♫ No Matter What ♫ (Redux)

Tonight’s song is again a repeat from September 2018.  There is a reason it came to my mind, though, and just begged to be played.  My friend Michael Seidel posted this song on his “Friday’s Theme Music” post yesterday, and I fully agree with his reasoning … well, take a look yourself, and I think most of you will agree:  Friday’s Theme Music by Michael Seidel.


This one is a little off the beaten path, so some may not remember it.  It never got above #5 on the UK charts, and #8 in the US.  It did better, however, in South Africa where it hit #1 for a brief time.  It’s one of those that I don’t think about often, but about twice a year, for no discernible reason, it pops into my head and stays for a day or two.  I like the rhythm, but as with most songs, just tonight I discovered that I had been singing the lyrics all wrong!  I’ve been singing “Down by the ol’ mill stream, be a part of it all”, when in fact it is “Knock down the old grey wall, and be a part of it all”.  Sigh.  deaf

The song was recorded by the band Badfinger in April 1970 at Abbey Road Studios under the Beatles’ label, Apple Records.  Some actually thought it was the Beatles when they first heard it, and Peter Ham actually used one of George Harrison’s Gibson guitars on this.

This song is also noted for its false ending, after the final chorus, where, after a short pause, the song repeats the last line twice before its final ending chord.

No Matter What
Badfinger

No matter what you are
I will always be with you
Doesn’t matter what you do girl, oh girl with you
No matter what you do
I will always be around

Won’t you tell me what you found girl, oh girl won’t you
Knock down the old brick wall, and be a part of it all
Nothing to say, nothing to see, nothing to do
If you would give me all, as I would give it to you
Nothing would be, nothing would be, nothing would be

No matter where you go
There will always be a place
Can’t you see in my face girl, oh girl don’t you
Knock down the old brick wall, and be a part of it all
Nothing to say, nothing to see, nothing to do
If you would give me all, as I would give it to you
Nothing would be, nothing would be, nothing would be

No matter what you are
I will always be with you
Doesn’t matter what you do girl, oh girl want you
Oh girl, you girl, want you
Oh girl, you girl, want you

Songwriters: Peter William Ham
No Matter What lyrics © Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc

♫ Uncle Albert — Admiral Halsey ♫

Tonight’s song is … shall we say, unique!  I’m sure I must have been familiar with it at one time, for parts of it ring a bell, while other parts do not.  I’m still chuckling, though, for some of the lyrics are downright humorous.  Thanks, rawgod, for requesting this one … definitely a fun departure from my norm!

According to SongFacts …

Albert was Albert Kendall, who married Paul’s aunt Milly (becoming “Uncle Albert”) and provided inspiration for a portion of this song suite. Albert had a habit of getting drunk and reading from The Bible; the only time he read from the Bible was when he was drinking.

McCartney combined pieces of various unfinished songs to create this; in the later years of The Beatles, they did this a lot as a way to put unfinished songs to good use. As a result, “Uncle Albert – Admiral Halsey” contains 12 different sections over the course of its 4:50 running time. This jumble of musical textures, comic character voices, sound effects and changing tempos turned off a lot of listeners, but many others thought it was brilliant. The song wasn’t released as a single in the UK, but in America it became McCartney’s first #1 hit as a solo artist.

Linda McCartney is credited as a co-writer on this song with Paul. She sang background and contributed some of the vocal ideas, but how much she actually wrote on the song is questionable. Paul had some incentive to credit her as a songwriter: under a deal he signed with The Beatles, songs he wrote until 1973 were owned by Northern Songs publishing and Maclen Music. By splitting the credits with his wife, he could keep half the royalties in the family. The publishers brought a lawsuit against Paul for this practice, which was settled out of court.

This song won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971.

The flugelhorn solo that leads into the “Hands across the water” section was played by American bebop trumpeter Marvin Stamm.

According to McCartney …

“I had an uncle – Albert Kendall – who was a lot of fun, and when I came to write Uncle Albert/Admiral Halsey it was loosely about addressing that older generation, half thinking ‘What would they think of the way my generation does things? ‘That’s why I wrote the line ‘We’re so sorry, Uncle Albert’. There’s an imaginary element in many of my songs – to me, Admiral Halsey is symbolic of authority and therefore not to be taken too seriously. We recorded it in New York and George Martin helped me with the orchestral arrangement. I was surprised when it became a big hit.”

The song hit #1 in both the U.S. and Canada, but failed to chart in the UK … very odd for a Beatles song not to chart in the UK!  Note that I found a number of variations of lyrics, so I picked the one that seemed closest.  My apologies if they are not accurate.

Uncle Albert/Admiral Halsey

We’re so sorry, Uncle Albert
We’re so sorry if we caused you any pain
We’re so sorry, Uncle Albert
But there’s no one left at home
And I believe I’m gonna rain.
We’re so sorry but we haven’t heard
A thing all day
We’re so sorry, Uncle Albert,
But if anything should happen
We’ll be sure to give a ring

Yeah, yeah,

We’re so sorry, Uncle Albert
But we haven’t done a bloody thing all day
We’re so sorry, Uncle Albert,
But the kettle’s on the boil
And we’re so easily called away

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky

Admiral Halsey notified me
He had to have a berth or he couldn’t get to sea
I had another look and I had a cup of tea and butter pie (butter pie?)
The butter wouldn’t melt so I put it in the pie

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky

Live a little, be a gypsy, get around (get around)
Get your feet up off the ground
Live a little get around
Live a little, be a gypsy, get around (get around)
Get your feet up off the ground
Live a little, get around

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky
Ooo——ooo—–

Saturday Surprise — A Short One

Good Saturday morning, folks, and welcome to the … w-w-weekend!  I won’t ask if you have big plans, for obvious r-r-reasons, but I will try to give you a smile … how’s that?


Brrrrrrrrrrrrrrrrrrrr

I bet you didn’t know that in Northern Canada they hold hair-freezing contests! frozen-hair-2

From Atlas Obscura …

Even in the dark, subarctic winters of the Yukon Territory, hot water flows from the depths of Earth’s crust into Takhini Hot Springs at the toasty temperature of 116 degrees Fahrenheit. The natural hot tub, which attracts hundreds of locals and tourists annually, lies just outside the city of Whitehorse. For most of the year, visitors spend hours relaxing in the mineral-rich and odorless waters, which are privately owned by the company Takhini Hot Pools. But much more is at stake during winter months, when the pools become heated arenas for the world’s only frozen-hairdo competition.

The Hair Freezing Contest is a challenge of both art and science. Participants dunk their heads underwater, emerge into the frigid air, and style their locks into stiff, eye-catching sculptures. Depending on one’s creativity and luck with the elements, the results range from frosty, mop-like tangles to dramatically manicured spikes.

According to co-owner of Takhini Hot Pools Andrew Umbrich …

“All this rising steam collects on your hair and freezes really quickly when it meets the cold air. You can get good results within 15 minutes if it’s cold enough.”

frozen-hair-1

frozen-hair-3frozen-hair-4

Er … um … thanks, but no thanks.  I cannot imagine my head being frozen.  Things contract in the cold, and if my head contracted much more, I’d be a pinhead.  Still, looks cool … literally.


Guess what it is

I bet you can’t guess what this is …stage

Hey, don’t be so quick to judge a book by its cover, or in this case a stage by its finish.  This stage, folks, is going on the auction block on April 10th in an online auction and is expected to fetch as much as $20,000.  Do you know who once played one of their first concerts as The Silver Beats on that stage?  C’mon, some of you die-hard fans must know this one.  Ellen?  David?  Okay, I’ll give you a little hint.  The band consisted of Stuart Sutcliffe on bass and Tommy Moore on drums, Paul McCartney, John Lennon and George Harrison on guitars. Lathom-Hall-ticketIn addition to playing at Lathom Hall, they were also there to audition for local concert promoter Brian Kelly.  They did so well that they were invited back the next Saturday night, but at the last minute they declined and that was it for them and Lathom Hall or any of Kelly’s concert venues for several months.  As their popularity gained traction, eventually Kelly invited them back.

Silver-BeatsOn April 10, in commemoration of the 50th anniversary of the band’s breakup, California-based Julien’s Auctions will offer a slew of Beatles memorabilia (with live online bidding available), from the handwritten lyrics for “Hey Jude” to corduroy trousers worn by John Lennon himself. While it may not look so illustrious, this set of wooden planks pulled straight out of the floor are in fact witnesses to history, and a marquee item that could fetch as much as $20,000.


Just a few ‘toons and things I found over at Phil’s Phun

toon-1toon-2toon-3toon-4toon-5


Th-th-that’s all I’ve got for today, friends.  Try to have a p-p-peaceful weekend.

Note to readers:  I apologize for my negligence these past 2-3 days in responding to comments.  Sometimes life throws more at a person than they can field, and one struggles to catch up.  I always operate under the philosophy that if you, my friends and readers, can take your precious time to leave a comment, the least I can do is reply.  I have let that ball drop in recent days.  I promise to do better starting today.  Please forgive my negligence.

♫ Blackbird ♫ (Redux)

I really don’t know why, but this one, that I played back in September of 2018, came to my mind this evening and begged me to play it again.  And so, I am.  Tomorrow, I promise something brand new … well, not brand new, but something I’ve never played on this blog before.

Paul McCartney wrote this about the civil rights struggle for African-Americans after reading about race riots in the US. He penned it in his kitchen in Scotland not long after Little Rock Nine, when the federal courts forced the racial desegregation of the Arkansas capital’s school system.Little Rock Nine“I was sitting around with my acoustic guitar and I’d heard about the civil rights troubles that were happening in the ’60s in Alabama, Mississippi, Little Rock in particular,” he told GQ. “I just thought it would be really good if I could write something that if it ever reached any of the people going through those problems, it might give them a little bit of hope. So, I wrote ‘Blackbird.'”

McCartney-meets-little-rock-nine-2

McCartney with two of the Little Rock Nine

Blackbird
Paul McCartney

Blackbird singing in the dead of night, take these broken wings and learn to fly
All your life, you were only waiting for this moment to arise

Blackbird singing in the dead of night, take these sunken eyes and learn to see
All your life, you were only waiting for this moment to be free

Black-bird fly
Black-bird fly, into the light of a dark black night

Black-bird fly
Black-bird fly, into the light of a dark black night

Blackbird singing in the dead of night, take these broken wings and learn to fly
All your life, you were only waiting for this moment to arise
you were only waiting for this moment to arise
you were only waiting for this moment to arise

Songwriters: John Lennon / Paul McCartney
Blackbird lyrics © Sony/ATV Music Publishing LLC

 

♫ While My Guitar Gently Weeps ♫

Tonight concludes ‘Beatles Week’ on Filosofa’s Word.  It started innocently enough … I played a Beatles’ song, and David suggested a Beatles’ week, and thus it began.  I missed one day, but otherwise have played some oldies but goodies.  I learned some things this week … I learned that George Harrison was a much under-appreciated member of the band, and a great songwriter in his own right.  I wish I had realized back in the day … but I was enamoured of Paul’s cute little grin and head tilt, and barely noticed George.

Did you know that at one point during their career, George walked out, said ‘I’m done’, and that John Lennon wanted to replace him with Eric Clapton?  Yes, my friends, Eric Clapton was almost a Beatle!  Harrison soon came back, however, and he and Clapton bonded.

By the time the Beatles were recording their 1968 self-titled album, also known as The White Album, things were tense among the four.  When they got to the song While My Guitar Gently Weeps, they started recording an early “draft” on July 25, 1968, with Harrison playing the guitars and McCartney following along on the harmonium.  But, it wasn’t until Harrison invited his best pal Clapton into the studio that they went back to the song. “Eric played that and I thought it was really good,” Harrison said, according to Rolling Stone. “Then we listened to it back and he said, ‘Ah, there’s a problem, though; it’s not Beatley enough.’ So we put it through the ADT to wobble it up a bit.”

But Harrison’s true purpose of inviting Clapton? To lessen the tension. “George knew everyone would behave themselves around Clapton — a classic George power move,” the Rolling Stone piece said. “The trick worked — in George’s words, ‘The other guys were as good as gold because he was there.’”

A few nights ago, our friend Keith mentioned that Eric Clapton had done a tribute to George Harrison, who died of cancer on 29 November 2001.  Of course, I had to check it out, and … well, I it moved me and I felt it was a fitting way to conclude Beatles’ Week 2020.  And so, my friends, I offer first, the Beatles version of the song, and last, Mr. Eric Clapton et al in a fitting tribute to a great and talented musician.

 

While My Guitar Genly Weeps

The Beatles

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you
How to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

Well…

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No one alerted you

I look at you all, see the love there that’s sleeping
[LOVE version:] I look from the wings at the play you are staging.
While my guitar gently weeps
Look at you all
[LOVE version:] As I’m sitting here doing nothing but aging
Still my guitar gently weeps

Oh, oh
Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh

Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, oh, ooh

♫ Norwegian Wood ♫ (Redux)

Day #5 of Beatles Week, and since a couple of people mentioned this one, I thought it only right to give it a slot.

A bit of interesting history accompanies this one …

This was the first pop song to use a sitar – George Harrison played it. Harrison was new to the sitar and took many takes to get it right. He bought the instrument, which he described as “crummy,” and taught himself to play. It was David Crosby of The Byrds, and Crosby, Stills & Nash who had introduced Harrison to the sitar shortly after the folk musician Shawn Phillips had shown him the basic steps. A few months later, Harrison studied the sitar with Indian musician Ravi Shankar, who helped Harrison explore Eastern music and religion.

John Lennon, who wrote the song, explained why it was decided to use the sitar on this song …

“I think it was at the studio. George had just got the sitar and I said ‘Could you play this piece?’ We went through many different sort of versions of the song, it was never right and I was getting very angry about it, it wasn’t coming out like I said. They said, ‘Well just do it how you want to do it’ and I said, ‘Well I just want to do it like this.’ They let me go and I did the guitar very loudly into the mike and sang it at the same time and then George had the sitar and I asked him could he play the piece that I’d written, you know, dee diddley dee diddley dee, that bit, and he was not sure whether he could play it yet because he hadn’t done much on the sitar but he was willing to have a go, as is his wont, and he learned the bit and dubbed it on after. I think we did it in sections.”

Paul McCartney said he came up with the title, inspired by the Norwegian Wood furniture in the Asher household, where he was staying.

But the trivia I thought the most intriguing was what John Lennon said about the writing of the song …

“I was trying to write about an affair without letting my wife know I was having one. I was sort of writing from my experiences – girl’s flats, things like that. I was very careful and paranoid because I didn’t want my wife, Cyn, to know that there really was something going on outside of the household. I’d always had some kind of affairs going on, so I was trying to be sophisticated in writing about an affair, but in such a smoke-screen way that you couldn’t tell. But I can’t remember any specific woman it had to do with.”

Norwegian Wood (This Bird Has Flown)
The Beatles

I once had a girl
Or should I say she once had me
She showed me her room
Isn’t it good Norwegian wood?

She asked me to stay
And she told me to sit anywhere
So I looked around
And I noticed there wasn’t a chair

I sat on a rug biding my time
Drinking her wine
We talked until two and then she said
“It’s time for bed”

She told me she worked
In the morning and started to laugh
I told her I didn’t
And crawled off to sleep in the bath

And when I awoke I was alone
This bird had flown
So I lit a fire
Isn’t it good Norwegian wood?

Songwriters: John Lennon / Paul Mccartney
Norwegian Wood (This Bird Has Flown) lyrics © Sony/ATV Music Publishing LLC

♫ Something ♫

Day #4 of Beatles’ Week …

This was the only song written by George Harrison released as a single by The Beatles.  Harrison wrote this during a break while they were working on The White Album. It was not recorded in time for the album, so Harrison gave this to Joe Cocker, but Cocker didn’t release it until after The Beatles did.

This seemed to be inspired by Harrison’s wife, Pattie, but he claimed he did not have anyone in mind when he wrote it. In her 2007 book Wonderful Tonight: George Harrison, Eric Clapton, and Me, Pattie Boyd wrote:

“George wrote a song called ‘Something.’ He told me in a matter-of-fact way that he had written it for me. I thought it was beautiful and it turned out to be the most successful song he ever wrote, with more than 150 cover versions. George’s favorite version was the one by James Brown. Mine was the one by George Harrison, which he played to me in our kitchen. But, in fact, by then our relationship was in trouble. Since a trip to the Maharishi Mahesh Yogi’s ashram in India in 1968, George had become obsessive about meditation. He was also sometimes withdrawn and depressed.”

Harrison came up with the title and the first line after listening to a James Taylor song called Something In The Way She Moves.

There are over 200 cover versions of this song on record, making it The Beatles’ 2nd most covered song, after Yesterday, which has … wait for it … over 1,600!!!  The question here becomes, is there anyone who hasn’t covered Yesterday?

Frank Sinatra called this “The greatest love song ever written.” He often performed it in the ’70s.  High praise indeed!

The video is from the promotional clip for Something that was shot in late October 1969, not long after Lennon privately announced that he was leaving the band. By this time, the individual Beatles had grown apart and so the film consisted of separate clips of each Beatle walking around his home, accompanied by his wife, edited together. The four segments were edited and compiled into a single film clip by Neil Aspinall.

Something
The Beatles

Something in the way she moves
Attracts me like no other lover
Something in the way she woos me

I don’t want to leave her now
You know I believe and how

Somewhere in her smile she knows
That I don’t need no other lover
Something in her style that shows me

Don’t want to leave her now
You know I believe and how

You’re asking me will my love grow
I don’t know, I don’t know
You stick around, now it may show
I don’t know, I don’t know

Something in the way she knows
And all I have to do is think of her
Something in the things she shows me

I don’t want to leave her now
You know I believe and how

Songwriter(s) George Harrison
Producer(s) George Martin

♫ Nowhere Man ♫

And so, Beatles week continues on Filosofa’s Word …

Just as Yesterday mysteriously came to Paul McCartney, Nowhere Man simply came to Lennon at dawn after he’d stayed up all night, struggling to come up with a new song for Rubber Soul. He happened upon a phrase, “nowhere man,” which, he felt, described his own fears about himself.

john-lennon“I’d spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then ‘Nowhere Man’ came, words and music, the whole damn thing as I lay down.  I thought of myself sitting there, doing nothing and getting nowhere.”

Recorded on 21 and 22 October 1965, Nowhere Man is one of the first Beatles songs to be entirely unrelated to romance or love, and marks a notable example of Lennon’s philosophically oriented songwriting. Lennon, Paul McCartney and George Harrison sing the song in three-part harmony. The lead guitar solo was performed in unison by Harrison and Lennon. The pair played identical “sonic blue”-coloured Fender Stratocasters on the track. The song appears in the film Yellow Submarine, where the Beatles sing it about the character Jeremy Hillary Boob after meeting him in the “nowhere land”.

Nowhere Man
The Beatles

He’s a real nowhere man
Sitting in his nowhere land
Making all his nowhere plans for nobody

Doesn’t have a point of view
Knows not where he’s going to
Isn’t he a bit like you and me?
Nowhere man please listen
You don’t know what you’re missing
Nowhere man, the world is at your command

He’s as blind as he can be
Just sees what he wants to see
Nowhere man, can you see me at all
Nowhere man don’t worry
Take your time, don’t hurry
Leave it all ’til somebody else
Lends you a hand
Ah, la, la, la, la

Doesn’t have a point of view
Knows not where he’s going to
Isn’t he a bit like you and me?
Nowhere man please listen
You don’t know what you’re missing
Nowhere man, The world is at your command
Ah, la, la, la, la

He’s a real nowhere man
Sitting in his nowhere land
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody

Songwriters: John Lennon / Paul McCartney
Nowhere Man lyrics © Sony/ATV Music Publishing LLC

♫ Eleanor Rigby ♫

When David first suggested doing a Beatles’ week, he mentioned a few of the classic Beatles’ songs, including this one.  Then, somebody else mentioned it, and last night, Keith mentioned it, so it seemed that it was meant for me to play it!

Paul McCartney wrote most of this song. He got the name “Eleanor” from actress Eleanor Bron, who appeared in the 1965 Beatles film Help!. “Rigby” came to him when he was in Bristol, England and spotted a store: Rigby and Evens Ltd Wine and Spirit Shippers. He liked the name “Eleanor Rigby” because it sounded natural and matched the rhythm he wrote.

McCartney explained at the time that his songs came mostly from his imagination. Regarding this song, he said …

“It just came. When I started doing the melody I developed the lyric. It all came from the first line. I wonder if there are girls called Eleanor Rigby?”

McCartney wasn’t sure what the song was going to be about until he came up with the line, “Picks up the rice in a church where a wedding has been.” That’s when he came up with the story of an old, lonely woman. The lyrics, “Wearing the face that she keeps in a jar by the door” are a reference to the cold-cream she wears in an effort to look younger.

The song tells the story of two lonely people. First, we meet a churchgoing woman named Eleanor Rigby, who is seen cleaning up rice after a wedding. The second verse introduces the pastor, Father McKenzie, whose sermons “no one will hear.” This could indicate that nobody in coming to his church, or that his sermons aren’t getting through to the congregation on a spiritual level. In the third verse, Eleanor dies in the church and Father McKenzie buries her.

I was sitting at the piano when I thought of it. The first few bars just came to me, and I got this name in my head … “Daisy Hawkins picks up the rice in the church”. I don’t know why. I couldn’t think of much more so I put it away for a day. Then the name “Father McCartney” came to me, and all the lonely people. But I thought that people would think it was supposed to be about my Dad sitting knitting his socks. Dad’s a happy lad. So I went through the telephone book and I got the name “McKenzie”.

Eleanor-RigbyLiverpool Echo newspaper commissioned this statue of Eleanor Rigby. It was sculpted by singer and London native Tommy Steele and unveiled on December 3, 1982. It is dedicated to “all the lonely people.” Items to note in the statue: a four leaf clover (for Good Luck), a page of the Bible (for Spiritual Guidance), soccer cleats (for Fun and Sport), a comic book (for Comedy and Adventure) and a sonnet (for Love). It can be found near the corner of Matthew and Stanley Streets.

Eleanor Rigby
The Beatles

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby
Picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window
Wearing the face that she keeps in a jar by the door
Who is it for?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie
Writing the words of a sermon that no one will hear
No one comes near
Look at him working
Darning his socks in the night when there’s nobody there
What does he care?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby
Died in the church and was buried along with her name
Nobody came
Father McKenzie
Wiping the dirt from his hands as he walks from the grave
No one was saved

All the lonely people (ah, look at all the lonely people)
Where do they all come from?
All the lonely people (ah, look at all the lonely people)
Where do they all belong?

Songwriters: John Lennon / Paul McCartney
Eleanor Rigby lyrics © Sony/ATV Music Publishing LLC

♫ Here, There And Everywhere ♫

On Sunday night, I played Paul McCartney’s Fool on the Hill, and a couple of comments suggested some other Beatles’ songs I might consider playing.  David even suggested a “Beatles’ week” … which I pondered and decided … hmmm, not a bad idea.  On Monday night, when I would typically have done the song for Tuesday morning, I was suddenly struck by exhaustion and simply could not do any more, hence there was no song on Tuesday.  Anyway … long story short, this will be “Beatles Week”.  Most often, I prefer variety, so there will be few ‘weekly features’ in the music posts, but every now and then I may choose to do one.

Tonight’s song was requested by Suze.  Written by Paul McCartney while he was lounging at John Lennon’s pool, it was at least partly inspired by The Beach Boys’ song God Only Knows. McCartney was asked in 1990 about the influence of The Beach Boys on this song by Brian Wilson biographer David Leaf.

“It’s actually just the introduction that’s influenced. John and I used to be interested in what the old fashioned writers used to call the verse, which we nowadays would call the intro – this whole preamble to a song, and I wanted to have one of those on the front of ‘Here, There and Everywhere.’ John and I were quite into those from the old-fashioned songs that used to have them, and in putting that [sings “To lead a better life”] on the front of ‘Here, There and Everywhere,’ we were doing harmonies, and the inspiration for that was the Beach Boys. We had that in our minds during the introduction to ‘Here, There and Everywhere.’I don’t think anyone, unless I told them, would even notice, but we’d often do that, get something off an artist or artists that you really liked and have them in your mind while you were recording things, to give you the inspiration and give you the direction – nearly always, it ended up sounding more like us than them anyway.”

John Lennon and Paul McCartney both mentioned this as one of the most underrated Beatles songs. In 2005 interviews, McCartney said that of all the songs he has written, this is his favorite. He likes it best because of the way that it flows together, comparing it to the style of the Fred Astaire hit Cheek To Cheek, one of his favorite songs.

Here, There And Everywhere
The Beatles

To lead a better life
I need my love to be here

Here, making each day of the year
Changing my life with a wave of her hand
Nobody can deny that there’s something there
There, running my hands through her hair
Both of us thinking how good it can be
Someone is speaking, but she doesn’t know he’s there

I want her everywhere
And if she’s beside me I know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I’m always there

I want her everywhere
And if she’s beside me I know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I’m always there

I will be there
And everywhere
Here, there and everywhere

Songwriters: John Lennon / Paul McCartney
Here, There And Everywhere lyrics © Sony/ATV Music Publishing LLC