♫ My Cherie Amour ♫ (Redux)

When I’m a bit ‘under the weather’, there is one musician who can always make me feel better, even if only for a few minutes.  Those of you who have followed my music posts for a while know that one person is none other than Stevie Wonder!!!

The title is French for “My Dearest Love.”  Stevie wrote this song in 1967 when he was a student at Michigan School for the Blind, recording a rough version and putting into his trusty “tape box,” where he kept his song ideas. He wrote the song for his girlfriend at the time, Marcia, and the song was originally titled “Oh My Marcia.”

By the time he recorded the song, Marcia was out of the picture, so Wonder changed the title to My Cherie Amour.  Motown songwriter/producers Henry Cosby and Sylvia Moy wrote this with Wonder, who was 19 at the time. Wonder was recording at age 12, and was writing songs in his teenage years. On his later hits, Wonder did almost all of the writing and production himself, but early on, he had a lot of help from the Motown staff.

My Cherie Amour
Stevie Wonder

La la la la la la
La la la la la la

My Cherie Amour, lovely as a summer’s day
My Cherie Amour, distant as the Milky Way
My Cherie Amour, pretty little one that I adore
You’re the only girl my heart beats for
How I wish that you were mine

In a cafe or sometimes on a crowded street
I’ve been near you, but you never notice me
My Cherie Amour, won’t you tell me how could you ignore
That behind that little smile I wore
How I wish that you were mine

Maybe someday you’ll see my face among the crowd
Maybe someday I’ll share your little distant cloud
Oh, Cherie Amour, pretty little one that I adore
You’re the only girl my heart beats for
How I wish that you were mine

La la la la la la
La la la la la la

Source: Musixmatch
Songwriters: Wonder Stevie / Cosby Henry / Moy Sylvia Rose
My Cherie Amour lyrics © Black Bull Music, Stone Agate Music, Sawandi Music, Johanan Vigoda Admin. Acct. Stevie Wonder Catalogue, Jobete Music Co Inc, Stone Agate Music Corp, Black Bull Music Inc, Jobete Music Co., Inc.

♫ That’s What Friends Are For ♫ (Redux)

I’m in a rather deep, dark rabbit hole tonight.  If you’ve read my morning post, you’ll understand part of it.  So, I decided it was time to treat myself to some Stevie Wonder, the man who can ALWAYS make me feel a bit better.  And when I was searching the archives for a Stevie song, I came upon this one that has not one, but four of my all-time favourite artists:  Stevie Wonder, Dionne Warwick, Elton John, and Gladys Knight.  And the theme … the lyrics … just the perfect thing to help bring me out of this funk!  And just as happened four years ago, it brought a smile, but strangely tears, too. Perhaps that was what I needed …


February 2019 …

As I was rolling cigarettes tonight, a name came to me: Dionne Warwick. A sometimes-overlooked talent, a beautiful lady with a beautiful voice. So, I decided tonight would be a song from Dionne Warwick, and after I finished rolling smokes, finished my Jolly Monday post, and folded a load of laundry, I sat down to decide which song it would be. I picked this one to listen to first, and at the 0:33 point, I felt tears welling behind my eyes. I have no idea why, but I knew then that I had my song.

This version is the 1985 cover version by Dionne Warwick, Elton John, Gladys Knight, and Stevie Wonder. This recording, billed as being by “Dionne & Friends”, was released as a charity single for AIDS research and prevention. It was a massive hit, becoming the number-one single of 1986 in the United States, and winning the Grammy Awards for Best Pop Performance by a Duo or Group with Vocals and Song of the Year. It raised over $3 million for its cause.

The song was originally written by Burt Bacharach and Carole Bayer Sager for the 1982 movie Night Shift, where it was recorded by Rod Stewart and played over the closing credits.

Hit the full screen button, turn the volume up, and just … enjoy … feel the love …

That’s What Friends Are For
Dionne Warwick

And I never thought I’d feel this way
And as far as I’m concerned
I’m glad I got the chance to say
That I do believe, I love you

And if I should ever go away
Well, then close your eyes and try
To feel the way we do today
And then if you can remember

Keep smiling, keep shining
Knowing you can always count on me, for sure
That’s what friends are for
For good times and bad times
I’ll be on your side forever more
That’s what friends are for

Well, you came in loving me
And now there’s so much more I see
And so by the way
I thank you

Oh and then for the times when we’re apart
Well, then close your eyes and know
The words are coming from my heart
And then if you can remember

Keep smiling and keep shining
Knowing you can always count on me, for sure
That’s what friends are for
In good times and bad times
I’ll be on your side forever more
That’s what friends are for

Keep smiling, keep shining
Knowing you can always count on me, for sure
That’s what friends are for
For good times and bad times
I’ll be on your side forever more
That’s what friends are for

Keep smiling, keep shining
Knowing you can always count on me, for sure
Cause I tell you, that’s what friends are for
Whoa, good times and the bad times
I’ll be on your side forever more
That’s what friends are for

Songwriters: Burt F Bacharach / Carole Bayer Sager
That’s What Friends Are For lyrics © Warner/Chappell Music, Inc

♫ I Guess That’s Why They Call It The Blues ♫

All day long, I’ve had a song in mind to play for my music post … ALL DAY!  Even as recently as about 7:00, that song was playing non-stop, over and over in my head.  And now, at just after midnight … where do you think the song is?  That’s right …

Poof-2

Gone.  I’ve wracked my brain for it, but … I draw a blank.  All I can think of is … guacamole!  Hmmm … I do have two avocados in the fridge … I could make a nice little bowl of guacamole, and there are some extra thin crispy tortilla chips …

back-in-a-minute

Ahhhh … here … I’ll even share …

guacamole

Okay, now back to the business at hand … er … could somebody remind me just what business was at hand?  Oh yeah!  A song.  Well, since the song wouldn’t come back to my head, I closed my eyes, leaned my head back in my chair … and fell asleep!

sleeping-woman

Anyway … I finally came up with a tune for today!  You guys know how I love Elton John, right?  And I haven’t played any Elton for a while now (9 days, to be exact), right?  And, I found one that I’ve only played once, just over two years ago!

As is the case with most of Elton’s songs, the lyrics were written by Bernie Taupin.  Taupin wrote this song as a love letter to his wife at the time, Toni Russo, who is the sister of the actress Rene Russo. In the album credits, Bernie wrote, “Hey Toni, this one’s for you.”  According to Taupin …

“I wrote this in Montserrat, an island that, tragically, no longer exists. Basically, it’s a letter home with a small tip included about making the most of time, not wishing it away just because you can’t be with the one you love. Time is precious; read books, paint a picture, bake a cake. Just don’t wallow, don’t be content.”

This song contains one of the few lyrics that Bernie Taupin regrets. He later said:

“The whole ‘loving you more than I love life itself’ is something I would never say now. It’s kind of a crass sentiment and totally false. It’s quite another thing to love someone deeply with your whole heart without stooping to this kind of lie. I loathe giving songwriting advice, but were I pushed, I’d say, ‘Never say you love someone more than life or that you’d die for someone in a song.’ It’s just such a disservice to your own spirit. I’d like to think that I’d lay down my life for my children, but until you’re faced with the reality, it’s kind of a moot point. Rambling, I know, but relative nonetheless.”

Stevie-Wonder-harmonicaNow here’s something that was news to me … another of my all-time favourites, Stevie Wonder, played harmonica on this track!  Now the song is even more special, knowing that!

The song made it to #4 in the U.S., #5 in the UK, and #1 in both Canada and Zimbabwe!

I Guess That’s Why They Call It the Blues
Elton John

Don’t wish it away
Don’t look at it like it’s forever
Between you and me I could honestly say
That things can only get better

And while I’m away
Dust out the demons inside
And it won’t be long before you and me run
To the place in our hearts where we hide

And I guess that’s why they call it the blues
Time on my hands could be time spent with you
Laughing like children, living like lovers
Rolling like thunder under the covers
And I guess that’s why they call it the blues

Just stare into space
Picture my face in your hands
Live for each second without hesitation
And never forget I’m your man

Wait on me girl
Cry in the night if it helps
But more than ever I simply love you
More than I love life itself

Source: LyricFind
Songwriters: Bernie Taupin / Davey Johnstone / Elton John
I Guess That’s Why They Call It the Blues lyrics © Universal Music Publishing Group

♫ Lean On Me ♫ (Redux)

I have played this one twice in the past, but tonight Dan Rather’s nightly email convinced me to … play it again, Sam!  Er, Bill!  Dan said …

From the opening notes, the song resonates with the soul. In the simplicity of its chords lies its power. In its lyrics lies a beautiful vision for our common humanity. 

“Lean on Me,” from the legendary Bill Withers, always packs an emotional punch. In a time of division, when we see so much selfishness and cruelty, we felt this would be a timely antidote to those who elevate hurt over help. 

We believe it provides another reason to smile, although we cannot promise your eyes will remain dry.  

We share two versions below. We also share the lyrics, because they are worth reading. They fill us with hope.

My favourite is the second one, the one with Stevie Wonder and John Legend along with Bill Withers, but the concert version with a much younger Bill Withers touches the soul as well.  Pick one, or better yet, listen to both … set aside the troubles of the day, and just let the music wash over you for a few minutes.


This song, written and recorded by singer-songwriter Bill Withers, was released in April 1972 as the first single from his second album, Still Bill.  It was his first and only number one single.  According to Withers …

“This was my second album, so I could afford to buy myself a little Wurlitzer electric piano. So I bought a little piano and I was sitting there just running my fingers up and down the piano. In the course of doing the music, that phrase crossed my mind, so then you go back and say, ‘OK, I like the way that phrase, Lean On Me, sounds with this song.’ So you go back and say, ‘How do I arrive at this as a conclusion to a statement? What would I say that would cause me to say Lean On Me?’ At that point, it’s between you and your actual feelings, you and your morals and what you’re really like. You probably do more thinking about it after it’s done.”

Withers did not record his first song until he was 32 years old. He was in the US Navy for nine years, then worked at a factory making parts for airplanes. Says Withers:

“Being from a rural, West Virginia setting, that kind of circumstance would be more accessible to me than it would be to a guy living in New York where people step over you if you’re passed out on the sidewalk, or Los Angeles, where you could die on the side of the freeway and it would probably be eight days before anyone noticed you were dead. Coming from a place where people were a little more attentive to each other, less afraid, that would cue me to have those considerations. I think what we say is influenced by how we are, what’s been our life experiences. Now, I notice young guys writing about shooting each other in the city and stuff like that, well I would never have said anything like that because it was not my experience, I’m not from a big city. I think circumstance dictates what people think.”

Lean On Me
Bill Withers

Sometimes in our lives we all have pain
We all have sorrow
But if we are wise
We know that there’s always tomorrow

Lean on me, when you’re not strong
And I’ll be your friend
I’ll help you carry on
For it won’t be long
‘Til I’m gonna need
Somebody to lean on

Please swallow your pride
If I have things you need to borrow
For no one can fill those of your needs
That you won’t let show

You just call on me brother, when you need a hand
We all need somebody to lean on
I just might have a problem that you’ll understand
We all need somebody to lean on

Lean on me, when you’re not strong
And I’ll be your friend
I’ll help you carry on
For it won’t be long
‘Til I’m gonna need
Somebody to lean on

You just call on me brother, when you need a hand
We all need somebody to lean on
I just might have a problem that you’ll understand
We all need somebody to lean on

If there is a load you have to bear
That you can’t carry
I’m right up the road
I’ll share your load

If you just call me (call me)
If you need a friend (call me) call me uh huh(call me) if you need a friend (call me)
If you ever need a friend (call me)
Call me (call me) call me (call me) call me
(Call me) call me (call me) if you need a friend
(Call me) call me (call me) call me (call me) call me (call me) call me (call me)

Songwriters: Bill Withers
Lean On Me lyrics © Universal Music Publishing Group, BMG Rights Management

♫ Isn’t She Lovely ♫

I’m not feeling well tonight, and I’m depressed by the latest election projections, the politics of the day here in the U.S., and I’m in need of me some comforting by the marvelous Mr. Stevie Wonder … so, I hope he brings a smile to your face as he does to mine.


Stevie Wonder wrote this song to celebrate the birth of his daughter, Aisha Morris, in 1975.  In 2005, Aisha (last name: Morris, which is Wonder’s real name) sang a duet with her dad on his song How Will I Know.

Wonder collaborated on the song with Harlem songwriter and studio owner Burnetta “Bunny” Jones.

The song opens with the crying of a just-born baby. At the end of the song when Stevie says, “Come on, Aisha. Get out of the water, baby,” the splashing and protests (familiar to many parents at bathtime) are really her, recorded during a memorable moment between Stevie and his daughter.

Aisha Morris

Aisha Morris

Wonder had Aisha with Yolanda Simmons, whom he mentions near the end of the song: “Londi it could have not been done, without you who conceived the one.”  Aisha is now a singer who has toured with her father and accompanied him on recordings, including his 2005 album A Time to Love.

Wonder played all of instruments on this track except some of the keyboards, which were done by Greg Phillinganes. Wonder improvised the harmonica part.

Isn’t She Lovely
Stevie Wonder

Isn’t she lovely
Isn’t she wonderful
Isn’t she precious
Less than one minute old
I never thought through love we’d be
Making one as lovely as she
But isn’t she lovely made from love
Isn’t she pretty
Truly the angel’s best
Boy, I’m so happy
We have been heaven blessed
I can’t believe what God has done
Through us he’s given life to one
But isn’t she lovely made from love
Isn’t she lovely
Life and love are the same
Life is Aisha
The meaning of her name
Londie, it could have not been done
Without you who conceived the one
That’s so very lovely made from love

Songwriters: Stevie Wonder
Isn’t She Lovely lyrics © Sony/ATV Music Publishing LLC, Black Bull Music, Songtrust Ave

♫ Overjoyed ♫ (Redux)

I figure that since last night I played Fire for Clive, tonight I get to treat myself to … wait for it … some Stevie Wonder!!!

Overjoyed is a hit single written and performed by American R&B singer-songwriter Stevie Wonder on the Tamla (Motown) label from his 1985 album In Square Circle.

The song was written first for the 1979 album Journey Through the Secret Life of Plants, but was left off the album, and re-recorded for the 1985 album In Square Circle. In the liner notes for the song, “crickets, nightingale & additional bird sounds, ocean, pebbles in pond, stone dropped, crushing leaves” are listed under “environmental percussion”. The song was first performed live on the May 7, 1983, episode of Saturday Night Live, where Wonder was the host and musical guest.

This song has been covered by numerous artists, including Diana Ross, Mary Blige, Grover Washington, Celine Dion and many more, most of whom I have never heard.

I had to force myself to listen to this four five six times tonight, just to make sure I had gotten the right lyrics, that he wasn’t singing off-key … you know, all those details that must be just right!  😉  And now, I think I might actually be able to sleep for a few hours … dreaming … of … zzzzzz … sandman has come … zzzzzzzzzzz …

Overjoyed
Stevie Wonder

Over time, I’ve building my castle of love
Just for two, though you never knew you were my reason
I’ve gone much too far for you now to say
That I’ve got to throw my castle away

Over dreams, I have picked out a perfect come true
Though you never knew it was of you I’ve been dreaming
The sandman has come from too far away
For you to say come back some other day

And though you don’t believe that they do
They do come true
For did my dreams
Come true when I looked at you
And maybe too, if you would believe
You too might be
Overjoyed, over loved, over me

Over hearts, I have painfully turned every stone
Just to find, I had found what I’ve searched to discover
I’ve come much too far for me now to find
The love that I’ve sought can never be mine

And though you don’t believe that they do
They do come true
For did my dreams
Come true when I looked at you
And maybe too, if you would believe
You too might be
Overjoyed, over loved, over me

And though the odds say improbable
What do they know
For in romance
All true love needs is a chance
And maybe with a chance you will find
You too like I
Overjoyed, over loved, over you
Over you

Source: Musixmatch
Songwriters: Wonder Stevie
Overjoyed lyrics © Johanan Vigoda Admin. Acct. Stevie Wonder Catalogue, Jobete Music Co Inc, Black Bull Music Inc, Jobete Music Co., Inc.

♫ We Can Work It Out ♫

I strongly considered another redux tonight, for it is late, I am tired, and I still have 70 or so comments awaiting my response.  But, it seems that’s all I’ve done lately — redux, redux, redux!  I’m starting to sound like a … wait for it … broken record!  Anyway, Clive mentioned this as one of his favourite Beatles’ tunes a few days ago, so … this one’s for you, Clive!

From my old standby Songfacts …

Paul McCartney wrote this about his girlfriend, an actress named Jane Asher. They split for good in 1968.
.
The Beatles recorded this specifically for release as a single at two quick sessions while they were making the Rubber Soul album in October 1965. When it was released as a single backed with “Day Tripper,” debate raged over which was the A-side. Most pop groups put B-sides on their singles that were far inferior, but The Beatles often came out with 45s containing two great songs.
.
John Lennon sang the “life is very short” part (which he also wrote); McCartney sang the rest.  (Prophetic?)
.
Now here’s something I did NOT know!!!
.
  • Stevie Wonder covered this on his 1970 album Signed, Sealed and Delivered. His version, which hit US #13, plays during the end credits of the 2005 movie Kicking And Screaming.

    In 2014, Wonder performed the song on the CBS special The Beatles: The Night That Changed America, which aired exactly 50 years after the group first performed on the Ed Sullivan Show. Wonder introduced the song by saying that he first heard it when he was 15 years old. “It had a nice thing to it, but I said, Someday I’m going to do it again, with a little more funky thing with it,” Wonder said when he introduced the song.

WHOA … be still my heart … I must go in search of!

In England, a cover by a soundalike group was used in commercials for Hewlett-Packard.
 .
The only time The Beatles played this live was on their final British tour in November/December 1965. McCartney didn’t perform the song until 1991, when he played it on his 1991 MTV Unplugged appearance. On his 2002 Back In The US tour, McCartney played a solo version on his acoustic guitar.
.

We Can Work It Out
Song by The Beatles
Try to see it my way
Do I have to keep on talking ’til I can’t go on?
While you see it your way
Run the risk of knowing that our love may soon be gone
We can work it out
We can work it out
.
Think of what you’re saying
You can get it wrong and still you think that it’s alright
Think of what I’m saying
We can work it out and get it straight, or say good night
We can work it out
We can work it out
.
Life is very short, and there’s no time
For fussing and fighting, my friend
I have always thought that it’s a crime
So, I will ask you once again
Try to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There’s a chance that we might fall apart before too long
We can work it out
We can work it out
.
Life is very short, and there’s no time
For fussing and fighting, my friend
I have always thought that it’s a crime
So I will ask you once again
Try to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There’s a chance that we might fall apart before too long
We can work it out
We can work it out
.
Source: LyricFind
Songwriters: John Lennon / Paul McCartney
We Can Work It Out lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC

♫ Stevie & Tom ♫ (Redux)

Tonight I need me some Stevie!  Digging around to see what I have or haven’t played recently, I came across this one by two of my favourite artists, Stevie Wonder and Tom Jones from Tom Jones’ television show in 1969 — way back when.  I listened … I found a strange sensation on my face … like something tugging at the corners of my mouth … pulling them upward.  Could it be … could this actually be … the beginnings of a smile?  And then, I played it a second time … and yeah, there’s a smile alright … damn but these two guys are goooooood … doesn’t matter what they sing … they’re solid gold all the way.  Okay, so I just played it in 2020, but … 2020 was a looonnnnngggg time ago, right?  And I do so need the smiles this one brings, so for tonight … just listen, relax, and … SMILE!  Humour an old woman.

♫ Ebony and Ivory ♫ (Redux)

I might have skipped my music post today, for I am behind on almost everything and not feeling quite up to snuff, but yesterday afternoon my friend Jerry texted me and said he had a music suggestion for me.  With some trepidation, for Jerry and I rarely like the same music, I read on and much to my surprise he was recommending this song … one of my all-time favourites, which … on further thought, Jerry should know … hmmmmm … maybe he sensed I needed some of my man, Stevie Wonder at the moment, eh?  Sneaky, Jerry … very sneaky!  Anyway, yes it’s a redux, but it’s still a damn fine song, and I haven’t played it since 2020!


piano-keysPaul McCartney wrote this song, saying that the message was “that people of all types could live together.”  He liked the piano analogy, since you can play using just the white keys or just the black keys, but to make great music, you have to combine them.  So true.

McCartney started recording this as a solo effort, but then got the idea to do it as a duet with Stevie Wonder. A demo made its way to Wonder, and he agreed to record it, standing wholeheartedly behind the message in the song. It was issued as a single and appeared on McCartney’s 1982 album Tug Of War.

This was Stevie Wonder’s first #1 single in the UK. His only other was I Just Called To Say I Love You in 1984.

Listen to the words, feel the camaraderie between these two men, feel the love … share the love, spread the love.  Love knows no colour boundaries, and neither should we.

Ebony & Ivory
Paul McCartney, Stevie Wonder

Ebony and ivory
Live together in perfect harmony
Side by side on my piano keyboard
Oh Lord, why don’t we?

We all know
That people are the same wherever you go
There is good and bad in everyone
When we learn to live, we learn to give each other
What we need to survive
Together alive

Ebony and ivory
Live together in perfect harmony
Side by side on my piano keyboard
Oh Lord, why don’t we?

We all know
That people are the same wherever you go
There is good and bad, mmm, in everyone
We learn to live when we learn to give each other
What we need to survive
Together alive

Ebony and ivory
Live together in perfect harmony
Side by side on my piano keyboard
Oh Lord, why don’t we?

Side by side on my piano keyboard
Oh Lord, why don’t we?

Songwriters: Mccartney Paul James
Ebony & Ivory lyrics © MPL COMMUNICATIONS INC

♫ Sir Duke ♫ (Redux)

Okay, so I was looking into a song for this morning’s music post that had been mentioned by a dear friend, and as I wanted to bring a much-needed smile to his face, I was planning to surprise him with a song.  And then … and then … this one popped into my head and … well, if you’ve followed this blog for a few years, you know that Stevie Wonder is DA MAN in my book, and as I listened … a funny thing happened.  My face felt funny … what was wrong???  WHOA … could it be … was it possible … yes … YES … the corners of my mouth were slightly upturned … I was … SMILING!  And so, I will post my friend’s song tomorrow night, but for tonight, sit back and enjoy yourself a bit of Stevie at his best!


I am told by several who have reason to know, that I don’t smile enough these days.  They are probably right, but in truth, I find little to smile about.  In the mirror, I see an old hag with a perpetual scowl and sad eyes.  However, there is one person who always brings a smile to my face, and that is Mr. Stevie Wonder!

I could have sworn I had played this one, for it is one of my favourites by Stevie, but a search of my archives found nothing.  I love this one, especially, when I am out walking, for the beat makes me pick up my speed and makes me smile at the same time, such that the people I pass wonder just what the heck I am up to with that sappy grin on my face!

Stevie Wonder wrote this song as a tribute to music, specifically to Duke Ellington, who had died in 1974. Ellington was a jazz bandleader and composer who was a big influence on Wonder.

“I knew the title from the beginning but wanted it to be about the musicians who did something for us. So soon they are forgotten. I wanted to show my appreciation. They gave us something that is supposed to be forever. That’s the basic idea of what we do and how we hook it up.”

In addition to Ellington, musicians referenced in this song are “Satchmo” Louis Armstrong, Ella Fitzgerald, Count Basie and Sodarisa Miller.

This wasn’t the first song Wonder wrote in tribute to one of his musical inspirations: Bye Bye World from his 1968 album Eivets Rednow is about the guitarist Wes Montgomery. Wonder’s second album, released in 1962 when he was just 12 years old, was a tribute to ‘Uncle Ray’, which paid homage to Ray Charles.

Sir Duke
Stevie Wonder

Music is a world within itself
With a language we all understand
With an equal opportunity
For all to sing, dance and clap their hands
But just because a record has a groove
Don’t make it in the groove
But you can tell right away at letter A
When the people start to move

They can feel it all over
They can feel it all over people
They can feel it all over
They can feel it all over people

Music knows it is and always will
Be one of the things that life just won’t quit
But here are some of music’s pioneers
That time will not allow us to forget
For there’s Basie, Miller, Sachmo
And the king of all Sir Duke
And with a voice like Ella’s ringing out
There’s no way the band can lose

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
You can feel it all over

I can feel it all over-all over now people
Can’t you feel it all over
Come on let’s feel it all over people
You can feel it all over
Everybody-all over people

Songwriters: Stevie Wonder
Sir Duke lyrics © Sony/ATV Music Publishing LLC