♫ Rock With You ♫

I literally just spun the wheel and blindly put my finger down tonight, and it happened to land on this one!  Well, the 4th time, anyway.  😉

Released in 1979 by Michael Jackson, this was produced by Quincy Jones and written by Rod Temperton, who was the keyboard player and primary songwriter in the group Heatwave.  The song was first offered to Karen Carpenter, but she turned it down … somehow I cannot picture Karen doing this song.

The original title was “I Want To Eat You Up,” but it was quickly changed to fit Jackson’s image as a wholesome heartthrob.

Music critic J. Edward Keyes of Rolling Stone said …

“What’s remarkable about “Rock With You” is how unobtrusive it is: a silky string section and barely-there twitch of guitar — Michael doesn’t even hit the word “Rock” all that hard — he just glides over it, preferring to charm with a wink and a smile rather than with aggression or ferocity.”

I know of at least one person who’s going to hate this selection (rawgod), and maybe some others, but hey … it’s where the finger landed!  Fickle finger of fate, I believe it’s called.

Rock With You
Michael Jackson

Girl, close your eyes
Let that rhythm get into you
Don’t try to fight it
There ain’t nothing that you can do
Relax your mind
Lay back and groove with mine
You gotta feel that heat
And we can ride the boogie
Share that beat of love

I want to rock with you (all night)
Dance you into day (sunlight)
I want to rock with you (all night)
Rock the night away

Out on the floor
There ain’t nobody there but us
Girl when you dance
There’s a magic that must be love
Just take it slow
‘Cause we got so far to go
You gotta feel that heat
And we can ride the boogie
Share that beat of love

I want to rock with you (all night)
Dance you into day (sunlight)
I want to rock with you (all night)
Rock the night away

And when the groove is dead and gone (yeah)
You know that love survives
So we can rock forever, on

I want to rock with you
I want to groove with you

I want to rock (all night) with you girl (sunlight)
Rock with you, rock with you girl (yeah) (all night)
Dance the night away

I want to rock with you (yeah) (all night)
Rock you into day (sunlight)
I want to rock with you (all night)
Rock the night away

Feel the heat feel the heat
Rock you into day (sunlight)
I want to rock-rock the night away.

Songwriters: Rodney Lynn Temperton
Rock With You lyrics © Warner Chappell Music, Inc, Tratore

♫ Gone Too Soon ♫

I had all but forgotten about this song, until tonight … when looking for a song for a special friend, but I couldn’t think of the title … I came across this.  And it brought back so many memories as I watched the video, listened to the music.  Memories of a friend who died of AIDS in the early part of this century, memories of following the Ryan White story, of the sadness when he died on 08 April 1990 of AIDS …

This song was written by Larry Grossman and Buz Kohan, and later sung by Michael Jackson, who dedicated the song to AIDS victim Ryan White. The American teenager became a national poster child for HIV/AIDS in the United States after being expelled from school because of his infection. Jackson befriended Ryan prior to his death.

Jackson performed this song at former President Bill Clinton’s first inauguration ball on January 20, 1993, where Michael gave the following dedication …

“Thank you, mister President-elect, for inviting me to your inauguration gala. I would like to take a moment from this very public ceremony to speak of something very personal. It concerns a dear friend of mine who is no longer with us. His name is Ryan White. He was a hemophiliac who was diagnosed with the AIDS virus when he was eleven. He died shortly after turning eighteen, the very time most young people are beginning to explore life’s wonderful possibilities. My friend Ryan was a very bright, very brave, and very normal young man who never wanted to be a symbol or a spokesperson for a deadly disease. Over the years, I’ve shared many silly, happy, and painful moments with Ryan and I was with him at the end of his brief but eventful journey. Ryan is gone and just as anyone who has lost a loved one to AIDS, I miss him deeply and constantly. He is gone, but I want his life to have meaning beyond his passing. It is my hope, President-elect Clinton, that you and your administration commit the resources needed to eliminate this awful disease that took my friend, and ended so many promising lives before their time. This song is for you Ryan” – Michael Jackson, January 1993.

R&B singer-songwriter Usher performed this song at Jackson’s memorial service on July 7, 2009.

Now, most of that I knew, but what I didn’t know was that Dionne Warwick first performed (but never recorded) the song in February 1983 on a TV special as a tribute to many performers, including Janis Joplin, Elvis Presley, John Belushi, Cass Elliot, John Lennon, Bobby Darin, Minnie Riperton, Sam Cooke, Harry Chapin, Buddy Holly, Otis Redding, Jimi Hendrix, Jim Croce, Bobby Van and Karen Carpenter who had died days earlier. Later on the same day, Jackson called Kohan explaining he had wept while watching the performance and that he felt he wanted to record it some day.

This version was produced by Jackson and co-produced by Bruce Swedien for Jackson’s eighth studio album, Dangerous (1991).  The song was released on December 1, 1993, as the ninth and final single from the Dangerous album. Following its release—on World AIDS Day of 1993—Gone Too Soon became a moderate chart success in several countries: France, Germany, The Netherlands, New Zealand, Switzerland and the UK. The song was released as a cassette single in the US, and became a hit in Zimbabwe, where it charted at number 3.

Gone Too Soon
Michael Jackson

Like a comet
Blazing ‘cross the evening sky
Gone too soon

Like a rainbow
Fading in the twinkling of an eye
Gone too soon

Shiny and sparkly
And splendidly bright
Here one day
Gone one night

Like the loss of sunlight
On a cloudy afternoon
Gone too soon

Like a castle
Built upon a sandy beach
Gone too soon

Like a perfect flower
That is just beyond your reach
Gone too soon

Born to amuse, to inspire, to delight
Here one day
Gone one night

Like a sunset
Dying with the rising of the moon
Gone too soon

Gone too soon

Songwriters: Larry Grossman / Alan “buz” Kohan
Gone Too Soon lyrics © Warner Chappell Music, Inc, Spirit Music Group

♫ I’ll Be There ♫

Tonight’s song has nothing whatsoever to do with shirts, cats, cookies, dirty dishes, or coffee mugs …

Released in 1970, this was the first Jackson 5 hit not written by “The Corporation,” a collection of Motown writers lead by the chief of the label, Berry Gordy. The Corporation were based in California, unlike most Motown writers, who were in the Detroit offices. This song was written by Hal Davis (who also produced it), Bob West, Willie Hutch, and Berry Gordy.

In this song, a man tells his former lover that he will always be there for her, and that even if she finds someone new, she can always go back to him. This statement of unconditional fealty makes it one of the more touching and romantic songs of the era, sweetened by the innocence of Michael Jackson’s voice – he was just 11 years old when he recorded it.

Now, I like the Jackson 5 version quite well, but 22 years later, Mariah Carey would release her own version of this, and I like that quite well also.  Mariah’s is more of a romantic duet with Trey Lorenz.  In fact, if you asked me to choose between the two, I couldn’t … each is special in it’s own way.  So, I offer you both tonight … take your pick!

I’ll Be There
The Jackson 5/Mariah Carey

You and I must make a pact
We must bring salvation back
Where there is love, I’ll be there (I’ll be there)

I’ll reach out my hand to you
I’ll have faith in all you do
Just call my name and I’ll be there (I’ll be there)

I’ll be there to comfort you
Build my world of dreams around you
I’m so glad that I found you

I’ll be there with a love that’s strong
I’ll be your strength
I’ll keep holdin’ on (holdin’ on)
Yes I will, yes I will

Let me fill your heart with joy and laughter
Togetherness, girl, is all I’m after
Whenever you need me, I’ll be there (I’ll be there)

I’ll be there to protect you (yeah baby)
With unselfish love that respects you
Just call my name, I’ll be there (I’ll be there)

I’ll be there to comfort you
Build my world of dreams around you
I’m so glad that I found you

I’ll be there with a love that’s strong
I’ll be your strength
I’ll keep holdin’ on
Ooh ooh ooh
Yes I will (holdin’ on, holdin’ on)
Yes I will

If you should ever find someone new
I know he better be good to you
‘Cause if he doesn’t
I’ll be there (I’ll be there)

Don’t you know baby I’ll be there
I’ll be there I’ll be there

Just call my name, I’ll be there (I’ll be there)
Just look over your shoulders honey, ooh!
I’ll be there, I’ll be there,
Whenever you need me, I’ll be there (I’ll be there)

Don’t you know baby
I’ll be there, I’ll be there
Just call my name, I’ll be there (I’ll be there)
Oh oh oh oh I’ll be there, I’ll be there

Songwriters: Berry Gordy Jr / Bob West / Hal Davis / Willie Hutch
I’ll Be There lyrics © Sony/ATV Music Publishing LLC

♫ Never Can Say Goodbye ♫

Never Can Say Goodbye is a song written by Clifton Davis and originally recorded by The Jackson 5. The song was originally written and intended for the Supremes; however Motown decided it would be better for the Jackson 5. It was the first single released from the group’s 1971 album Maybe Tomorrow, and was one of the group’s most successful records. It has been covered numerous times, most notably in 1974 by Gloria Gaynor and in 1987 by British pop group The Communards.

The recording features 12-year-old Michael Jackson singing a serious song about a love, with accompaniment from his brothers. Although such a record was unusual for a teenage group, Never Can Say Goodbye was a number-two hit for three consecutive weeks on the Billboard Pop Singles chart, stuck behind Three Dog Night’s Joy to the World.   The Jackson Five version only reached #33 in the UK and #14 in Canada, while the Gloria Gaynor version made it to #3 in Canada and #2 in the UK.

I offer both versions for your listening pleasure …

Oh, alright … lest I be accused of being biased toward U.S. artists, here is The Communards’ version, too …

Never Can Say Goodbye
The Jackson 5/Gloria Gaynor/The Communards

I never can say goodbye, no, no, no, no, now
Never can say goodbye

Even though the pain and heartache
Seem to follow me wherever I go
Though I try and try to hide my feelings
They always seem to show,

Then you try to say you’re leaving me
And I always have to say no
Tell me why is it so

That I never can say goodbye, no, no, no, no, now
Never can say goodbye

Every time I think I’ve had enough
And start heading for the door
There’s a very strange vibration
Piercing me right through the core
It says, turn around, you fool
You know you love him more and more
Tell me why is it so

Don’t wanna let you go
I never can say goodbye girl
Ooh ooh baby (don’t wanna let you go girl)
I never can say goodbye, no no no, no no no
Ooh, oh I never can say goodbye girl
Ooh ooh ooh (don’t wanna let you go girl)
I never can say goodbye, no no no, no no no, ooh

Never can say goodbye, no, no, no, no, now
Never can say goodbye

I keep thinking that our problems
Soon are all gonna work out
But there’s that same unhappy feeling
There’s that anguish, there’s that doubt
It’s the same old dizzy hangup
Can’t do with you or without
Tell me why is it so
Don’t wanna let you go

I never can say goodbye girl
Ooh ooh baby (hey baby)
I never can say goodbye, no no no, no no no
Ooh, oh I never can say goodbye girl
Ooh oh (hey baby)
I never can say goodbye, no no no, no no no, ooh
I never can say goodbye girl
Ooh ooh baby (hey baby)
I never can say goodbye, no no no, no no no
Ooh, oh I never can say goodbye girl
Ooh oh (hey baby)

Songwriters: Clifton Davis
Never Can Say Goodbye lyrics © Sony/ATV Music Publishing LLC

♫ We Are The World ♫

Hello my friends.  With a heavy heart tonight, I was not going to do a music post, but two special people convinced me, without realizing that they had a thing to do with it, to do one … and this one in particular.  I shall explain …

A few nights ago, I was chatting via email with our friend Ellen, and she noted that while sometimes one doesn’t feel that they have a song in their heart, they should … sing anyway!  Tonight, I felt as if I had no song in my heart, and really, I just wanted to go to bed.  But, somewhere in my head, I heard Ellen saying, “C’mon, Filosofa … sing anyway!”

And the second motivator was another dear friend, Dutch (Larry Woller) who posted on his own blog this song … We Are The World … and everything just suddenly clicked into place.

This was a benefit single for victims of famine in Africa. It raised over $60 Million, which was distributed to Ethiopia, Sudan, and other impoverished countries.

Michael Jackson and Lionel Richie wrote this song, and Quincy Jones produced it. This talented trio was perfect for the job: Quincy Jones was the hottest producer around, and his Rolodex (what would now be a contact list) was filled with the biggest names in music; Richie had written songs that went to #1 on the Hot 100 each of the previous seven years (“We Are The World” made it eight); Michael Jackson had the biggest album of 1984 with Thriller (produced by Jones) and was the biggest star in the world.

The USA For Africa project began as an idea calypso singer Harry Belafonte had for a benefit concert featuring black musicians. In late December 1984, looking for artists to participate, Belafonte called Ken Kragen, who managed an impressive roster of talent, including Lionel Richie. Kragen convinced Belafonte that they could raise more money and make a bigger impact with an original song; Belafonte agreed and Richie came on board to help.

Kragen asked Quincy Jones to produce, and Jones enlisted Michael Jackson. Richie got Stevie Wonder involved, and from there, word got out and many members of the music industry signed on to help. The project from conception to recording took about a month.

This all-star charity single was inspired by Band Aid, the British group Bob Geldof put together the year before to record Do They Know It’s Christmas?. Band Aid, which included Bono, Phil Collins, David Bowie, Paul McCartney, and Sting, served as a template, showing how a disparate group of famous artists could come together in one day to record a song.

The stars who sang solos were, in order, Lionel Richie, Stevie Wonder, Paul Simon, Kenny Rogers, James Ingram, Billy Joel, Tina Turner, Michael Jackson, Diana Ross, Dionne Warwick, Willie Nelson, Al Jarreau, Bruce Springsteen, Kenny Loggins, Steve Perry, Daryl Hall, Michael Jackson (again), Huey Lewis, Cyndi Lauper, and Kim Carnes. Bob Dylan and Ray Charles were also featured on the song and given close-ups in the video.

Harry Belafonte, who had the original idea for the project, was in the chorus but didn’t get a solo, joining Bette Midler, Smokey Robinson, The Pointer Sisters, LaToya Jackson, Bob Geldof, Sheila E., and Waylon Jennings as backing singers.

Quincy Jones was responsible for managing the egos of all the stars. It went very smoothly considering some very famous people did not get to sing a line. Most of the singers knew Jones personally and respected his wishes that they check their egos at the door.

Just goes to show what we can accomplish when people of all sorts come together for a common cause.  I think … though the cause is different … this song has just as much meaning for our world today as it did when it was released in 1985, some 34 years ago, don’t you?

We Are the World
U.S.A. for Africa

There comes a time
When we heed a certain call
When the world must come together as one
There are people dying
Oh, and it’s time to lend a hand to life
The greatest gift of all

We can’t go on
Pretending day-by-day
That someone, somewhere soon make a change
We’re all a part of God’s great big family
And the truth, you know, love is all we need

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

Oh, send them your heart
So they know that someone cares
And their lives will be stronger and free
As God has shown us by turning stones to bread
And so we all must lend a helping hand

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
Oh, there’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

When you’re down and out, there seems no hope at all
But if you just believe there’s no way we can fall
Well, well, well, well let us realize
Oh, that a change can only come
When we stand together as one, yeah, yeah, yeah

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world
We are the children
We are the ones who make a brighter day, so let’s start giving
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world (are the world)
We are the children (are the children)
We are the ones who’ll make a brighter day, so let’s start giving (so let’s start giving)
There is a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

Oh, let me hear you!

We are the world (we are the world)
We are the children (said we are the children)
We are the ones who’ll make a brighter day so let start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, come on now, let me hear you

We are the world (we are the world)
We are the children (we are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)
There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, yeah

We are the world (we are the world)
We are the children (we are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
And we’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world (are the world)
We are the children (are the children)
We are the ones who’ll make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me

We are the world, we are the world (are the world)
We are the children, yes sir (are the children)
We are the ones that make a brighter day so let’s start giving (so let’s start giving)

There’s a choice we’re making
We’re saving our own lives
It’s true we’ll make a better day, just you and me, ooh-hoo!

We are the world (dear God) (are the world)
We are the children (are the children)
We are the ones that make a brighter day so let’s start giving (all right, can you hear what I’m saying?)
There’s a choice we’re making, we’re saving our own lives

Songwriters: Michael Jackson / Lionel Richie
We Are the World lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc

♫ Man In The Mirror ♫

Yesterday afternoon, I wrote a post about the atrocities the United States government is committing against innocent migrants on the southern border, particularly children.  This morning’s post was about one of the ways in which the United States government is accelerating the ravages of carbon emissions on our environment.  These are only two of the many ways in which our government has sidestepped responsibility and accountability for the survival of the human species, or human race, if you will.  With all this fresh in my mind, is it any wonder that tonight’s song is one of social conscience?

Say what you will about Michael Jackson … love him or hate him … he had a voice and he often used it to try to open our eyes to the social injustices he saw around him.

Released in January 1988, this song is about making a change and realizing that it has to start with you.  The song was written by Siedah Garrett and Glen Ballard; Garrett also sang backup on the track.  According to Garrett …

“The song was deeper than just the visual of a man looking at himself in the mirror. It was that, juxtaposed with the idea of a man going deeper inside himself to change from within. To make a difference on the outside, you have to first start from within. So I think that Michael just got it… he got the meaning of the song right away.”

The single sleeve for Man in the Mirror contains a dedication to Yoshiaki Ogiwara, a five-year-old boy from Takasaki, Gunma, Japan who was kidnapped and murdered in September 1987. Jackson was touring Japan at the time and dedicated concerts in Osaka and Yokohama to Yoshiaki’s memory.

Pay attention to the lyrics … think about what they say.  WE are the winds of change, but only if we choose to be.  I want to be that ‘man in the mirror’ … well, okay, perhaps that ‘woman in the mirror’.  Music should entertain … most often I think it should take us away from our troubles.  But sometimes, maybe music should prick our consciences, remind us of our duty to humanity, to ourselves.  Sometimes maybe it should open our eyes … our ears … our hearts.

Man in the Mirror
Michael Jackson

I’m gonna make a change,
For once I’m my life
It’s gonna feel real good,
Gonna make a difference
Gonna make it right

As I, turn up the collar on
My favorite winter coat
This wind is blowing my mind
I see the kids in the streets,
With not enough to eat
Who am I to be blind?
Pretending not to see their needs

A summer disregard, a broken bottle top
And a one man soul
They follow each other on the wind ya’ know
‘Cause they got nowhere to go
That’s why I want you to know

I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you want to make the world a better place
(If you want to make the world a better place)
Take a look at yourself, and then make a change
(Take a look at yourself, and then make a change)
(Na na na, na na na, na na, na nah)

I’ve been a victim of a selfish kind of love
It’s time that I realize
That there are some with no home, not a nickel to loan
Could it be really me, pretending that they’re not alone?

A willow deeply scarred, somebody’s broken heart
And a washed-out dream
(Washed-out dream)
They follow the pattern of the wind ya’ see
‘Cause they got no place to be
That’s why I’m starting with me
(Starting with me!)

I’m starting with the man in the mirror
(Ooh!)
I’m asking him to change his ways
(Ooh!)
And no message could have been any clearer
If you want to make the world a better place
(If you want to make the world a better place)
Take a look at yourself, and then make a change
(Take a look at yourself, and then make a change)

I’m starting with the man in the mirror
(Ooh!)
I’m asking him to change his ways
(Change his ways, ooh!)
And no message could have been any clearer
If you want to make the world a better place
Take a look at yourself and then make that
(Take a look at yourself and then make that)
Change!

I’m starting with the man in the mirror
(Man in the mirror, oh yeah!)
I’m asking him to change his ways
(Better change!)
No message could have been any clearer
(If you want to make the world a better place)

You can’t close your, your mind!
(Then you close your, mind!)
That man, that man, that man, that man
With the man in the mirror
(Man in the mirror, oh yeah!)
That man, that man, that man,
I’m asking him to change his ways
(Better change!)
You know, that man
No message could have been any clearer
If you want to make the world a better place
(If you want to make the world a better place)
Take a look at yourself and then make the change
(Take a look at yourself and then make the change)
Hoo! Hoo! Hoo! Hoo! Hoo!
Na na na, na na na, na na, na nah
(Ooh)
Oh no, no no

I’m gonna make a change
It’s gonna feel real good!
Come on!
(Change)
Just lift yourself
You know
You’ve got to stop it,
Yourself!
(Yeah! Make that change!)
I’ve got to make that change, today!
Hoo!
(Man in the mirror)
You got to
You got to not let yourself
Brother
Hoo!
(Yeah! Make that change!)
You know I’ve got to get
That man, that man

You’ve got to
You’ve got to move! Come on!
Come on!
You got to

Stand up! Stand up! Stand up!
(Yeah! Make that change)
Stand up and lift yourself, now!
(Man in the mirror)
Hoo! Hoo! Hoo!
Aw!
(Yeah! Make that change!)
Gonna make that change

Come on!
You know it!
You know it!
You know it!
You know it
(Change)
Make that change.

Songwriters: Glen Ballard / Siedah Garrett
Man in the Mirror lyrics © Warner/Chappell Music, Inc, Universal Music Publishing Group, BMG Rights Management, Songtrust Ave

♫ Pastime Paradise ♫

A dear friend, whose name I shall not say except to note that the first and last letters of his first name are the same, shot this song into my brain last night, whereby it lodged and refused to budge.  All day, I have been humming or whistling this song, and so … sigh … sorry folks, but from my brain to yours it goes …

Pastime Paradise was first released on Songs in the Key of Life, which has become Stevie Wonder’s most highly praised album. Michael Jackson considered it Wonder’s best, whilst Elton John told interviewers it was “the best album ever made,” a sentiment shared by many in the listening public.

When one thinks of Stevie Wonder, “joy” is the operative word, but in Pastime Paradise the synthesizer strings – one of the first novel attempts at using this sort of string-synthesis in a song – create an edgy atmosphere of anxiety, substantiated by the lyrics which are insistently negative in tone until the final stanza. A combination of issues, from race and religion to the economy are vaguely alluded to by using catchwords like “Race Relations” and “Exploitation” without any further explanation. Anyone that would have been hearing these words in 1976 at the tail-end of the Black Power movement (1965-1975) would know exactly what they were referring to. However, Wonder’s final statement defines the actual message of the song: “Let’s start living our lives, living for the future paradise,” as opposed to living in the unhappy past, or the illusory future in order to escape present social issues.

Pastime Paradise
Stevie Wonder

They’ve been spending most their lives
Living in a pastime paradise
They’ve been spending most their lives
Living in a pastime paradise
They’ve been wasting most their time
Glorifying days long gone behind
They’ve been wasting most their days
In remembrance of ignorance oldest praise

Tell me who of them will come to be
How many of them are you and me
Dissipation
Race relations
Consolation
Segregation
Dispensation
Isolation
Exploitation
Mutilation
Mutations
Miscreation
Confirmation, to the evils of the world

They’ve been spending most their lives
Living in a future paradise
They’ve been spending most their lives
Living in a future paradise
They’ve been looking in their minds
For the day that sorrows gone from time
They keep telling of the day
When the savior of love will come to stay

Tell me who of them will come to be
How many of them are you and me
Proclamation
Of race relations
Consolation
Integration
Verification
Of revelations
Acclamation
World salvation
Vibrations
Stimulation
Confirmation, to the peace of the world

They’ve been spending most their lives
Living in a pastime paradise
They’ve been spending most their lives
Living in a pastime paradise
They’ve been spending most their lives
Living in a future paradise
They’ve been spending most their lives
Living in a future paradise
We’ve been spending too much of our lives
Living in a pastime paradise

Let’s start living our lives
Living for the future paradise
Praise to our lives
Living for the future paradise
Shame to anyone’s lives
Living in the pastime paradise

Songwriters: Stevie Wonder
Pastime Paradise lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC

Leopards Don’t Change Their Spots …

When I heard the news last week about Virginia Governor Ralph Northam, my jaw dropped.  WTF???  I saw the yearbook picture, and my heart clenched.  I heard his apology that, on the surface, seemed sincere, but in the back of my mind kept ringing this refrain:  “Leopards don’t change their spots, leopards don’t change their spots, leopards don’t change their spots.”

I went to bed sometime that night, having moved on to other topics, and early that morning, Politico, The Washington Post and the New York Times all woke me to inform me that Governor Northam had decided, after admitting the night before that he was in the picture, that he wasn’t actually in the picture.  Though for the record, he did wear blackface once when entering a dance contest and doing Michael Jackson’s Moonwalk.

By now, I had the man pegged as a liar and a bigot.  The sooner he stepped down, as surely he must, the better for the State of Virginia.  But, rather than stepping down, the man dug in, refusing to resign, declaring that this, too, can be fixed.  He sounded so Trump-like that I’m fairly certain there was a conversation between the two between the first and second public announcement.  It was reminiscent of Trump’s apology for his horribly sexist remarks heard on the campaign trail in 2016, and then later his denial that he had ever made the remarks … plainly heard … on tape … by the world.

If you were wondering why I hadn’t tackled this subject yet, it’s largely because I was waiting for the next shoe to drop.  I couldn’t believe that some were actually taking his side, defending him.  I knew that it was unlikely he could be impeached, for the crimes of which he is accused do not meet the legal criteria for impeachment.  The president of the United States can remove a governor at any time, but we have no president, at least not one with any degree of morality or set of values.  And the last option would be for Northam to step down, which he said he wouldn’t do.  My head spun, as I pondered what this would mean for the State of Virginia, for the Democratic Party, and for the value of morality in the 21st century.  I also wondered who dug into Northam’s past to come up with this … why now?  Somewhere, there is more to this than meets the eye.

So, I have been silent, trying to fit the pieces of the puzzle together, but fortunately our friend Don Lemon has not shared my silence, and in this video, I think he lays out the facts clearly.  Take just a couple of minutes to listen to him, then think about it.  Is this the direction our nation is going?  We are 21 months from the next election, and guess what, folks … we are going to see more and more and more and more of this.  At the end of the day, we may have to ask ourselves if there is anybody in our government who is not corrupt, who has values, who represents We the People.

♫ Earth Song ♫

Much of my writing of late has been about the environment — climate change, the IPCC and NCA reports, the utter failure of the U.S. government to address the obvious and imminent threat.  When our friend David mentioned this song a few days ago, I went back to listen to it for the first time in years, watched the video, and knew the time was right to remember this song.

Michael Jackson, known for his socially-conscious music, released this song, dealing with the environment and animal welfare, on November 27, 1995.  The music video you are about to see was shot in four separate geographical locations, including the Americas, Europe and Africa.  According to Michael Jackson …

“I remember writing ‘Earth Song’ when I was in Austria, in a hotel. And I was feeling so much pain and so much suffering of the plight of the Planet Earth. And for me, this is Earth’s Song, because I think nature is trying so hard to compensate for man’s mismanagement of the Earth. And with the ecological unbalance going on, and a lot of the problems in the environment, I think earth feels the pain, and she has wounds, and it’s about some of the joys of the planet as well. But this is my chance to pretty much let people hear the voice of the planet. And this is ‘Earth Song.’ And that’s what inspired it. And it just suddenly dropped into my lap when I was on tour in Austria.”

The song has won numerous awards, perhaps none more important than the Genesis Award: 1995 Doris Day Music Award, given each year for animal sensitivity.

In 2008, a writer for the Nigeria Exchange noted, “Earth Song drew the world’s attention to the degradation and bastardization of the earth as a fall out of various human activities”.  Ten years later and we still haven’t gotten the wake-up call.

The video, directed by fine art photographer Nick Brandt had an environmental theme, showing images of animal cruelty, deforestation, pollution, poaching, poverty and war. Jackson and the world’s people unite in a spiritual chant—”Earth Song”—which summons a force that heals the world. Using special effects, time is reversed so that life returns, war ends and the forests regrow.

Earth Song
Michael Jackson

What about sunrise
What about rain
What about all the things that you said
We were to gain
What about killing fields
Is there a time
What about all the things
That you said were yours and mine

Did you ever stop to notice
All the blood we’ve shed before
Did you ever stop to notice
This crying Earth, these weeping shores

Aah, ooh

What have we done to the world
Look what we’ve done
What about all the peace
That you pledge your only son

What about flowering fields
Is there a time
What about all the dreams
That you said was yours and mine

Did you ever stop to notice
All the children dead from war
Did you ever stop to notice
This crying earth, these weeping shores

Aah, ooh
Aah, ooh

I used to dream
I used to glance beyond the stars
Now I don’t know where we are
Although I know we’ve drifted far

Aah, ooh
Aah, ooh

Aah, ooh
Aah, ooh

Hey, what about yesterday
(What about us)
What about the seas
(What about us)
The heavens are falling down
(What about us)
I can’t even breathe
(What about us)
What about apathy
(What about us)
Drowning in the seas
(What about us)
What about the promised land
Preachin’ what I believe
(What about us)
What about the holy land
(What about it)
What about the greed
(What about us)
Where did we go wrong
Someone tell me why
(What about us)
What about baby boy
(What about him)
What about the days
(What about us)
What about all their joy
Do we give a damn

Aah, ooh
Aah, ooh

Songwriters: Michael Jackson
Earth Song lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc