♫ Where Did Our Love Go ♫

Several nights ago I was planning a Supreme’s song, but got side-tracked, and now I cannot remember which one it was that I was planning for that night.  So, after a quick overview of some of their best songs, I settled tonight on this one, Where Did Our Love Go.

Written and produced by Motown’s main production team Holland–Dozier–Holland, this one was the first single by the Supremes to go to the number-one position in the U.S. in 1964.  It was also the first of five Supremes songs in a row to reach number one (the others being “Baby Love”, “Come See About Me”, “Stop! In the Name of Love”, and “Back in My Arms Again”).

According to Lamont Dozier …

“I originally cut this track with the Marvelettes in mind. In fact, I cut it in Gladys Horton’s key, the lead singer, which was much lower than Diana Ross’. At that time, at Motown, the policy was that the songwriters had to pay for the tracks we cut if it didn’t get recorded by one of their artists. It never entered my mind that the Marvelettes wouldn’t like the song. I had the chorus and went to the office to talk with Gladys and played it for her. She said, ‘Oh, honey, we don’t do stuff like that. And it’s the worst thing I ever heard.’ She was adamant about it. I was shocked.

I knew I was in deep trouble if I didn’t hurry and get someone to do the song because I wasn’t about to pay for the track. I went through the Motown artist roster and went all the way to the bottom of the list and there were the Supremes, better known in those days as the ‘no hit Supremes.’ I told them it was tailor made for them, knowing that they had nothing going on at the time and needed a song. Much to my surprise, they said no. Gladys (Horton of the Marvelettes) told them I was looking for someone to record it. I wasn’t giving up. Brian (Holland), Eddie (Holland) and I finally persuaded them to do it, convincing them that it was their saving grace and they couldn’t refuse it. We had already had Top 40 hits with Martha & the Vandellas but they hadn’t had recordings of any significance yet.

They were so annoyed that they agreed to do it that, in the studio, they had a really bad attitude. Diana (Ross) said it was in the wrong key, that it was too low. (Of course it was – I wrote it in Gladys’ key.) Since the track was already cut, she had to sing it in that key and she’d never sung that low before. It turned out that her bad attitude and the low key were exactly what the song needed! I’d worked out intricate background vocals but the girls refused to learn them. Finally I said, ‘Just sing ‘Baby, baby, baby’.’ It worked to their advantage and worked perfectly.

They didn’t necessarily agree. Diana and I were throwing obscenities back and forth and she went running to Berry (Gordy, Jr.) and told him I said something off-color about him. He came down to the studio to see what was wrong and while he was there, he asked to hear the song. He thought it was really good, but said that he didn’t know if it was a hit, but that he thought it would be Top 10.

The song was released and flew up the charts to #1. From then on, one hit followed another. It was the first of 13 consecutive #1s we did on the Supremes. The next time the Hollands and I saw the girls was at the airport. They were getting off a plane with their Yorkshire terriers, in mink stoles. We started laughing. It was so funny to see them turn into stars overnight.”

Where Did Our Love Go
The Supremes

Baby, baby, baby don’t leave me
Ooh, please don’t leave me all by myself
I’ve got this burning, burning, yearning feelin’ inside me
Ooh, deep inside me and it hurts so bad

You came into my heart (baby, baby) so tenderly
With a burning love (baby, baby)
That stings like a bee (baby, baby)
Now that I surrender (baby, baby) so helplessly
You now want to leave (baby, baby)
Ooh, you wanna leave me (baby, baby)
Ooh (baby, baby)

Baby, baby, where did our love go?
Ooh, don’t you want me?
Don’t you want me no more (baby, baby)?
Ooh, baby

Baby, baby, where did our love go?
And all your promises of a love forevermore!
I’ve got this burning, burning, yearning feelin’ inside me
Ooh, deep inside me, and it hurts so bad

Before you won my heart (baby, baby)
You were a perfect guy
But now that you got me
You wanna leave me behind (baby, baby)
Ooh, baby

Baby, baby, baby don’t leave me
Ooh, please don’t leave me all by myself (baby, baby)
Ooh baby, baby, baby

Songwriters: Edward Jr. Holland / Lamont Dozier / Brian Holland
Where Did Our Love Go lyrics © Sony/ATV Music Publishing LLC

♫ Just My Imagination ♫

Released in 1971, this was the last single for the Temptations with Eddie Kendricks and Paul Williams in the group. Eddie started a solo career and in 1973 scored his biggest hit with Keep On Truckin’. Williams remained on salary as an advisor, but was plagued with personal problems – he was separated from his wife, owed back taxes and was being treated for alcoholism. He committed suicide in 1973 at age 34.

Motown writers Norman Whitfield and Barrett Strong wrote Just My Imagination in the late ’60s, but since psychedelic songs were popular at the time, they decided to wait a few years before releasing it. Whitfield pulled it out of the mothballs after the relative failure of The Temptations’ Ungena Za Ulimwengu (Unite the World), which hit #33 in 1970 (unacceptable by their standards). Whitfield felt they needed to change direction to stay on top of the game, so he steered Temptations away from their string of socially relevant songs and had them record this airy ballad. The strategy worked, and the song rose to #1 in the U.S.

Just My Imagination (Running Away with Me)
The Temptations

Each day through my window I watch her as she passes by
I say to myself you’re such a lucky guy,
To have a girl like her is truly a dream come true
out of all the fellows in the world she belongs to me.
But it was Just my imagination,
once again runnin’ away with me.
It was just my imagination runnin’ away with me. Oo
Soon we’ll be married and raise a family (Oh yeah)
A cozy little home out in the country with two children maybe three.

I tell you I can visualize it all
this couldn’t be a dream for too real it all seems;
But it was Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.
Ev’ry night on my knees I pray Dear Lord, Hear my plea;
Don’t ever let another take her love from me or I would surely die.

Her love is heavenly, when her arms enfold me,
I hear a tender rhapsody; but in reality she doesn’t even know me.

Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.
no, no, no, no, no, no, no, can’t forget her
Just my imagination once again runnin’ way with me.
Tell you it was just my imagination runnin’ away with me.

Songwriters: Barrett Strong / Norman Whitfield / Norman J. Whitfield
Just My Imagination (Running Away with Me) lyrics © Sony/ATV Music Publishing LLC

♫ Sexual Healing ♫

So last night we had us some Stevie Wonder, and tonight, I got some Marvin Gaye running barefoot through the detritus of my mind.  Released in 1982, this was Gaye’s first single since leaving Motown earlier that year.

A bit of background:

In the winter of 1981, Marvin Gaye had relocated to Ostend, Belgium, following the end of a European tour amid financial difficulties with the Internal Revenue Service and the end of his second marriage. Struggling with depression and cocaine addiction, Gaye had agreed to move to Ostend on the advice of longtime resident Freddy Cousaert. While in Ostend, Gaye began to curb his drug use and recover from his depression, partaking in Ostend’s beaches. Gaye also began cutting ties with his longtime recording label, Motown, following the release of In Our Lifetime, an album the musician did not declare to be finished. He declared that he would never record with the label ever again after he accused the label of betraying his creativity.

Sexual Healing reached number one on Billboard’s Hot R&B Singles chart, where it stayed for a record ten weeks before being replaced by Michael Jackson and Paul McCartney’s duet, “The Girl Is Mine”. The success was similar on the Hot 100 where it peaked at number three. This peak at number three made Gaye the second artist in the history of the Hot 100 chart (after Aretha Franklin) to have a hit song peak at each position from one to ten on the chart.

When Gaye left Belgium and toured to support the Midnight Love album, he started using drugs again and became mentally unstable. He moved in with his parents and was shot and killed by his father after an argument on April 1, 1984 – the day before his 45th birthday, which I have mentioned before.

Now sit back and like you some Marvin Gaye, okay?

Sexual Healing
Marvin Gaye

Oh, baby now let’s get down tonight
Ooh baby, let’s get down tonight

Baby
Baby let’s get down tonight
Ooh

Baby, I’m hot just like an oven
Ooh
Baby now let’s get down tonight

Baby, I’m hot just like an oven
I need some lovin’
And baby, I can’t hold it much longer
It’s getting stronger and stronger

And when I get that feeling
I want sexual healing
Sexual healing, oh baby
Makes me feel so fine

Helps to relieve my mind
Sexual healing baby, is good for me
Sexual healing is something that’s good for me

Baby, I’m hot just like an oven
I need some lovin’
And baby, I can’t hold it much longer
It’s getting stronger and stronger

Baby, I got sick this mornin’
A sea was stormin’ inside of me
Baby, I think I’m capsizin’
The waves are risin’ and risin’

And when I get that feeling
I want sexual healing
Sexual healing is good for me
Makes me feel so fine, it’s such a rush
Helps to relieve the mind, and it’s good for us

Sexual healing, baby, it’s good for me
Sexual healing is something that’s good for me

You’re my medicine, open up and let me in
Darling, you’re so great, I can’t wait for you to operate
You’re my medicine, open up and let me in
Darling, you’re so great, I can’t wait for you to operate

Baby, open up and let me in
It’s getting stronger and stronger
Baby, open up and let me in
I can’t wait for you to operate
I can’t wait for you to operate, baby
I can’t wait for you to operate
Baby, open up and let me in
I can’t for you to operate

Songwriters: David Ritz / Marvin Gaye / Odell Brown
Sexual Healing lyrics © Sony/ATV Music Publishing LLC

♫ Bernadette ♫

Tonight it’s back to that unbeatable Motown sound and The Four Tops.  Bernadette is another written by the team of Holland–Dozier–Holland.  Was there really a girl named Bernadette, you ask?  Yes, in fact three of them, I am told.

According to Lamont Dozier …

“There were three Bernadettes, and they were all different girls. We sorta kept that to ourselves that we all had our own Bernadette. We always said, we’d never bring a girlfriend’s name into the songs. We had this hidden thing when the name came up, so we didn’t say anything. So at least two of us were thinking about the Bernadettes we knew.”

In Dozier’s case, “Bernadette” was inspired by his unrequited love for a girl when he was 12; a “beautiful Italian girl with eyes for somebody else.”

And now I bring you … Bernadette

Bernadette
Four Tops

Bernadette, people are searchin’ for the kind of love that we possess
Some go on searchin’ their whole life through
And never find the love I’ve found in you
And when I speak of you I see envy in other men’s eyes
And I’m well aware of what’s on their minds
They pretend to be my friend

When all the time they long to persuade you from my side
They’d give the world and all they own for just one moment we have known

Bernadette, they want you because of the pride that gives
But Bernadette, I want you because I need you to live
But while I live only to hold you some other men
They long to control you
But how can they control you Bernadette
When they can not control themselves, Bernadette
From wanting you, needing you
But darling, you belong to me

I’ll tell the world you belong to me
I’ll tell the world, you’re the soul of me
I’ll tell the world you’re a part of me

In your arms I find the kind of peace of mind the world is searching for
But you, you give me the joy this heart of mine has always been longing for
In you I have what other men long for
All men need someone to worship and adore
That’s why I treasure you and place you high above
For the only joy in life is to be loved
So whatever you do
Bernadette, keep on loving me, Bernadette, keep on needing me Bernadette

You’re the soul of me
On that dream, you’re a ? to me
And Bernadette, you mean more to me
Than a woman was ever meant to be

Songwriters: Edward Jr. Holland / Lamont Dozier / Brian Holland
Bernadette lyrics © Sony/ATV Music Publishing LLC

♫ I Can’t Help Myself ♫

This song was written by the successful Motown team of Lamont Dozier, Brian Holland and Eddie Holland, who wrote most of The Supremes hits. The melody of this song is very similar to Where Did Our Love Go, which Holland-Dozier-Holland wrote for The Supremes. According to Lamont Dozier, the title came about because he couldn’t help himself from working with the same tune.

The story behind the song …

“I stayed with my grandmother when I was a kid. She owned her own home beauty shop, and when the women would come up the walkway to get their hair done, my grandfather would be pedaling around in the garden. He was a bit of a flirt, and would say, ‘How you doin’, sugar pie? Good morning, honey bunch.’ He was one of those types of guys. My grandmother had a big bay window to the front of the house. She’d say, ‘Look at that old codger – he thinks I don’t see. I know what he’s doing.’ He was just flirting with his big smile. I’m sitting there on the porch watching this – I’m probably 11 or 12. I was like a sponge, soaking it up.

Years later, at Motown, I’m sitting at the piano. I’d take these mind trips back to my childhood, and I’m trying to see what this piano part is telling me. Sure enough, there my grandfather is, pedaling in the garden. That memory comes to my mind’s eye, and I know where the song is supposed to go. I hear him saying, ‘Good morning, sugar pie. How you doin’, honey bunch?’ That’s what started it.”

This was the first US #1 hit for The Four Tops, and it was a big one, topping the Hot 100 for two weeks and the R&B chart for an amazing nine. The group had paid their dues: they formed in 1953 and didn’t get a Motown deal until 10 years later. Their first Motown single, Baby I Need Your Loving,  did very well, but this one established them as one of the top acts in the company.

I Can’t Help Myself (Sugar Pie, Honey Bunch)
Four Tops

Sugar pie, honey bunch
You know that I love you
I can’t help myself
I love you and nobody else
In and out my life
You come and you go
Leaving just your picture behind
And I kissed it a thousand times
When you snap your finger or wink your eye
I come a-running to you
I’m tied to your apron strings
And there’s nothing that I can do
I can’t help myself
No, I can’t help myself
Sugar pie, honey bunch
I’m weaker than a man should be
I can’t help myself
I’m a fool in love, you see
Want to tell you I don’t love you
Tell you that we’re through
And I’ve tried
But ev’ry time I see your face
I get all choked up inside
When I call your name
Girl, it starts the flame
(Burning in my heart
Tearing it all apart)
No matter how I try
My love I cannot hide
‘Cause sugar pie, honey bunch
You know that I’m weak for you
I can’t help myself
I love you and nobody else
Sugar pie, honey bunch
Do anything you ask me to
I can’t help myself
I want you and nobody else
Sugar pie, honey bunch
You know that I love you
I can’t help myself
I love you and nobody else

Songwriters: Edward Jr. Holland / Lamont Dozier / Brian Holland
I Can’t Help Myself (Sugar Pie, Honey Bunch) lyrics © Sony/ATV Music Publishing LLC

♫ Hello ♫

I try not to be repetitious with the artists I highlight here, for there are so many greats out there that variety should be the key.  But … I haven’t played Lionel Richie since mid-September, and when I’m feeling a little down, he is my go-to.  Well, one of them, anyway.

Tonight’s selection, Hello, was Lionel’s second #1 song after leaving the Commodores and going solo (Truly, which I almost played tonight, was his first).  The album that features tonight’s song, Can’t Slow Down, won the 1984 Grammy for Album of the Year, and is the biggest-selling album in the history of Motown Records.

When you think of Motown, you probably think of Michael Jackson, Smokey Robinson and The Temptations, but Lionel Richie was also one of their biggest stars, and Hello was one of their biggest hits, especially in Britain. It was Motown’s first ever UK million selling single.

The song was promoted with a much derided video which included dialogue. Lionel Richie plays a teacher, Mr. Reynolds, who falls in love with a blind pottery student, Laura. When he looks in at her class, he finds that she has made a perfect clay model of his head. During the making of the video, Richie protested to the director Bob Giraldi that the story about the blind woman had no relationship to the song. Giraldi replied to him, “You’re not creating the story, I am.” The video was voted the worst music video of all time (don’t worry — I’m not playing that one!) in a poll of 8,000 music fans by UK TV music channel The Box, but Giraldi, who also directed Michael Jackson’s Beat It, stands by it. He’s quoted in the book I Want My MTV as saying, “I came up with the idea of a blind girl and Lionel as a teacher. ‘Hello’ is one of the top videos ever.” Giraldi adds that Richie was concerned that the bust didn’t look like him, until Giraldi pointed out that the girl making it was supposed to be blind.

Hello
Lionel Richie

I’ve been alone with you inside my mind
And in my dreams I’ve kissed your lips a thousand times
I sometimes see you pass outside my door
Hello, is it me you’re looking for?

I can see it in your eyes
I can see it in your smile
You’re all I’ve ever wanted, and my arms are open wide
‘Cause you know just what to say
And you know just what to do
And I want to tell you so much, I love you

I long to see the sunlight in your hair
And tell you time and time again how much I care
Sometimes I feel my heart will overflow
Hello, I’ve just got to let you know

‘Cause I wonder where you are
And I wonder what you do
Are you somewhere feeling lonely, or is someone loving you?
Tell me how to win your heart
For I haven’t got a clue
But let me start by saying, I love you

Hello, is it me you’re looking for?
‘Cause I wonder where you are
And I wonder what you do
Are you somewhere feeling lonely, or is someone loving you?
Tell me how to win your heart
For I haven’t got a clue
But let me start by saying I love you

Songwriters: Lionel Richie / Eddy Marnay
Hello lyrics © Warner/Chappell Music, Inc

♫ Reach Out I’ll Be There ♫

Interestingly,  two people have mentioned this song to me in the last week or so, and as I was working on my Jolly Monday post tonight, I found this one kept running through my head.  Now, at the same time, simultaneously, I have Elton’s Tiny Dancer running through my head, melding together with the Motown sound … is it any wonder the inside of my head looks like a 5-day-old bowl of mush?  Usually when that happens, I figure I should share the song and let it run through your heads also!

I thought this song was older than this, but it was released in 1966 and is considered to be the Four Tops signature song.

In 2014, interviewed by The Guardian, Four Tops singer Duke Fakir said:

Eddie [songwriter Edward Holland] realised that when Levi hit the top of his vocal range, it sounded like someone hurting, so he made him sing right up there. Levi complained, but we knew he loved it. Every time they thought he was at the top, he would reach a little further until you could hear the tears in his voice. The line “Just look over your shoulder” was something he threw in spontaneously. Levi was very creative like that, always adding something extra from the heart.

Written by Eddie Holland, Lamont Dozier and Brian Holland (Holland-Dozier-Holland), Dozier would later say …

“Brian, Eddie and I often had discussions about what women really want most of all from a man, and after talking about some of our experiences with women, we all three agreed that they wanted someone to be there for them, through thick or thin, and be there at their beck and call! Thus this song was born.”

The Four Tops recorded this in just two takes, and then proceeded to forget about it, figuring it to be a  “throwaway” album track. Motown boss Berry Gordy, however, had other ideas and released it as a single. Gordy had a knack for identifying hit songs, and got this one right.

And now … just sit back, close your eyes, and listen … feel …

Reach Out I’ll Be There
Four Tops

Now if you feel that you can’t go on
Because all of your hope is gone,
And your life is filled with much confusion
Until happiness is just an illusion,
And your world around is crumblin’ down;
Darling, reach out (come on girl, reach on out for me)
Reach out (reach out for me.)
I’ll be there, with a love that will shelter you.
I’ll be there, with a love that will see you through.
I’ll be there to always see you through.

When you feel lost and about to give up
‘Cause your best just ain’t good enough
And you feel the world has grown cold,
And you’re drifting out all on your own,
And you need a hand to hold:
Darling, reach out (come on girl, reach out for me)
Reach out (reach out for me.)
I’ll be there, to love and comfort you,
And I’ll be there, to cherish and care for you.
I’ll be there to love and comfort you.

I can tell the way you hang your head,
You’re without love and now you’re afraid
And through your tears you look around,
But there’s no peace of mind to be found.
I know what you’re thinkin’,
You’re alone now, no love of your own,
But darling, reach out (come on girl, reach out for me)
Reach out (reach out for me.)
Just look over your shoulder
I’ll be there, to give you all the love you need,
And I’ll be there, you can always depend on me.

Songwriters: Paul Vincent Collins / Lamont Dozier / Brian Holland / Edward Jr. Holland
Reach Out I’ll Be There lyrics © Sony/ATV Music Publishing LLC

♫ You Really Got A Hold On Me ♫

Tonight’s song is either going to take you back … way back … else leave you scratching your head and saying, ‘huh?’  Go back, if you can, to 1962.  I was eleven … how old were you?  In ’62, the Beatles, the Stones, and the Turtles weren’t yet around, and the sound of the day, at least for most of us, was Motown.  And there was none better than Smokey Robinson and his Miracles.

Smokey wrote and produced this one that was released in November 1962 under the Motown Tamla label.  It zoomed to #1 on Billboard’s R&B chart in the U.S.  It has been featured in at least 12 films and a television special,  Motown 25: Yesterday, Today, Forever.  

Smokey Robinson said he was thinking about Sam Cooke’s Bring it on Home to Me (another great one, in my book) when he got the idea for this song.  Cooke’s song finds the singer apologizing to his girl after casting her off, promising to treat her right if she comes back. You’ve Really Got A Hold On Me is the same sentiment but with the roles reversed: the girl mistreats the guy, but he loves her unconditionally.  Gender equality, even in the ’60s.

The Beatles recorded this in 1963 and performed it in their last movie, Let It Be. The Beatles were the first big British band to come to America and admit they were influenced by black music. Robinson admired this admission, and felt they helped black artists by covering their songs.

The quality of this video isn’t the best, but hey … it was 1962 … YouTube and digital photography hadn’t even been invented yet.  There are more recent versions, but I felt this one had the most authenticity.  And now I give you …

You’ve Really Got a Hold on Me
The Miracles

I don’t like you, but I love you,
Seems that I’m always thinking of you.
Oh, oh, oh, you treat me badly,
I love you madly, you really got a hold on me.
You really got a hold on me, baby,
I don’t want you, but I need you,
Don’t want to kiss you, but I need you.
Oh, oh, oh, you do me wrong now,
My love is strong now you really got a hold on me.

You really got a hold on me, baby,
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.

I want to leave you, don’t want to stay here
Don’t want to spend another day here.
Oh, oh, oh, I want to split now, I can’t Baby,
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.

Songwriters: William Robinson Jr.
You’ve Really Got a Hold on Me lyrics © Sony/ATV Music Publishing LLC

♫ What Becomes of the Brokenhearted ♫

This song was written by Motown writers Jimmy Dean, Paul Riser, and William Witherspoon. They wrote it for The Detroit Spinners, but Jimmy Ruffin convinced the Motown writers to let him try it, and they liked what they heard. Ruffin is the brother of The Temptations’ David Ruffin, by the way.  Smokey Robinson produced the track.

Now, while many artists recorded this song, including The Supremes, I have two favourites and I am torn between the two, so I’m interested in your opinions.  The first is the original by Jimmy Ruffin, released in 1966.  This version hit #6 in the US and #10 in the UK.

In 1992, Paul Young recorded the song and, while it didn’t do as well as the Ruffin version, I still like it.  What do you guys think?  The Jimmy Ruffin version …

Or the Paul Young …

What Becomes Of The Brokenhearted
Jimmy Ruffin/Paul Young

As I walk this land with broken dreams
I have visions of many things
But happiness is just an illusion
Filled with sadness and confusion
What becomes of the broken-hearted
Who had love that’s now departed?
I know I’ve got to find
Some kind of peace of mind
Maybe

The roots of love grow all around
But for me they come a-tumblin’ down
Every day heartaches grow a little stronger
I can’t stand this pain much longer
I walk in shadowsm searching for light
Cold and alone, no comfort in sight
Hoping and praying for someone to care
Always moving and goin’ nowhere
What becomes of the broken-hearted
Who had love that’s now departed?
I know I’ve got to find
Some kind of peace of mind
Help me

I’m searching, though I don’t succeed
But someone look, there’s a growing need
Oh, he is lost, there’s no place for beginning
All that’s left is an unhappy ending
Now, becomes of the broken-hearted
Who had love that’s now departed?
I know I’ve got to find
Some kind of peace of mind

I’ll be searching everywhere
Just to find someone to care
I’ll be looking everyday, I know I’m gonna find a way
Nothing’s gonna stop me now
I’ll find a way somehow
And I’ll be searching everywhere
I know I gotta find a way
I’ll be looking

Songwriters: James Anthony Dean / Paul Riser / William Henry Witherspoonn
What Becomes Of The Brokenhearted lyrics © Sony/ATV Music Publishing LLC

♫ Yester-me, Yester-you, Yesterday ♫

It would be difficult to choose a single favourite musician, but if you held my feet to the fire, it would most likely be Stevie Wonder.  Just watching this man perform gives me chills, and I don’t think I’ve ever heard music by him that I did not like.  Not too long ago I did a post with one of my absolute favourites pairing Stevie Wonder with Paul McCartney in Ebony and Ivory — one that I am likely to repeat from time-to-time, for the meaning of the song should never be forgotten.

Blind since birth, Stevie Wonder was considered a child prodigy and signed with Motown at age 11.  He has recorded more than 30 U.S. top ten hits and received 25 Grammy Awards, one of the most-awarded male solo artists.  He is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.’s birthday a holiday in the United States. In 2009, Wonder was named a United Nations Messenger of Peace.

This song, Yester-Me, Yester-You, Yesterday, was released in 1969.  It reached #7 on the pop singles chart and become Wonder’s ninth Top 10 single of the 1960s. The single fared even better on the UK singles chart where it reached #2 in November 1969, and at that time, it was Wonder’s biggest UK hit.

Yester-Me, Yester-You, Yesterday
Stevie Wonder

What happened to the world we knew
When we would dream and scheme
And while the time away

Yester-me yester-you yesterday
Where did it go that yester glow
When we could feel

The wheel of life turn our way
Yester-me yester-you yesterday
I had a dream so did you life
Was warm and love was true
Two kids who followed all the rules
Yester fools and now
Now it seems those yester dreams
Were just a cruel

And foolish game we used to play
Yester-me yester-you yesterday
When I recall what we had
I feel lost I feel sad with nothing but
The memory of yester love and now
Now it seems those yester dreams
Were just a cruel

And foolish game we had to play
Yester-me yester-you yesterday
Yester-me yester-you yesterday
Sing with me
Yester-me yester-you yesterday
One more time

Songwriters: Bryan Wells / Ronald Miller / Ronald N. Miller
Yester-Me, Yester-You, Yesterday lyrics © Sony/ATV Music Publishing LLC