♫ Ruby Tuesday ♫

Back in April, I had a request for a song that I was familiar with by an artist I was not familiar with.  Confused yet?  Well, the song, as you can see from the title, is Ruby Tuesday, and I was familiar with the Rolling Stones’ version, but the one requested was by a singer, Melanie, with whom I was not familiar.  As so often happens, life interfered (more likely Donald Trump interfered with my life), and I forgot all about it.  Tonight, I wanted to play something special for the requester of the song, so I dug back through my notes and said … AHA!!!

By the way … any of you who have requested a song that I haven’t played … feel free to nudge or remind me, for I truly am a very forgetful old woman these days, and my intentions are good, but …

This was the fourth US #1 hit for the Rolling Stones in 1967, written by Keith Richards, who says of the song …

“It was probably written about Linda Keith not being there.  I don’t know, she had pissed off somewhere. It was very mournful, very, VERY Ruby Tuesday and it was a Tuesday. That’s one of those things – some chick you’ve broken up with. And all you’ve got left is the piano and the guitar and a pair of panties. And it’s goodbye you know. And so it just comes out of that. And after that you just build on it. It’s one of those songs that are easiest to write because you’re really right there and you really sort of mean it. And for a songwriter, hey break his heart and he’ll come up with a good song.”

Originally called Title B, this was mainly written by Brian Jones and Keith Richards, but in keeping with Stones tradition, it was credited to Mick Jagger and Keith Richards.  The Stones’ version hit #1 in the U.S., #2 in Canada, and #3 in the UK.  And then along came …

Melanie Anne Safka, better known as just Melanie. She is best known for the 1971/72 global hit Brand New Key, her composition What Have They Done to My Song Ma, and her 1970 international breakthrough hit Lay Down (Candles in the Rain), inspired by her experience of performing at the 1969 Woodstock music festival.  She was at Woodstock and still I haven’t heard of her?  Odd that.  Now, I listened to the first two mentioned and I have to admit that I wasn’t fond of either.  And, sorry David, but I still prefer the Stones’ version of this one.

And with all that said, I now offer you Ruby Tuesday by both Melanie, and the Rolling Stones!  Oh … Rod Stewart also covered the song in 1993, so maybe I’ll throw that one in just for fun, too.  Which is your favourite?

Ruby Tuesday
The Rolling Stones (also Melanie, Rod Stewart)

She would never say where she came from
Yesterday don’t matter if it’s gone
While the sun is bright
Or in the darkest night
No one knows, she comes and goes

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Don’t question why she needs to be so free
She’ll tell you it’s the only way to be
She just can’t be chained
To a life where nothing’s gained
Or nothing’s lost, at such a cost

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

“There’s no time to lose, ” I heard her say
Catch your dreams before they slip away
Dying all the time
Lose your dreams and you will lose your mind
Ain’t life unkind?

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Songwriters: Keith Richards / Mick Jagger
Ruby Tuesday lyrics © Abkco Music, Inc

♫ All You Need Is Love ♫

Yesterday, I re-blogged David Prosser’s post about a philosophy of humanity called Ubuntu.  A short time later, a fellow-blogger asked me to look at her post, and this video was on it.  The connection between this song and David’s post struck me almost like a lightening bolt, and I knew I had my music post for tonight.

The original goal of this song was to combine the love of all nations displaying the possibility of hope and peace as a common denominator in the world.  This was played at Party at the Palace, a British music concert and celebration held in London in 2002.  Artists, including Paul McCartney, Joe Cocker, Rod Stewart, Tony Bennett, Ozzy Osbourne, Queen, and many more contributed to this extravaganza.  The song is originally a Beatles’ classic that in and of itself is quite meaningful …

The Beatles played this for the first time on the “Our World” project, the first worldwide TV special. Broadcast in 24 countries on June 25, 1967, the show was six hours long and featured music from 6 continents, with The Beatles representing Britain.

The concept of the song was born out of a request to bring a song that was going to be understood by people of all nations. The writing began in late May of 1967, with John and Paul working on separate songs. It was decided that John’s “All You Need Is Love” was the better choice because of its easy to understand message of love and peace. The song was easy to play, the words easy to remember and it encompassed the feeling of the world’s youth during that period.

Joining in 2002 at the Buckingham Palace Garden, the stars of the generation gather to spread the message of hope, peace and unity to London, England.

Ubuntu … the philosophy that we are all connected, the idea of humanity, and this song about love … put it together, and then ask yourself what is keeping us from living in this world?

All You Need Is Love
The Beatles, et al

Love, love, love
Love, love, love
Love, love, love

There’s nothing you can do that can’t be done
Nothing you can sing that can’t be sung
Nothing you can say, but you can learn how to play the game
It’s easy
Nothing you can make that can’t be made
No one you can save that can’t be saved
Nothing you can do, but you can learn how to be you in time
It’s easy

All you need is love
All you need is love
All you need is love, love
Love is all you need

All you need is love
All you need is love
All you need is love, love
Love is all you need

There’s nothing you can know that isn’t known
Nothing you can see that isn’t shown
There’s nowhere you can be that isn’t where you’re meant to be
It’s easy

All you need is love
All you need is love
All you need is love, love
Love is all you need

All you need is love (all together now)
All you need is love (everybody)
All you need is love, love
Love is all you need

Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
Love is all you need
(Love is all you need)
(Love is all you need)
(Love is all you need)
(Love is all you need)
Yesterday
(Love is all you need)
Oh
Love is all you need
Love is all you need
Oh yeah
Love is all you need
(She love you, yeah, yeah, yeah)
(She love you, yeah, yeah, yeah)
(Love is all you need)
(Love is all you need)

Songwriters: John Lennon / Paul Mccartney
All You Need Is Love lyrics © Sony/ATV Music Publishing LLC

♫ This Old Heart Of Mine ♫

Earlier this evening, I was reading a transcript of a podcast, part of a fascinating series put together by Jonathan Capehart for The Washington Post called Voices of the Movement about how music propelled the Civil Rights movement.  It’s a fascinating series in case you’re interested, and you can either listen to the podcast or read the transcript.  Anyway, as I was reading, this song by the Isley Brothers literally popped into my head.Isley-BrothersThe Isley Brothers became one of the most successful acts of the ’70s, and also one of the most independent – they wrote, produced and released their own music throughout the decade. But in 1966, they were signed to Motown Records, who teamed them with the songwriting/production team of Eddie Holland, Lamont Dozier and Brian Holland (Holland-Dozier-Holland), who originally wrote this song for The Supremes.

Released as their first Motown single, it was a hit, but their last Top 40 with the label, who reassigned Holland-Dozier-Holland to other artists. In 1968, The Isley Brothers left Motown to record on their own label, T-Neck Records. Their first T-Neck release was the group’s biggest hit: It’s Your Thing.

Lamont Dozier said this song was inspired by girl he just couldn’t give up …

“The more I tried the deeper I fell. I made excuses for her and all the wrong she had done to me. She was a necessary evil that I just couldn’t overcome.”

Rod Stewart, a huge fan of both Motown and The Isley Brothers, recorded his own version in 1975 and released it as a single. His rendition was a big hit in the UK, climbing to #4, but it only went to #83 in the U.S. He did a lot better stateside when he recorded the song as a duet with Ronald Isley in 1989. This version made #10 in the US.

This Old Heart of Mine
The Isley Brothers

This old heart of mine been broke a thousand times
Each time you break away, I fear you’ve gone to stay
Lonely nights that come, memories that flow, bringing you back again
Hurting me more and more

Maybe it’s my mistake to show this love I feel inside
‘Cause each day that passes by you got me
Never knowing if I’m coming or going, but I, I love you
This old heart darling, is weak for you
I love you, yes, I do
These old arms of mine miss having you around
Makes these tears inside start a-falling down

Always with half a kiss
You remind me of what I miss
Though I try to control myself
Like a fool I start grinnin’ ’cause my head starts spinnin’ ’cause I

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do

Ooh, I try hard to hide, my hurt inside
This old heart of mine always keeps me cryin’
The way you’re treating me, leaves me incomplete
You’re here for the day, gone for the week now

But if you leave me a hundred times
A hundred times I’ll take you back
I’m yours whenever you want me
I’m not too proud to shout it, tell the world about it ’cause I

I love you
This is old heart, darling is weak for you
I love you
This is old heart, darling is weak for you

I love you
This is old heart, darling is weak for you
I love you, yes I do, yes I do
I love you, yes I do, darling is weak for you

Songwriters: Edward Jr. Holland / Lamont Dozier / Sylvia Moy / Brian Holland
This Old Heart of Mine lyrics © Sony/ATV Music Publishing LLC

♫ Maggie May ♫

I wasn’t feeling particularly inspired to play a song tonight and was prepared to skip my music post.  But, it came down to this: I had just finished scheduling my rather dark & gloomy morning post, and now I had two choices:  roll cigarettes, as I am down to my last 6, or play some music.  About that time, this song came into my head and rescued me from having to roll smokes, though I will still have to do it before going to bed, in case of a sleepless night!

Released in 1971 and co-written by Rod Stewart and Martin Quittenton, Stewart says his inspiration for the song was a memory of the 1961 Beaulieu Jazz Festival …

“At 16, I went to the Beaulieu Jazz Festival in the New Forest. I’d snuck in with some mates via an overflow sewage pipe. And there on a secluded patch of grass, I lost my not-remotely-prized virginity with an older (and larger) woman who’d come on to me very strongly in the beer tent. How much older, I can’t tell you – but old enough to be highly disappointed by the brevity of the experience.”

This song came together when Stewart began working with guitarist Martin Quittenton from the band Steamhammer (who I don’t recall ever hearing of). They convened at Stewart’s house in Muswell Hill, where Quittenton played some chords that caught Rod’s ear. He started singing the words to the Liverpool folk song Maggie Mae, which got him thinking about that day 10 years earlier.

This was the first big hit of the rock era to feature a mandolin, which was mostly heard in folk music. Stewart first used the instrument on Mandolin Wind, which was one of the first songs he recorded for the album Let It Be. He liked the results, so he used it on Maggie May as well.  Maggie May remains the biggest mondolin-based hit ever recorded.

I was surprised to see that this was a #1 hit in the UK also, but then I discovered that Rod Stewart is British!  Who knew?  Not I, that’s for sure.  🙄

Maggie May
Rod Stewart

Wake up, Maggie, I think I got something to say to you
It’s late September and I really should be back at school
I know I keep you amused, but I feel I’m being used
Oh, Maggie, I couldn’t have tried any more

You led me away from home, just to save you from being alone
You stole my heart, and that’s what really hurts

The morning sun, when it’s in your face really shows your age
But that don’t worry me none in my eyes, you’re everything
I laughed at all of your jokes, my love you didn’t need to coax
Oh, Maggie, I couldn’t have tried any more

You led me away from home, just to save you from being alone
You stole my soul, and that’s a pain I can do without

All I needed was a friend to lend a guiding hand
But you turned into a lover, and, mother, what a lover you wore me out
All you did was wreck my bed, and in the morning, kick me in the head
Oh, Maggie, I couldn’t have tried any more

You led me away from home ’cause you didn’t wanna be alone
You stole my heart, I couldn’t leave you if I tried

I suppose I could collect my books and get on back to school
Or steal my daddy’s cue and make a living out of playing pool
Or find myself a rock ‘n’ roll band that needs a helping hand
Oh, Maggie, I wished I’d never seen your face

You made a first-class fool out of me
But I’m as blind as a fool can be
You stole my heart, but I love you anyway

Maggie, I wished I’d never seen your face
I’ll get on back home one of these days
Ooh, ooh, ooh

Songwriters: Martin Quittenton / Roderick Stewart
Maggie May lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc