …

“I called the UN and said ‘I need something African for the breakdown in this song I’m writing.’ They informed me that there are thousands of different African dialects. I couldn’t believe it. One region doesn’t have any idea what the other is taking about. So, ‘Tambo liteh sette mo-jah!’? I made it up on the spot. Now I think that ‘Jambo’ might have a meaning in Swahili, but you gotta be careful because it might mean ‘welcome’ in one dialect and you might get your head cut off for saying it in another.”

A young Richard Marx, before he found fame with his own hits such as Right Here Waiting, supplied backing vocals on this track. He said the “jambo” section was a moving target …

“It kept changing. He kept getting different notes from people saying, ‘That’s actually not what that means. Change this vowel.’ So, we had to do it a couple of times on different days.”

Lionel Richie was an early mentor to Richard Marx, who also lent his vocals to several of Richie’s other recordings, including Running With The Night and You Are. Said Marx …

“Working with him in the studio was always just fun. He makes everything fun. He has got an incredible energy about him – positive energy. I can’t say enough about him.”

This song became an anthem for the Iraqi people during the 2003 invasion. Richie told Q magazine July 2009: “Recently I met the commander of the 190 Brigade. He said his troops put speakers on their Humvees and played ‘Dancing On The Ceiling.’ they arrived to hear ‘All Night Long.’ The fall of Baghdad was played out to my songs, which is a bit frightening.”

This was the first Lionel Richie video to make an impact on MTV.

“When MTV started, it wanted nothing to do with black artists.  But then I gave them ‘All Night Long’ after Michael (Jackson) had broken down the door. And from then on I was on MTV.”

All Night Long (All Night)
Lionel Richie

Da Da, ooooh
Well, my friends, the time has come
To raise the roof and have some fun
Throw away the work to be done
Let the music play on (play on, play on, play on…)
Everybody sing, everybody dance
Lose yourself in wild romance
We’re going to Party, Karamu, Fiesta, forever
Come on and sing along!
We’re going to Party, Karamu, Fiesta, forever
Come on and sing along!

All night long (all night), All night (all night)
All night long (all night), All night (all night)
All night long (all night), All night (all night)
All night long! (all night), Ooh, yeah (all night)

People dancing all in the street
See the rhythm all in their feet
Life is good, wild and sweet
Let the music play on…(Play on, play on, play on…)
Feel it in your heart and feel it in your soul
Let the music take control
We’re going to Party, Liming, Fiesta, forever
Come on and sing along
We’re going to Party, Liming, Fiesta, forever
Come on and sing my song!

All night long (all night), oooh, (all night)
All night long (all night), yeaz, (all night)
All night long (all night), yeah, (all night)
All night long (all night)…(all night)

Yeah, once you get started you can’t sit down
Come join the fun, it’s a merry-go-round
Everyone’s dancing their troubles away
Come join our party, See how we play!

Come on! Come on!
Everybody dance like Jimmy
Come on!

Tam bo li de say de moi ya
Hey Jambo Jumbo
Way to parti o we goin’
Oh, jambali
Tam bo li de say de moi ya
Yeah, Jambo, jumbo

Oh, O, O, O, yes
We’re going to have a party! (Yeah… ugh)

All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
All night long (all night)…

Everyone you meet (all night)
They’re jamming in the street (all night)
All night long! (All night)

Everyone you meet (all night)
They’re jamming in the street (all night)
All night long! (All night)

Everybody come on!
Feel good! Feel good!
Come on!

Come on!

Sing about here, everybody!

All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
Come on now
All night long (all night), All night, (all night)

Source: Musixmatch
Songwriters: Lionel B., Jr. Richie
All Night Long (All Night) lyrics © Almo Music Corp., Larry Spier Music Llc, Brockman Music, Brenda Richie Publishing, Almo Music Corporation, Personal Music, Almo Music Corp. O/b/o Nuages Artists Music Ltd., Glenwood Music Corp, Emi U Catalog Inc, Brockman Music % Provident Financial Mgt, Nuages Music Ltd

♫ Running With The Night ♫ (Redux)

I’m in the mood for some Lionel Richie tonight … what do you say?

Richie co-wrote this with the lyricist Cynthia Weil, and co-produced it with James Anthony Carmichael. The electric guitar solo was played by Steve Lukather, best known as a member of the rock band Toto. Lukather sat down in the studio and the engineer played the basic tracks of the song, for him to hear for the first time, so he could plan his part. As the music played, he jammed along on his instrument. At the conclusion of the tune, he said to the engineer, “Okay, I’m ready for a take.” The producer replied, “That was a take.”  Some adult contemporary stations edited out Lukather’s guitar solo “to make the song less rock-sounding.”  That makes no sense to me, but what do I know?

When a young Richard Marx moved from Chicago to Los Angeles and was amassing rejection letters for his demos, Lionel Richie gave him a shot, and had him sing backup on this track. Before he hit it big as a solo artist, Marx lent his vocals to several other Richie recordings, including All Night Long.

This charted at #1 in the U.S., #9 in the UK, and #12 in Canada.

Running With the Night
Lionel Richie

The heart of the city street was beating
Light from the neons turned the dark to day
We were too hot to think of sleeping
We had to get out before the magic got away

We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

You were looking so good girl, heads were turning
You and me on the town, ooh, we let it all hang out
The fire was in us, we were burning
We were gonna go all the way and we never had a doubt

We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

We were so in love, you and me
On the boulevard wild and free
Giving all we got, we laid it down
Taking every shot, we took the town

We were running with the night
Playing in the shadows
Just you and I and it was so right
Girl, it was so right

Songwriters: Cynthia Weil / Lionel Richie
Running With the Night lyrics © Warner/Chappell Music, Inc

♫ Endless Love ♫

Tonight there is no song in my heart … and so I turn back to that which I last played 3 years ago … Lionel Richie never fails to put a song where there was none … this one is for … well, you know who you are.


Lionel Richie originally wrote this song and recorded it with Diana Ross in 1981.  Lionel Richie had risen from saxophone player in the Commodores to lead vocalist and primary songwriter in the group. He was still with them when the movie, Endless Love, was being filmed and director Franco Zeffirelli asked him to write an instrumental theme along the lines of Henry Mancini’s theme from the 1971 film Love Story. Richie, who was eager to add “film soundtrack” to his resumé, used a piece of music he had written for the Commodores but was never recorded. But then Zeffirelli decided he wanted lyrics. And that it should be a duet, maybe with Diana Ross. So Richie’s assignment went from devising an instrumental theme song to composing and performing on a fully-formed duet with the most popular female vocalist in America. He was up for the challenge.

The movie did not do well, but the song, recorded under the Motown label, received Oscar and Golden Globe nominations and won a Marquee Award in 1982 for Best Original Song.

In 1994, Mariah Carey and Luther Vandross recorded this for Vandross’ album Songs. It became Luther’s biggest hit, going to #2 in the US.  I am a big fan of Luther Vandross, but tonight, as I listened to his and Mariah’s version, I found that I still preferred Lionel Richie and Shania’s.  Somewhere along the line, Kenny Rogers even recorded it … is there a song around that he hasn’t recorded???  I did not listen to Kenny’s version.  Three was enough for me.

Richie and Twain recorded their version in 2011, and the video you are about to watch was recorded in February 2012.

Endless Love
Lionel Richie and Shania Twain

My love
There’s only you in my life
The only thing that’s right
My first love
You’re every breath I take
You’re every step I make

And I
I want to share
All my love with you
No one else will do
And your eyes (your eyes, your eyes)
They tell me how much you care
Oh, yes
You’ll always be
My endless love

Two hearts
Two hearts that beat as one
Our lives have just begun
And forever
I’ll hold you close in my arms
I can’t resist your charms

And I
I’d play the fool
For you, I’m sure
You know I don’t mind
(No, you know I don’t mind)
And yes
You mean the world to me
I know I’ve found in you
My endless love

And love
I’d play the fool
For you, I’m sure
You know I don’t mind
(Whoa, you know I don’t mind)
Oh, yes
You’d be the only one
Cause no, I can’t deny
This love I have inside
And I’ll give it all to you
My love (my love, my love)

Songwriters: Lionel B. Richie / Jr.
Endless Love lyrics © Warner/Chappell Music, Inc

♫ Dancing On The Ceiling ♫ (Redux)

It’s been a year-and-a-half since I’ve played this one and … well, I think we could all use this upbeat tune tonight, and the bit of silliness that comes with … Dancing on the Ceiling!


I initially had a different song on the schedule … a real downer, but a good song nonetheless.  Then last night, a friend suggested that to pick my mood up, instead of listening to sad music, I might try Lionel Richie’s Dancing on the Ceiling.  I did, and it worked … who can cry when they’re listening to this?  I figured you guys could use a little pick-me-up too, so here it is!  I do have one question, though … how the heck does he dance on the walls and the ceiling?  I was going to try it, but … gravity stepped in and I figured I might end up with some broken bones.

Written by Richie, Mike Frenchik, and Carlos Rios, the song became a worldwide top ten hit, but not everyone liked it.  Critic Stephen Thomas Erlewine said …

“This isn’t entirely a good thing, since it means he indulges in silliness …”

Since when is a bit of silliness not a good thing?  Methinks Mr. Erlewine needs to lighten up a bit.  Apparently there were others who felt the same, though, for Blender magazine published a list of the “50 worst songs of all time”, with Dancing on the Ceiling listed at No. 20.

It is said that this video cost $400,000 to make!

Dancing on the Ceiling
Lionel Richie

What is happening here
Something’s going on that’s not quite clear
Somebody turn on the lights
We’re gonna have a party
It’s starting tonight

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

The room is hot and that’s good
Some of my friends came by from the neighborhood
The people startin’ a climb the walls
Ooh it looks like everybody is having a ball

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

Come on!

Everybody start to lose control
When the music is right
If you see somebody hangin’ around
Don’t get uptight
The only thing we want to do tonight
Is go ’round and ’round
And turn upside down
Come on! Let’s get down!

So come on! Let’s get loose
Don’t hold back
‘Cause ain’t no use
Hard to keep your feet on the ground
‘Cause when we like to party
We only want to get down

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

Say what?
Can’t stop now
Just getting started
Everybody clap your hands
Come on
Everybody let’s dance

Oh, what a feeling
When we’re dancing on the ceiling
Oh, what a feeling
When we’re dancing on the ceiling

Oh, what a feeling
When we’re dancing on the ceiling baby baby
We gonna dance all night

Songwriters: Lionel B. Jr. Richie / Michael Henry Jr. Frenchik / Carlos Manuel Rios
Dancing on the Ceiling lyrics © Warner/Chappell Music, Inc

♫ All Night Long (All Night) ♫

Lionel Richie is among my top ten favourite artists, and I was amazed when earlier tonight it was brought to my attention that I hadn’t played any of his songs for a while (actually, it was just over three weeks ago when I played Endless Love, but heck, three weeks is a long time).  At any rate, since I do love Lionel, and since I haven’t yet played this one here …

Written by the man himself, this was Lionel Richie’s fourth solo single – the first being a duet with Diana Ross.  Released in 1983 on the Motown Label, co-produced with James Carmichael, it topped the Hot 100 for four weeks. The song also sold well internationally, and was performed by Richie at the closing ceremony of the 1984 Olympics in Los Angeles.

Lionel said this one took him about two months to write because …

“I just couldn’t find the ending – I couldn’t find all night long to save my life. I had everything, the verses, the middle part, all the stuff. I just did not have all night long. It took me forever to find it. And finally one night, the heavens opened up and came through.”

As for the origin of the song, he says he got the vibe for this song from his vacations in the Caribbean …

“I’m one of those guys that – I don’t look for something new. I look for what people do everyday. And I noticed that, anytime I would come on vacation, everybody who can rap is on vacation doing a calypso dance. Everybody who’s singing Opera, they conform to some form of calypso or some form of reggae. So when I went back to do ‘All Night Long’ it was very simple. All I had to do was find that beat that everybody dances to when they go on vacation.”

There is a very multicultural vibe to this song, as Richie mentions joyful words in different languages. “Karamu” is a Swahili word for a party accompanied by a feast; “Liming” is a Caribbean term for getting together, and “Fiesta” is Spanish for party.  Richie explains the lyric “Tambo liteh sette mo-jah! Yo! Jambo jambo” …

“I called the UN and said ‘I need something African for the breakdown in this song I’m writing.’ They informed me that there are thousands of different African dialects. I couldn’t believe it. One region doesn’t have any idea what the other is taking about. So, ‘Tambo liteh sette mo-jah!’? I made it up on the spot. Now I think that ‘Jambo’ might have a meaning in Swahili, but you gotta be careful because it might mean ‘welcome’ in one dialect and you might get your head cut off for saying it in another.”

A young Richard Marx, before he found fame with his own hits such as Right Here Waiting, supplied backing vocals on this track. He said the “jambo” section was a moving target …

“It kept changing. He kept getting different notes from people saying, ‘That’s actually not what that means. Change this vowel.’ So, we had to do it a couple of times on different days.”

Lionel Richie was an early mentor to Richard Marx, who also lent his vocals to several of Richie’s other recordings, including Running With The Night and You Are. Said Marx …

“Working with him in the studio was always just fun. He makes everything fun. He has got an incredible energy about him – positive energy. I can’t say enough about him.”

This song became an anthem for the Iraqi people during the 2003 invasion. Richie told Q magazine July 2009: “Recently I met the commander of the 190 Brigade. He said his troops put speakers on their Humvees and played ‘Dancing On The Ceiling.’ they arrived to hear ‘All Night Long.’ The fall of Baghdad was played out to my songs, which is a bit frightening.”

This was the first Lionel Richie video to make an impact on MTV.

“When MTV started, it wanted nothing to do with black artists.  But then I gave them ‘All Night Long’ after Michael (Jackson) had broken down the door. And from then on I was on MTV.”

All Night Long (All Night)
Lionel Richie


Da Da, ooooh
Well, my friends, the time has come
To raise the roof and have some fun
Throw away the work to be done
Let the music play on (play on, play on, play on…)
Everybody sing, everybody dance
Lose yourself in wild romance
We’re going to Party, Karamu, Fiesta, forever
Come on and sing along!
We’re going to Party, Karamu, Fiesta, forever
Come on and sing along!


All night long (all night), All night (all night)
All night long (all night), All night (all night)
All night long (all night), All night (all night)
All night long! (all night), Ooh, yeah (all night)


People dancing all in the street
See the rhythm all in their feet
Life is good, wild and sweet
Let the music play on…(Play on, play on, play on…)
Feel it in your heart and feel it in your soul
Let the music take control
We’re going to Party, Liming, Fiesta, forever
Come on and sing along
We’re going to Party, Liming, Fiesta, forever
Come on and sing my song!


All night long (all night), oooh, (all night)
All night long (all night), yeaz, (all night)
All night long (all night), yeah, (all night)
All night long (all night)…(all night)


Yeah, once you get started you can’t sit down
Come join the fun, it’s a merry-go-round
Everyone’s dancing their troubles away
Come join our party, See how we play!


Come on! Come on!
Everybody dance like Jimmy
Come on!


Tam bo li de say de moi ya
Hey Jambo Jumbo
Way to parti o we goin’
Oh, jambali
Tam bo li de say de moi ya
Yeah, Jambo, jumbo


Oh, O, O, O, yes
We’re going to have a party! (Yeah… ugh)


All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
All night long (all night)…


Everyone you meet (all night)
They’re jamming in the street (all night)
All night long! (All night)


Everyone you meet (all night)
They’re jamming in the street (all night)
All night long! (All night)


Everybody come on!
Feel good! Feel good!
Come on!


Come on!


Sing about here, everybody!


All night long (all night), All night, (all night)
All night long (all night), All night, (all night)
Come on now
All night long (all night), All night, (all night)


Source: Musixmatch
Songwriters: Lionel B., Jr. Richie
All Night Long (All Night) lyrics © Almo Music Corp., Larry Spier Music Llc, Brockman Music, Brenda Richie Publishing, Almo Music Corporation, Personal Music, Almo Music Corp. O/b/o Nuages Artists Music Ltd., Glenwood Music Corp, Emi U Catalog Inc, Brockman Music % Provident Financial Mgt, Nuages Music Ltd

♫ Endless Love ♫

I apologize that I am once again re-duxing.  The hour is late and my heart is heavy tonight, so please forgive me.  I last played this one in August 2018, just over two years ago.  It still resonates with me, and I hope you will enjoy it yet again, too.


Lionel Richie originally wrote this song and recorded it with Diana Ross in 1981.  Lionel Richie had risen from saxophone player in the Commodores to lead vocalist and primary songwriter in the group. He was still with them when the movie, Endless Love, was being filmed and director Franco Zeffirelli asked him to write an instrumental theme along the lines of Henry Mancini’s theme from the 1971 film Love Story. Richie, who was eager to add “film soundtrack” to his resumé, used a piece of music he had written for the Commodores but was never recorded. But then Zeffirelli decided he wanted lyrics. And that it should be a duet, maybe with Diana Ross. So Richie’s assignment went from devising an instrumental theme song to composing and performing on a fully-formed duet with the most popular female vocalist in America. He was up for the challenge.

The movie did not do well, but the song, recorded under the Motown label, received Oscar and Golden Globe nominations and won a Marquee Award in 1982 for Best Original Song.

In 1994, Mariah Carey and Luther Vandross recorded this for Vandross’ album Songs. It became Luther’s biggest hit, going to #2 in the US.  I am a big fan of Luther Vandross, but tonight, as I listened to his and Mariah’s version, I found that I still preferred Lionel Richie and Shania’s.  Somewhere along the line, Kenny Rogers even recorded it … is there a song around that he hasn’t recorded???  I did not listen to Kenny’s version.  Three was enough for me.

Richie and Twain recorded their version in 2011, and the video you are about to watch was recorded in February 2012.

Endless Love
Lionel Richie and Shania Twain

My love
There’s only you in my life
The only thing that’s right
My first love
You’re every breath I take
You’re every step I make

And I
I want to share
All my love with you
No one else will do
And your eyes (your eyes, your eyes)
They tell me how much you care
Oh, yes
You’ll always be
My endless love

Two hearts
Two hearts that beat as one
Our lives have just begun
And forever
I’ll hold you close in my arms
I can’t resist your charms

And I
I’d play the fool
For you, I’m sure
You know I don’t mind
(No, you know I don’t mind)
And yes
You mean the world to me
I know I’ve found in you
My endless love

And love
I’d play the fool
For you, I’m sure
You know I don’t mind
(Whoa, you know I don’t mind)
Oh, yes
You’d be the only one
Cause no, I can’t deny
This love I have inside
And I’ll give it all to you
My love (my love, my love)

Songwriters: Lionel B. Richie / Jr.
Endless Love lyrics © Warner/Chappell Music, Inc