♫ I Knew You Were Waiting (For Me) ♫

I have what I think of as a bouncy mind … one thought leads to another and before you know it, I’ve completely lost the original thought and am miles away, sometimes stranded on a deserted island trying to remember what the heck I was even thinking about.  Does this ever happen to you guys?  Anyway, last night, I was looking over Keith’s list of songs, trying to get an idea for this morning’s music post, and I started out with Danny’s Song by Kenny Loggins, then jumped to Annie’s Song by John Denver, and I don’t remember the journey or how I ended up with Aretha Franklin and George Michael, but somehow I did.  This song topped the charts at #1 in both the UK and the U.S. and #4 in Canada in 1987, so I figure it’s a safe bet that at least some of you will remember and enjoy it, as well.

According to SongFacts …

When John Landis was asked how he got Aretha Franklin to appear in his 1980 film The Blues Brothers, he replied: “I asked her.” The point being that the Queen of Soul had fallen out of favor and was looking for work (many other music legends – Ray Charles, Tina Turner and Roy Orbison among them – were also at career nadirs).  Her fortunes were revived by her 1985 album Who’s Zoomin’ Who, which contained two US Top 10 hits: the title track and Freeway of Love. It took this duet with George Michael, however, to return her to the top of the chart, where she had not been for 20 years.  Michael was coming off a string of hits with his group Wham!, but had not yet released his first solo album, Faith, which came out later in 1987.

This was was written by Simon Climie and Dennis Morgan; the pair met in 1983 after Morgan attended an Everly Brothers concert. It was the third song they wrote together. Morgan explained in The Billboard Book of Number One Hits: “That was one of those songs that came out of mid air – a gift from above, if you will.”

The song was not originally written as a duet. Climie and Morgan pitched the song to Tina Turner as well to Aretha Franklin and Arista Records head Clive Davis. It was Davis’ idea to get Franklin and George Michael to record the song as a duet. It appeared on Franklin’s 1986 album Aretha.

Narada Michael Walden, who worked with Aretha on her Who’s Zoomin’ Who album, produced this track. He also produced the song this displaced at the top spot of the Hot 100: “Nothing’s Gonna Stop Us Now” by Starship.

This made him the eighth producer in the Rock Era to score back-to-back #1 hits.

George Michael usually did his own production work; before recording this song, he had only been produced by someone else on one occasion: the “Do They Know It’s Christmas?” single by Band Aid.

Michael was so used to self-producing that he had a difficult time knowing when to stop singing. Narada Michael Walden explained: “He looked at me with those innocent virgin eyes, like he’d never been told, ‘you oughta stop, kid.'”

Michael wrote about his experience recording this song in his book, Bare, saying that he and Franklin recorded the song together but did their ad-libs separately. He also went on to praise Walden for being “brilliant” at getting a good atmosphere in the studio.

Michael admitted to being nervous, but he knew there was no point in trying to copy Franklin’s style. “Nobody can emulate Aretha Franklin,” he said. “It’s stupid to try. I just tried to stay in character, keep it simple – it was very understated in comparison to what she did.”

In 1987, Franklin and Michael won the Best R&B Performance By A Duo Or Group With Vocal Grammy for this song.

Aretha Franklin reflected on her collaboration with George Michael in Entertainment Weekly’s 2017 tribute issue. “The first time I heard George was with Wham! and I liked it then,” she said. “He had a very unique sound, very different from anything that was out there. When Clive [Davis] suggested we get together for ‘I Knew You Were Waiting,’ I was all ready. It reminded me of Jerry Wexler. We’d go in the studio and cut songs. If we were happy with what we recorded, Jerry would say, ‘Let’s wait until tomorrow. If we feel the same way that we do now, maybe we have a hit.’ ‘I Knew You Were Waiting’ had that. Musically, it does not grow old.”

Regarding the video, Franklin said, “We had a super time. He was calling most of the shots: how he wanted this, how he wanted that. My older sister, Erma, just fell for him right away. He was very friendly and personable, easy to talk to.”

Enough chatter … on to the music!

I Knew You Were Waiting (For Me)

Aretha Franklin & George Michael

Like a warrior that fights and wins the battle
I know the taste of victory
Though I went through some nights consumed by the shadows
I was crippled emotionally

Somehow I made it through the heartache, yes, I did
Oh, I escaped (aha ha)
I found my way out of the darkness
I kept my faith (I know you did), kept my faith

When the river was deep, I didn’t falter
When the mountain was high, I still believed
When the valley was low, it didn’t stop me, no no
I knew you were waiting, I knew you were waiting for me
Uh huh

With an endless desire, I kept on searching
Sure in time our eyes would meet
And like a bridge that’s on fire, the hurt is over
One touch and you set me free

No, I don’t regret a single moment, no, I don’t
(I know you don’t) Looking back
When I think of all those disappointments
I just laugh (I know you do), I just laugh

When the river was deep, I didn’t falter
When the mountain was high, I still believed
When the valley was low, it didn’t stop me, oh
I knew you were waiting, hey, I knew you were waiting for me

So we were drawn together through destiny, ooh boy, ooh!
I know this love we share was meant to be, oh
(Knew you were waiting) Ooh, yeah
(Knew you were waiting) I knew you were waiting
(Knew you were waiting for me)

(I didn’t falter) I didn’t falter, no
(I still believed) When the valley was low
(It didn’t stop me) Nothing can stop me, no
(Knew you were waiting) No, I
(Knew you were waiting for me)
(I didn’t falter) When the mountain was high
(I still believed) Oh, when the valley was low
(It didn’t stop me) No, it didn’t stop me, no
(Knew you were waiting) stop me
(Knew you were waiting for me)
(I didn’t falter) Oh, oh yeah
(I still believed) Oh, I still believed
(It didn’t stop me) Do you know it couldn’t stop me now? No
(Knew you were waiting)
Someday (someway), some place (somehow)
For me
(I didn’t falter) When the valley was low
(I still believed) I still believe (I believed, I believed)
(It didn’t stop me) Yeah, it couldn’t stop me

Writer/s: Dennis Morgan, Simon Climie
Publisher: BMG Rights Management, Kobalt Music Publishing Ltd., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

♫ R.E.S.P.E.C.T. ♫

‘Twas almost two years ago that we lost the Queen of Soul, Aretha Franklin.  I am reduxing this song tonight because … R.E.S.P.E.C.T. is a) a great song, sung by b) a great lady, great singer, and c) it is something we have far too little of today. 


I had another song planned for tonight, but when I heard that Aretha Franklin is seriously ill and not likely to live much longer, I knew I had to do this one tonight.  There are a lot of great singers in the world, but I know of none with a voice as powerful as Aretha’s.

From The Washington Post

It was Valentine’s Day 1967 when Aretha Franklin sat down at a piano in the Atlantic Records studio in New York and recorded “Respect.”

The Queen of Soul, now gravely ill, took the song written and first recorded by Otis Redding and made it her own, transforming it into what would become an anthem for the civil rights movement and for the women’s movement.

“Respect” became a soundtrack for the 1960s. Franklin, then just 24 years old, infused it with a soulful and revolutionary demand, a declaration of independence that was unapologetic, uncompromising and unflinching.

The song was a demand for something that could no longer be denied. She had taken a man’s demand for respect from a woman when he got home from work and flipped it. The country had never heard anything like it.

“Aretha shattered the atmosphere, the aesthetic atmosphere,” Peter Guralnick, author of “Sweet Soul Music,” told The Washington Post in 1987, on the 20th anniversary of the song. “She set a new standard which, in some way, no one else could achieve.”

When Franklin’s version of “Respect” was released in April 1967, it soared to No. 1 on the charts and stayed there for at least 12 weeks.

“Respect” would become an anthem for the black-power movement, as symbolic and powerful as Nina Simone’s “Mississippi Goddam” and Sam Cooke’s “A Change is Gonna Come.”

The song caught on with the black-power movement and feminists and human rights activists across the world. Its appeal remains powerful. In the last year, it has become a symbol of the #MeToo movement.

A toast to Aretha Franklin … 🥂

Respect
Aretha Franklin

What you want
Baby, I got it
What you need
Do you know I got it
All I’m askin’
Is for a little respect when you get home (just a little bit)
Hey baby (just a little bit) when you get home
(Just a little bit) mister (just a little bit)

I ain’t gonna do you wrong while you’re gone
Ain’t gonna do you wrong cause I don’t wanna
All I’m askin’
Is for a little respect when you come home (just a little bit)
Baby (just a little bit) when you get home (just a little bit)
Yeah (just a little bit)
I’m about to give you all of my money
And all I’m askin’ in return, honey
Is to give me my propers
When you get home (just a, just a, just a, just a)
Yeah baby (just a, just a, just a, just a)
When you get home (just a little bit)
Yeah (just a little bit)
Ooo, your kisses
Sweeter than honey
And guess what?
So is my money
All I want you to do for me
Is give it to me when you get home (re, re, re ,re)
Yeah baby (re, re, re ,re)
Whip it to me (respect, just a little bit)
When you get home, now (just a little bit)

R-E-S-P-E-C-T
Find out what it means to me
R-E-S-P-E-C-T
Take care, TCB
Oh (sock it to me, sock it to me, sock it to me, sock it to me)
A little respect (sock it to me, sock it to me, sock it to me, sock it to me)
Whoa, babe (just a little bit)
A little respect (just a little bit)
I get tired (just a little bit)
Keep on tryin’ (just a little bit)
You’re runnin’ out of fools (just a little bit)
And I ain’t lyin’ (just a little bit)
(Re, re, re, re) when you come home
(Re, re, re ,re) ‘spect
Or you might walk in (respect, just a little bit)
And find out I’m gone (just a little bit)
I got to have (just a little bit)
A little respect (just a little bit)

Songwriters: Otis Redding
Respect lyrics © Warner/Chappell Music, Inc, Universal Music Publishing Group

Hearts Are Breaking, The Beloved Aretha Franklin Has Passed At 76

Today, the world lost a great talent, but she left us a beautiful legacy that will live on forever. Friend Gronda has made a perfectly beautiful tribute to this fantastic lady, and I wish to share it with you today. Thank you, Gronda.

Gronda Morin

I became a fan a little later in her career, when she had that iconic role in the “Blues Brothers,” a movie I do watch about once a year.

She’s a beloved soul singer, talent extraordinaire who’s voice is instantly recognizable by anyone who loves music.

I’m grieving for a major loss to a talent who made a difference in this world.

Here is the rest of the story…

On August 16, 2018, BBC News published the following report, “Aretha Franklin, ‘Queen of Soul’, dies aged 76″

“Aretha Franklin, the “queen of soul” known for hits like Respect and Think, has died in Detroit at the age of 76.”

The legendary singer was diagnosed with cancer in 2010 and announced last year she was retiring from music.

“Franklin had more than 20 US number ones over a career spanning seven decades.”

“She gave her final performance last November at…

View original post 499 more words

♫ R.E.S.P.E.C.T. ♫

I had another song planned for tonight, but when I heard that Aretha Franklin is seriously ill and not likely to live much longer, I knew I had to do this one tonight.  There are a lot of great singers in the world, but I know of none with a voice as powerful as Aretha’s.

From The Washington Post

It was Valentine’s Day 1967 when Aretha Franklin sat down at a piano in the Atlantic Records studio in New York and recorded “Respect.”

The Queen of Soul, now gravely ill, took the song written and first recorded by Otis Redding and made it her own, transforming it into what would become an anthem for the civil rights movement and for the women’s movement.

“Respect” became a soundtrack for the 1960s. Franklin, then just 24 years old, infused it with a soulful and revolutionary demand, a declaration of independence that was unapologetic, uncompromising and unflinching.

The song was a demand for something that could no longer be denied. She had taken a man’s demand for respect from a woman when he got home from work and flipped it. The country had never heard anything like it.

“Aretha shattered the atmosphere, the aesthetic atmosphere,” Peter Guralnick, author of “Sweet Soul Music,” told The Washington Post in 1987, on the 20th anniversary of the song. “She set a new standard which, in some way, no one else could achieve.”

When Franklin’s version of “Respect” was released in April 1967, it soared to No. 1 on the charts and stayed there for at least 12 weeks.

“Respect” would become an anthem for the black-power movement, as symbolic and powerful as Nina Simone’s “Mississippi Goddam” and Sam Cooke’s “A Change is Gonna Come.”

The song caught on with the black-power movement and feminists and human rights activists across the world. Its appeal remains powerful. In the last year, it has become a symbol of the #MeToo movement.

A toast to Aretha Franklin … 🥂

Respect
Aretha Franklin

What you want
Baby, I got it
What you need
Do you know I got it
All I’m askin’
Is for a little respect when you get home (just a little bit)
Hey baby (just a little bit) when you get home
(Just a little bit) mister (just a little bit)

I ain’t gonna do you wrong while you’re gone
Ain’t gonna do you wrong cause I don’t wanna
All I’m askin’
Is for a little respect when you come home (just a little bit)
Baby (just a little bit) when you get home (just a little bit)
Yeah (just a little bit)
I’m about to give you all of my money
And all I’m askin’ in return, honey
Is to give me my propers
When you get home (just a, just a, just a, just a)
Yeah baby (just a, just a, just a, just a)
When you get home (just a little bit)
Yeah (just a little bit)
Ooo, your kisses
Sweeter than honey
And guess what?
So is my money
All I want you to do for me
Is give it to me when you get home (re, re, re ,re)
Yeah baby (re, re, re ,re)
Whip it to me (respect, just a little bit)
When you get home, now (just a little bit)

R-E-S-P-E-C-T
Find out what it means to me
R-E-S-P-E-C-T
Take care, TCB
Oh (sock it to me, sock it to me, sock it to me, sock it to me)
A little respect (sock it to me, sock it to me, sock it to me, sock it to me)
Whoa, babe (just a little bit)
A little respect (just a little bit)
I get tired (just a little bit)
Keep on tryin’ (just a little bit)
You’re runnin’ out of fools (just a little bit)
And I ain’t lyin’ (just a little bit)
(Re, re, re, re) when you come home
(Re, re, re ,re) ‘spect
Or you might walk in (respect, just a little bit)
And find out I’m gone (just a little bit)
I got to have (just a little bit)
A little respect (just a little bit)

Songwriters: Otis Redding
Respect lyrics © Warner/Chappell Music, Inc, Universal Music Publishing Group