♫ Come And Get It ♫ (Redux)

Okay friends … it’s official!  I, Jill Dennison, aka Filosofa, have lost my bloody mind!!!  A few nights ago after I played a song by the group Badfinger, our friend Clive mentioned two other songs by them, “Day After Day”, and this one, “Come And Get It”.  I told him I didn’t know if I had ever heard “Day After Day”, but that I did somewhat remember “Come And Get It”.  So, I went in search of both, found that I knew them both well from way back when, and decided to play first one, then the other here on Filosofa’s Word.  Well guess what?  That song I said I didn’t think I had heard before is one that I played here less than two years ago, in February 2021.  And this one … “Come And Get It”?  I played this one in July 2020!  I do not remember playing either of them!  Therefore, I have concluded that I am suffering irreversible brain damage, likely from all the times I’ve smacked myself upside the head as I am doing tonight!


Paul McCartney wrote this for the 1969 movie The Magic Christian, starring Peter Sellers and Ringo Starr.  McCartney recorded the demo of this, and he played all the instruments himself. This was done prior to a Beatles recording session at Abbey Road studios. Paul’s demo sounds exactly like Badfinger’s recording, which he produced. In The Beatles Anthology book, Paul mentions that Badfinger wanted to do the song more in their own style, but he insisted they do it the same as on his demo. He told them that he knew this would be a hit song as long as they played it just as he had.  And it was a hit, reaching #4 in the UK and Canada, and #7 in the U.S.

This was Badfinger’s first hit single. They were the first group to sign with Apple Records, which is The Beatles’ label.  The band’s future wasn’t too rosy, though.  Badfinger had a few other hits in the early ’70s, but in 1974 Warner Brothers Records, which signed them when Apple folded, sued the band and kept them from recording. One member of the group, Pete Ham, killed himself a year later, and another, Tom Evans, committed suicide in 1983.

Come And Get It
Badfinger

If you want it, here it is, come and get it
Mm mm mm mm, make your mind up fast
If you want it, any time, I can give it

But you’d better hurry ’cause it may not last
Did I hear you say that there must be a catch?
Will you walk away from a fool and his money?

If you want it, here it is, come and get it
But you’d better hurry ’cause it’s goin’ fast
If you want it, here it is, come and get it
Mm mm mm mm, make your mind up fast

If you want it, any time, I can give it
But you’d better hurry ’cause it may not last

Did I hear you say that there must be a catch?
Will you walk away from a fool and his money?
Sonny!

If you want it, here it is, come and get it
But you’d better hurry ’cause it’s goin’ fast
You’d better hurry ’cause it’s goin’ fast

Ooh, ooh, ooh, ooh, ooh
Fool and his money
Sonny!

If you want it, here it is, come and get it
But you’d better hurry ’cause it’s goin’ fast
You’d better hurry ’cause it’s goin’ fast
You’d better hurry ’cause it’s goin’ fast.

Source: LyricFind
Songwriters: Paul James Mccartney
Come And Get It – Re-Recording lyrics © Sony/ATV Music Publishing LLC

♫ Penny Lane ♫

This isn’t my favourite Beatles song, but it’s not a bad little song … kind of fun, actually … and the tune is catchy enough to stick in my mind for a day or so.  I have no idea how it got there today, but I woke with this going through my head (only with my own lyrics, of course!), and it has stuck with me all day.  So … what else could I do but share it and exorcise the tune from my own head?

Paul McCartney was sitting at a bus shelter waiting for John Lennon to meet him on Penny Lane, a street near their houses in Liverpool, England. While sitting there Paul jotted down the things he saw, including a barber’s shop with pictures of its clients and a nurse selling poppies for Remembrance Day (November 11th, marking the day World War I officially ended). He later turned these images into the song we now know, which celebrates this time in his life.

Penny Lane evolved to accommodate the many tourists who visit, offering Beatles-themed dining and memorabilia. The barber’s shop mentioned in the song is still there, but most of the other places that show up in the lyric are long gone. The shelter in the middle of the roundabout where the nurse sells the poppies later become a restaurant named Sgt. Pepper’s Bistro, which has since closed. The street sign at the corner of Mossley Hill is the most popular photo op.

The piquant trumpet part was added after the rest of the song was finished. McCartney was watching the BBC when he saw a group called The New Philharmonia perform Bach’s Brandenburg Concerto #2. He got the idea to add trumpet, and asked the group’s trumpet player, Dave Mason, to play on this track. Mason brought nine trumpets to the session, eventually deciding to use a B-flat piccolo trumpet.

There is no guitar on “Penny Lane”; John Lennon played piano and George Harrison played the conga drum.  The first time The Beatles appeared with facial hair was in the promotional film for this song. The clip shows the band on horseback, trotting around Angel Lane in London (not Penny Lane). By this time, the group had stopped touring, so the only way many fans could see them perform was on music videos like this one.  Street signs on Penny Lane in Liverpool began disappearing after this song was released. The town painted “Penny Lane” on buildings to avoid theft.

Penny Lane, released in 1967, was a #1 hit in the U.S., but never made it out of the #2 spot in the UK.

It’s been suggested that Liverpool’s Penny Lane was named after James Penny, an 18th century slave ship owner. During the protests following the killing of George Floyd, four signs on Penny Lane were spray-painted, with the word “racist” painted on the wall above one sign. Joe Anderson, the Mayor of Liverpool, said there was no evidence to suggest that the street is named after James Penny, explaining its moniker instead refers to a penny toll bridge that used to exist on the road.

Penny Lane
The Beatles

In Penny Lane, there is a barber showing photographs
Of every head he’s had the pleasure to know
And all the people that come and go
Stop and say, “Hello”

On the corner is a banker with a motorcar
And little children laugh at him behind his back
And the banker never wears a mac
In the pouring rain, very strange

Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
In Penny Lane there is a fireman with an hourglass
And in his pocket is a portrait of the Queen
He likes to keep his fire engine clean
It’s a clean machine

Penny Lane is in my ears and in my eyes
A four of fish and finger pies
In summer, meanwhile back
Behind the shelter in the middle of the roundabout
The pretty nurse is selling poppies from a tray
And though she feels as if she’s in a play
She is anyway

In Penny Lane, the barber shaves another customer
We see the banker sitting waiting for a trim
And then the fireman rushes in
From the pouring rain, very strange

Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
Penny Lane!

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
Penny Lane lyrics © Sony/ATV Music Publishing LLC

♫ A Day In The Life ♫ (Redux)

Some nights I have all sorts of ideas for music posts, while other nights my mind is dry as a desert.  A day or two ago, Keith’s post gave me some great ideas, so tonight I thought I’d do eenie-meenie-minie-moe and pick one from his list.  My finger landed on this Beatles tune, and fortunately I’ve only played it once, a few years ago! 


Often when I decide on a song to feature here, I struggle to find any pertinent trivia, but the opposite is true of tonight’s song!  In fact, my screen was overflowing with trivia about this song, its origins, its recording, reception and more.  I would need at least four posts to cover it all, so I shan’t even try, but will cover only a couple of the more interesting bits.  I do, however, encourage you to check out some of the trivia on either SongFacts or Rolling Stone … or both!

Released as the final track of the Beatles 1967 album Sgt. Pepper’s Lonely Hearts Club Band, this was credited to Lennon–McCartney, but the verses were mainly written by John Lennon, with Paul McCartney primarily contributing the song’s middle section. It is widely regarded as one of the finest and most important works in popular music history.

Interestingly, this song did not chart in either the UK or the U.S.

A 41-piece orchestra played on this song. The musicians were told to attend the session dressed formally. When they got there, they were presented with party novelties such as false noses, party hats, and gorilla-paw gloves to wear, which made it clear this was not going to be a typical session! The orchestra was conducted by Paul McCartney, who told them to start with the lowest note of their instruments and gradually play to the highest.

This was recorded in three sessions: first the basic track, then the orchestra, then the last note was dubbed in.  That final chord was produced by all four Beatles and George Martin banging on three pianos simultaneously. As the sound diminished, the engineer boosted to faders. The resulting note lasts 42 seconds; the studio air conditioners can be heard toward the end as the faders were pushed to the limit to record it.

The beginning of this song was based on two stories John Lennon read in the Daily Mail newspaper: Guinness heir Tara Browne dying when he smashed his lotus into a parked van, and an article in the UK Daily Express in early 1967 which told of how the Blackburn Roads Surveyor had counted 4000 holes in the roads of Blackburn and commented that the volume of material needed to fill them in was enough to fill the Albert Hall.

And on that note, I’ll leave you to listen to the song, then check out the rest of the trivia on the two links I provided at the beginning!

A Day in the Life
The Beatles

“Dub the mic on the piano quite low this
Just keeping it like maracas, you know
You know those old pianos”

“Ok, we’re on”

“Sugarplum fairy, sugarplum fairy”

I read the news today, oh boy
About a lucky man who made the grade
And though the news was rather sad
Well, I just had to laugh
I saw the photograph

He blew his mind out in a car
He didn’t notice that the lights had changed
A crowd of people stood and stared
They’d seen his face before
Nobody was really sure if he was from the House of Lords

I saw a film today, oh boy
The English Army had just won the war
A crowd of people turned away
But I just had to look
Having read the book
I’d love to turn you on

“Five, six, seven, eight, nine
Ten, eleven, twelve, thirteen, fourteen
Fifteen, sixteen, seventeen, eighteen, nineteen
Twenty”

Woke up, fell out of bed
Dragged a comb across my head
Found my way downstairs and drank a cup
And looking up I noticed I was late
Found my coat and grabbed my hat
Made the bus in seconds flat
Made my way upstairs and had a smoke
And everybody spoke and I went into a dream

“Oh shit”

I read the news today, oh boy
Four thousand holes in Blackburn, Lancashire
And though the holes were rather small
They had to count them all
Now they know how many holes it takes to fill the Albert Hall
I’d love to turn you

“See the worst thing about doing this
Doing something like this
Is I think that at first people sort of are a bit suspicious
‘You know, come on, what are you up to?’

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
A Day in the Life lyrics © Sony/ATV Music Publishing LLC

♫ Norwegian Wood ♫ (Redux)

I promised a Beatles song to our friend Clive, and I spent a good 20 minutes pouring over the choices, trying to figure out which one he might like best.  I really wanted to play Nowhere Man, but I had a feeling everyone might like this one better, based on past experience!  And so, this one’s for you, Clive!


A bit of interesting history accompanies this one …

This was the first pop song to use a sitar – George Harrison played it. Harrison was new to the sitar and took many takes to get it right. He bought the instrument, which he described as “crummy,” and taught himself to play. It was David Crosby of The Byrds, and Crosby, Stills & Nash who had introduced Harrison to the sitar shortly after the folk musician Shawn Phillips had shown him the basic steps. A few months later, Harrison studied the sitar with Indian musician Ravi Shankar, who helped Harrison explore Eastern music and religion.

John Lennon, who wrote the song, explained why it was decided to use the sitar on this song …

“I think it was at the studio. George had just got the sitar and I said ‘Could you play this piece?’ We went through many different sort of versions of the song, it was never right and I was getting very angry about it, it wasn’t coming out like I said. They said, ‘Well just do it how you want to do it’ and I said, ‘Well I just want to do it like this.’ They let me go and I did the guitar very loudly into the mike and sang it at the same time and then George had the sitar and I asked him could he play the piece that I’d written, you know, dee diddley dee diddley dee, that bit, and he was not sure whether he could play it yet because he hadn’t done much on the sitar but he was willing to have a go, as is his wont, and he learned the bit and dubbed it on after. I think we did it in sections.”

Paul McCartney said he came up with the title, inspired by the Norwegian Wood furniture in the Asher household, where he was staying.

But the trivia I thought the most intriguing was what John Lennon said about the writing of the song …

“I was trying to write about an affair without letting my wife know I was having one. I was sort of writing from my experiences – girl’s flats, things like that. I was very careful and paranoid because I didn’t want my wife, Cyn, to know that there really was something going on outside of the household. I’d always had some kind of affairs going on, so I was trying to be sophisticated in writing about an affair, but in such a smoke-screen way that you couldn’t tell. But I can’t remember any specific woman it had to do with.”

Norwegian Wood (This Bird Has Flown)
The Beatles

I once had a girl
Or should I say she once had me
She showed me her room
Isn’t it good Norwegian wood?

She asked me to stay
And she told me to sit anywhere
So I looked around
And I noticed there wasn’t a chair

I sat on a rug biding my time
Drinking her wine
We talked until two and then she said
“It’s time for bed”

She told me she worked
In the morning and started to laugh
I told her I didn’t
And crawled off to sleep in the bath

And when I awoke I was alone
This bird had flown
So I lit a fire
Isn’t it good Norwegian wood?

Songwriters: John Lennon / Paul Mccartney
Norwegian Wood (This Bird Has Flown) lyrics © Sony/ATV Music Publishing LLC

♫ Paperback Writer ♫

You might wonder why I’m playing this one today when I only played it just over a year ago.  Well … because … well … just because … we don’t all live in a yellow submarine, but if we did, we wouldn’t have to worry when geese flew overhead. (And if that makes a bit of sense to you, then welcome to my world and you are probably in deep trouble!)


Paperback Writer was largely written by Paul McCartney (though the song is credited to McCartney-Lennon), who based the lyrics on a challenge made to him by his Aunt Lil. McCartney recalled …

“The idea’s a bit different. Years ago, my Auntie Lil said to me, ‘Why do you always write songs about love all the time? Can’t you ever write about a horse or the summit conference or something interesting?’ So, I thought, ‘All right, Auntie Lil.’ And recently, we’ve not been writing all our songs about love.”

According to SongFacts …

Paul McCartney wrote this after helping some friends, including John Dunbar, set up the Indica Bookshop (in the basement was the Indica Gallery, where John Lennon eventually met Yoko Ono), in January of 1966. Paul was the first customer of the shop.

This song was a sort of an homage to lots of authors, including John Lennon, who had already written two books: In His Own Write and A Spaniard In The Works. He also was thinking of the author Martin Amis, whom he had just developed a passion for. 

The song is sung from the perspective of an author soliciting a publisher. A “paperback” is cheaper than a traditional hardcover book, and at the time was considered of lower quality and written for mass consumption. The implication is that the writer isn’t all that good.

The first #1 hit for The Beatles that was not about love.

John Lennon and George Harrison sang the French nursery rhyme “Frére Jacques” in the background. The Frére Jacques part has nothing to do with John Lennon – Paul just thought it was clever – but it does translate to “Brother John.”

Check out the charts …

I don’t think I’ve seen a song with so many #1 slots!  Okay, enough babbling … this one’s for you, Sir Roger!

Paperback Writer
The Beatles

Dear Sir or Madam, will you read my book?
It took me years to write, will you take a look?
It’s based on a novel by a man named Lear
And I need a job
So I wanna be a paperback writer
Paperback writer

It’s a dirty story of a dirty man
And his clinging wife doesn’t understand
His son is working for the Daily Mail
It’s a steady job
But he wants to be a paperback writer
Paperback writer

Paperback writer (paperback writer)

It’s a thousand pages, give or take a few
I’ll be writing more in a week or two
I could make it longer if you like the style
I can change it ’round
And I wanna be a paperback writer
Paperback writer

If you really like it you can have the rights
It could make a million for you overnight
If you must return it you can send it here
But I need a break
And I wanna be a paperback writer
Paperback writer

Paperback writer (paperback writer)
Paperback writer (paperback writer)
Paperback writer (paperback writer)
Paperback writer (paperback writer)
Paperback writer (paperback writer)

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
Paperback Writer lyrics © Sony/ATV Music Publishing LLC

The Beatles – Paperback Writer Lyrics | Genius Lyricshttps://genius.com › The-beatles-paperback-writer-lyrics
Paperback Writer Lyrics: Paperback writer (writer, writer) / Dear Sir or Madam, will you read my book? / It took me years to write, will you take a look?

♫ The Long And Winding Road♫ (Redux)

This is a redux from one I played back in 2020 … eons ago! 

Tonight’s selection is strange, in that it is a Beatles recording, yet while it reached the #1 spot in the U.S., it did not chart in the Beatles home country, the UK!  For me, at least, this is one of those that can get stuck in my head for days at a time, for I mostly love the tune, never knew the full lyrics until tonight!

From their 1970 album Let It Be, this was written by Paul McCartney and credited to Lennon–McCartney.  The road McCartney is talking about is the B842 which runs down the east coast of Kintyre and on into Campbeltown near his Scottish farmhouse.  Says McCartney …

“I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration.”

Paul McCartney offered this song to Tom Jones in 1968 on the condition it be his next single. He had Without Love (There is Nothing) set for release so he turned down the offer, something he would later regret. Speaking with Media Wales in 2012, Jones explained:

“I saw him (McCartney) in a club called Scotts Of St. James on Jermyn Street in London. I said to him When are you going to write me a song then Paul? He said, aye I will then. Then not long after he sent a song around to my house, which was ‘The Long And Winding Road,’ but the condition was that I could do it but it had to be my next single.

Paul wanted it out straight away. At that time I had a song called ‘Without Love’ that I was going to be releasing. The record company was gearing up towards the release of it. The timing was terrible, but I asked if we could stop everything and I could do ‘The Long And Winding Road.’ They said it would take a lot of time and it was impractical, so I ended up not doing it. I was kicking myself. I knew it was a strong song.”

The Beatles recorded this in January 1969 as a fairly simple ballad. By 1970, The Beatles were breaking up and and Phil Spector was brought in to go through the tapes and produce the album. Spector was known for his “Wall Of Sound” recording technique, where he added many instruments and layered the tracks to create a very full sound. On this track, he took out most of The Beatles instruments and added a string section and choir (The Mike Sammes Singers). The result was very different from what the group originally had in mind.

Even though he wrote this song, Paul McCartney didn’t go to the sessions where Spector produced it. When McCartney heard the results, he made it clear that he hated what Spector did to his song, and tried to get the original version, which was mixed by engineer Glyn Johns, on the album. The band was already falling apart, and this caused further turmoil within the group, as Harrison and Lennon both supported Spector. Paul has not changed his stance over the years, and still believes Spector butchered it. Lennon and Harrison felt otherwise, and each had Spector produce their next solo efforts. Lennon said of Spector’s work on Let It Be:

“Phil was given the s–ttiest load of badly recorded s–t with a lousy feeling to it, and he made something of it.”

Some of the many artists who covered this song: Tony Bennett, George Benson, Cilla Black, Ray Charles, Cher, Judy Collins, Peter Frampton, Aretha Franklin, Richie Havens, Cissy Houston, Gladys Knight and the Pips, Liberace, The London Symphony Orchestra, Barry Manilow, Mantovani, Johnny Mathis, Bill Medley, George Michael, Olivia Newton-John, Billy Ocean, Stu Phillips, Kenny Rogers, Diana Ross, Kevin Rowland, Sarah Vaughan, Andy Williams and Nancy Wilson.  Whew … that’s quite a list!

In an interview shortly before he became British Prime Minister, after five years as Leader of the Opposition, David Cameron told Q magazine that this is his favorite Paul McCartney song. He explained:

“It has a wonderful melody and emotion and pretty much sums up the life of the Leader of the Opposition.”

The Long and Winding Road
The Beatles

The long and winding road
That leads to your door
Will never disappear
I’ve seen that road before
It always leads me here
Lead me to you door

The wild and windy night
That the rain washed away
Has left a pool of tears
Crying for the day
Why leave me standing here?
Let me know the way

Many times I’ve been alone
And many times I’ve cried
Anyway, you’ll never know
The many ways I’ve tried

And still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don’t leave me waiting here
Lead me to your door

But still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don’t keep me waiting here
Lead me to your door

Yeah, yeah, yeah, yeah

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
The Long and Winding Road lyrics © Sony/ATV Music Publishing LLC

♫ Eleanor Rigby ♫

I haven’t played this one for a couple of years, and I know it is among the favourites of at least two of my long-time friends here on Filosofa’s Word, so …


Paul McCartney wrote most of this song. He got the name “Eleanor” from actress Eleanor Bron, who appeared in the 1965 Beatles film Help!. “Rigby” came to him when he was in Bristol, England and spotted a store: Rigby and Evens Ltd Wine and Spirit Shippers. He liked the name “Eleanor Rigby” because it sounded natural and matched the rhythm he wrote.

McCartney explained at the time that his songs came mostly from his imagination. Regarding this song, he said …

“It just came. When I started doing the melody I developed the lyric. It all came from the first line. I wonder if there are girls called Eleanor Rigby?”

McCartney wasn’t sure what the song was going to be about until he came up with the line, “Picks up the rice in a church where a wedding has been.” That’s when he came up with the story of an old, lonely woman. The lyrics, “Wearing the face that she keeps in a jar by the door” are a reference to the cold-cream she wears in an effort to look younger.

The song tells the story of two lonely people. First, we meet a churchgoing woman named Eleanor Rigby, who is seen cleaning up rice after a wedding. The second verse introduces the pastor, Father McKenzie, whose sermons “no one will hear.” This could indicate that nobody in coming to his church, or that his sermons aren’t getting through to the congregation on a spiritual level. In the third verse, Eleanor dies in the church and Father McKenzie buries her.

I was sitting at the piano when I thought of it. The first few bars just came to me, and I got this name in my head … “Daisy Hawkins picks up the rice in the church”. I don’t know why. I couldn’t think of much more so I put it away for a day. Then the name “Father McCartney” came to me, and all the lonely people. But I thought that people would think it was supposed to be about my Dad sitting knitting his socks. Dad’s a happy lad. So I went through the telephone book and I got the name “McKenzie”.

Eleanor-RigbyLiverpool Echo newspaper commissioned this statue of Eleanor Rigby. It was sculpted by singer and London native Tommy Steele and unveiled on December 3, 1982. It is dedicated to “all the lonely people.” Items to note in the statue: a four leaf clover (for Good Luck), a page of the Bible (for Spiritual Guidance), soccer cleats (for Fun and Sport), a comic book (for Comedy and Adventure) and a sonnet (for Love). It can be found near the corner of Matthew and Stanley Streets.

Eleanor Rigby
The Beatles

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby
Picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window
Wearing the face that she keeps in a jar by the door
Who is it for?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie
Writing the words of a sermon that no one will hear
No one comes near
Look at him working
Darning his socks in the night when there’s nobody there
What does he care?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby
Died in the church and was buried along with her name
Nobody came
Father McKenzie
Wiping the dirt from his hands as he walks from the grave
No one was saved

All the lonely people (ah, look at all the lonely people)
Where do they all come from?
All the lonely people (ah, look at all the lonely people)
Where do they all belong?

Songwriters: John Lennon / Paul McCartney
Eleanor Rigby lyrics © Sony/ATV Music Publishing LLC

♫ Fool On The Hill ♫ (Redux)

Last night I was, for reasons that shall remain undisclosed, literally kicking myself and calling myself a ‘fool’.  And as I did so, perhaps it was the kicking and head smacking, a number of songs with ‘Fool’ in the title came to mind.  Me, myself, and I pondered a few, such as Elvis Presley’sFools Rush In”, The Doobie Brothers “What a Fool Believes”, and Sammy Davis Jr.’s “What Kind of Fool Am I”.  But, for reasons unknown to me, myself chose this one, the Beatles’ “Fool On The Hill”.


Written and sung by Paul McCartney, it was released in 1967.  I find it interesting that a year later Sérgio Mendes & Brasil ’66 recorded the song and their version fared much better than the one by The Beatles.  While I like Sérgio Mendes’ music, I much prefer The Beatles’ version of this particular song.  Nonetheless, I shall play both and let you guys choose your favourite.

The story, according to Alistair Taylor’s book, Yesterday, goes …

An event which prompted this song happened when Paul was walking his dog, Martha, on Primrose Hill one morning. As he watched the sun rise, he noticed that Martha was missing. Paul turned around to look for his dog, and there a man stood, who appeared on the hill without making a sound. The gentleman was dressed respectably, in a belted raincoat. Paul knew this man had not been there seconds earlier as he had looked in that direction for Martha. Paul and the stranger exchanged a greeting, and this man then spoke of what a beautiful view it was from the top of this hill that overlooked London. Within a few seconds, Paul looked around again, and the man was gone. He had vanished as he had appeared.

A couple of the music critics really did not like this song at all …

  • “Possibilities in this song outweigh its substance—it’s the most unworthy Beatles standard since ‘Michelle.'” — Tim Riley, NPR contributor
  • “… shows signs of becoming a favorite of the Simon & Garfunkel crowd and the transcendental meditators, who deserve it. A callow rendering of the outcast-visionary theme, it may be the worst song the Beatles have ever recorded.” — Robert Christgau, Esquire magazine

The Fool on the Hill
The Beatles

Day after day, alone on a hill
The man with the foolish grin is sitting perfectly still
Nobody wants to know him
They can see that he’s just a fool
But he never gives an answer

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

His head in a cloud
The man with a foolish grin is talking perfectly loud
But nobody wants to hear him
They can see that he’s just a fool
But he never gives an answer

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

But nobody wants to know him
They can see that he’s just a fool
But he never gives an answer

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

Songwriters: John Lennon / Paul McCartney
The Fool on the Hill lyrics © Sony/ATV Music Publishing LLC

♫ Something ♫

Back in 2020, I played this song as part of a Beatles’ Week that I did at David’s suggestion.  Tonight it is not part of a week-long thing, but just one that I felt like playing for no particular reason!  George Harrison, sometimes referred to as the “quiet Beatle”, was greatly underappreciated, I think.  Most of us gravitated toward Paul and John, and of course Ringo was always good for a bit of admiration, but many didn’t even notice George, who was immensely talented!


Day #4 of Beatles’ Week …

This was the only song written by George Harrison released as a single by The Beatles.  Harrison wrote this during a break while they were working on The White Album. It was not recorded in time for the album, so Harrison gave this to Joe Cocker, but Cocker didn’t release it until after The Beatles did.

This seemed to be inspired by Harrison’s wife, Pattie, but he claimed he did not have anyone in mind when he wrote it. In her 2007 book Wonderful Tonight: George Harrison, Eric Clapton, and Me, Pattie Boyd wrote:

“George wrote a song called ‘Something.’ He told me in a matter-of-fact way that he had written it for me. I thought it was beautiful and it turned out to be the most successful song he ever wrote, with more than 150 cover versions. George’s favorite version was the one by James Brown. Mine was the one by George Harrison, which he played to me in our kitchen. But, in fact, by then our relationship was in trouble. Since a trip to the Maharishi Mahesh Yogi’s ashram in India in 1968, George had become obsessive about meditation. He was also sometimes withdrawn and depressed.”

Harrison came up with the title and the first line after listening to a James Taylor song called Something In The Way She Moves.

There are over 200 cover versions of this song on record, making it The Beatles’ 2nd most covered song, after Yesterday, which has … wait for it … over 1,600!!!  The question here becomes, is there anyone who hasn’t covered Yesterday?

Frank Sinatra called this “The greatest love song ever written.” He often performed it in the ’70s.  High praise indeed!

The video is from the promotional clip for Something that was shot in late October 1969, not long after Lennon privately announced that he was leaving the band. By this time, the individual Beatles had grown apart and so the film consisted of separate clips of each Beatle walking around his home, accompanied by his wife, edited together. The four segments were edited and compiled into a single film clip by Neil Aspinall.

Something
The Beatles

Something in the way she moves
Attracts me like no other lover
Something in the way she woos me

I don’t want to leave her now
You know I believe and how

Somewhere in her smile she knows
That I don’t need no other lover
Something in her style that shows me

Don’t want to leave her now
You know I believe and how

You’re asking me will my love grow
I don’t know, I don’t know
You stick around, now it may show
I don’t know, I don’t know

Something in the way she knows
And all I have to do is think of her
Something in the things she shows me

I don’t want to leave her now
You know I believe and how

Songwriter(s) George Harrison
Producer(s) George Martin

♫ We Can Work It Out ♫

I strongly considered another redux tonight, for it is late, I am tired, and I still have 70 or so comments awaiting my response.  But, it seems that’s all I’ve done lately — redux, redux, redux!  I’m starting to sound like a … wait for it … broken record!  Anyway, Clive mentioned this as one of his favourite Beatles’ tunes a few days ago, so … this one’s for you, Clive!

From my old standby Songfacts …

Paul McCartney wrote this about his girlfriend, an actress named Jane Asher. They split for good in 1968.
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The Beatles recorded this specifically for release as a single at two quick sessions while they were making the Rubber Soul album in October 1965. When it was released as a single backed with “Day Tripper,” debate raged over which was the A-side. Most pop groups put B-sides on their singles that were far inferior, but The Beatles often came out with 45s containing two great songs.
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John Lennon sang the “life is very short” part (which he also wrote); McCartney sang the rest.  (Prophetic?)
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Now here’s something I did NOT know!!!
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  • Stevie Wonder covered this on his 1970 album Signed, Sealed and Delivered. His version, which hit US #13, plays during the end credits of the 2005 movie Kicking And Screaming.

    In 2014, Wonder performed the song on the CBS special The Beatles: The Night That Changed America, which aired exactly 50 years after the group first performed on the Ed Sullivan Show. Wonder introduced the song by saying that he first heard it when he was 15 years old. “It had a nice thing to it, but I said, Someday I’m going to do it again, with a little more funky thing with it,” Wonder said when he introduced the song.

WHOA … be still my heart … I must go in search of!

In England, a cover by a soundalike group was used in commercials for Hewlett-Packard.
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The only time The Beatles played this live was on their final British tour in November/December 1965. McCartney didn’t perform the song until 1991, when he played it on his 1991 MTV Unplugged appearance. On his 2002 Back In The US tour, McCartney played a solo version on his acoustic guitar.
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We Can Work It Out
Song by The Beatles
Try to see it my way
Do I have to keep on talking ’til I can’t go on?
While you see it your way
Run the risk of knowing that our love may soon be gone
We can work it out
We can work it out
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Think of what you’re saying
You can get it wrong and still you think that it’s alright
Think of what I’m saying
We can work it out and get it straight, or say good night
We can work it out
We can work it out
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Life is very short, and there’s no time
For fussing and fighting, my friend
I have always thought that it’s a crime
So, I will ask you once again
Try to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There’s a chance that we might fall apart before too long
We can work it out
We can work it out
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Life is very short, and there’s no time
For fussing and fighting, my friend
I have always thought that it’s a crime
So I will ask you once again
Try to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There’s a chance that we might fall apart before too long
We can work it out
We can work it out
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Source: LyricFind
Songwriters: John Lennon / Paul McCartney
We Can Work It Out lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC