♫ The Long And Winding Road♫

No redux tonight!  I finally finished my morning post and responding to comments early enough to have the energy left to properly research a song!

Tonight’s selection is strange, in that it is a Beatles recording, yet while it reached the #1 spot in the U.S., it did not chart in the Beatles home country, the UK!  For me, at least, this is one of those that can get stuck in my head for days at a time, for I mostly love the tune, never knew the full lyrics until tonight!

From their 1970 album Let It Be, this was written by Paul McCartney and credited to Lennon–McCartney.  The road McCartney is talking about is the B842 which runs down the east coast of Kintyre and on into Campbeltown near his Scottish farmhouse.  Says McCartney …

“I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration.”

Paul McCartney offered this song to Tom Jones in 1968 on the condition it be his next single. He had Without Love (There is Nothing) set for release so he turned down the offer, something he would later regret. Speaking with Media Wales in 2012, Jones explained:

“I saw him (McCartney) in a club called Scotts Of St. James on Jermyn Street in London. I said to him When are you going to write me a song then Paul? He said, aye I will then. Then not long after he sent a song around to my house, which was ‘The Long And Winding Road,’ but the condition was that I could do it but it had to be my next single.

Paul wanted it out straight away. At that time I had a song called ‘Without Love’ that I was going to be releasing. The record company was gearing up towards the release of it. The timing was terrible, but I asked if we could stop everything and I could do ‘The Long And Winding Road.’ They said it would take a lot of time and it was impractical, so I ended up not doing it. I was kicking myself. I knew it was a strong song.”

The Beatles recorded this in January 1969 as a fairly simple ballad. By 1970, The Beatles were breaking up and and Phil Spector was brought in to go through the tapes and produce the album. Spector was known for his “Wall Of Sound” recording technique, where he added many instruments and layered the tracks to create a very full sound. On this track, he took out most of The Beatles instruments and added a string section and choir (The Mike Sammes Singers). The result was very different from what the group originally had in mind.

Even though he wrote this song, Paul McCartney didn’t go to the sessions where Spector produced it. When McCartney heard the results, he made it clear that he hated what Spector did to his song, and tried to get the original version, which was mixed by engineer Glyn Johns, on the album. The band was already falling apart, and this caused further turmoil within the group, as Harrison and Lennon both supported Spector. Paul has not changed his stance over the years, and still believes Spector butchered it. Lennon and Harrison felt otherwise, and each had Spector produce their next solo efforts. Lennon said of Spector’s work on Let It Be:

“Phil was given the s–ttiest load of badly recorded s–t with a lousy feeling to it, and he made something of it.”

Some of the many artists who covered this song: Tony Bennett, George Benson, Cilla Black, Ray Charles, Cher, Judy Collins, Peter Frampton, Aretha Franklin, Richie Havens, Cissy Houston, Gladys Knight and the Pips, Liberace, The London Symphony Orchestra, Barry Manilow, Mantovani, Johnny Mathis, Bill Medley, George Michael, Olivia Newton-John, Billy Ocean, Stu Phillips, Kenny Rogers, Diana Ross, Kevin Rowland, Sarah Vaughan, Andy Williams and Nancy Wilson.  Whew … that’s quite a list!

In an interview shortly before he became British Prime Minister, after five years as Leader of the Opposition, David Cameron told Q magazine that this is his favorite Paul McCartney song. He explained:

“It has a wonderful melody and emotion and pretty much sums up the life of the Leader of the Opposition.”

The Long and Winding Road
The Beatles

The long and winding road
That leads to your door
Will never disappear
I’ve seen that road before
It always leads me here
Lead me to you door

The wild and windy night
That the rain washed away
Has left a pool of tears
Crying for the day
Why leave me standing here?
Let me know the way

Many times I’ve been alone
And many times I’ve cried
Anyway, you’ll never know
The many ways I’ve tried

And still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don’t leave me waiting here
Lead me to your door

But still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don’t keep me waiting here
Lead me to your door

Yeah, yeah, yeah, yeah

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
The Long and Winding Road lyrics © Sony/ATV Music Publishing LLC

♫ In My Life ♫ (Redux)

Sorry folks, but tonight has to be a redux night, for I am so exhausted as to be nearly sick, so I am just going to bed.  But … I last played this one in 2018, so most of you have forgotten, right?  Back then, it was one of my better received music posts, with only one or two negative comments. 

I was not quite 13 years old when The Beatles made their U.S. debut on The Ed Sullivan Show on 23 February 1964.

Frankly, I was not all that impressed.  BUT … my parents hated them on sight, so that was good enough reason for me to become an instant fan!  (Yes, I was a brat even back then!)  Though not a huge fan, they had a number of songs that definitely ranked among my favourites.  Probably my #1 favourite is Blackbird, both for the tune and the meaning behind the lyrics.  But, I just played Blackbird on this blog back in September, and I have a standard to uphold, y’know!  So, tonight I decided on another that was among my faves, In My Life.

Lennon book imageReleased on the 1965 album Rubber Soul, this song is an autobiographical song about John Lennon’s life. He wrote most of the lyrics after being asked why a book he wrote, In His Own Write, revealed more about him than his songs did.

The lyrics about friends refer to Stu Sutcliffe, an early Beatle and great friend of John’s who died in 1962, and another friend named Pete Shotton. Lennon also thought of his Aunt Mimi and wife Cynthia, as well as other friends. One of the most beautiful Beatles songs, John called it “A little piece of art work.”

There is controversy over how involved McCartney was in writing this song. Lennon claimed in later interviews that he wrote the whole thing, while McCartney claimed it was an equal collaboration. In 2018, a Harvard statistician pegged it as a Lennon composition.
This was voted the best song of all time by a panel of songwriters in a 2000 Mojo magazine poll. The panelists included McCartney, Brian Wilson, Lamont Dozier, and Carole King.

In My Life
The Beatles

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone and some remain
All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life, I’ve loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I love you more

Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I love you more
In my life– I love you more

Songwriters: John Lennon / Paul Mccartney
In My Life lyrics © Sony/ATV Music Publishing LLC

♫ Penny Lane ♫

This isn’t my favourite Beatles song, but it’s not a bad little song … kind of fun, actually … and the tune is catchy enough to stick in my mind for a day or so.  I have no idea how it got there today, but I woke with this going through my head (only with my own lyrics, of course!), and it has stuck with me all day.  So … what else could I do but share it and exorcise the tune from my own head?

Paul McCartney was sitting at a bus shelter waiting for John Lennon to meet him on Penny Lane, a street near their houses in Liverpool, England. While sitting there Paul jotted down the things he saw, including a barber’s shop with pictures of its clients and a nurse selling poppies for Remembrance Day (November 11th, marking the day World War I officially ended). He later turned these images into the song we now know, which celebrates this time in his life.

Penny Lane evolved to accommodate the many tourists who visit, offering Beatles-themed dining and memorabilia. The barber’s shop mentioned in the song is still there, but most of the other places that show up in the lyric are long gone. The shelter in the middle of the roundabout where the nurse sells the poppies later become a restaurant named Sgt. Pepper’s Bistro, which has since closed. The street sign at the corner of Mossley Hill is the most popular photo op.

The piquant trumpet part was added after the rest of the song was finished. McCartney was watching the BBC when he saw a group called The New Philharmonia perform Bach’s Brandenburg Concerto #2. He got the idea to add trumpet, and asked the group’s trumpet player, Dave Mason, to play on this track. Mason brought nine trumpets to the session, eventually deciding to use a B-flat piccolo trumpet.

There is no guitar on “Penny Lane”; John Lennon played piano and George Harrison played the conga drum.  The first time The Beatles appeared with facial hair was in the promotional film for this song. The clip shows the band on horseback, trotting around Angel Lane in London (not Penny Lane). By this time, the group had stopped touring, so the only way many fans could see them perform was on music videos like this one.  Street signs on Penny Lane in Liverpool began disappearing after this song was released. The town painted “Penny Lane” on buildings to avoid theft.

Penny Lane, released in 1967, was a #1 hit in the U.S., but never made it out of the #2 spot in the UK.

It’s been suggested that Liverpool’s Penny Lane was named after James Penny, an 18th century slave ship owner. During the protests following the killing of George Floyd, four signs on Penny Lane were spray-painted, with the word “racist” painted on the wall above one sign. Joe Anderson, the Mayor of Liverpool, said there was no evidence to suggest that the street is named after James Penny, explaining its moniker instead refers to a penny toll bridge that used to exist on the road.

Penny Lane
The Beatles

In Penny Lane, there is a barber showing photographs
Of every head he’s had the pleasure to know
And all the people that come and go
Stop and say, “Hello”

On the corner is a banker with a motorcar
And little children laugh at him behind his back
And the banker never wears a mac
In the pouring rain, very strange

Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
In Penny Lane there is a fireman with an hourglass
And in his pocket is a portrait of the Queen
He likes to keep his fire engine clean
It’s a clean machine

Penny Lane is in my ears and in my eyes
A four of fish and finger pies
In summer, meanwhile back
Behind the shelter in the middle of the roundabout
The pretty nurse is selling poppies from a tray
And though she feels as if she’s in a play
She is anyway

In Penny Lane, the barber shaves another customer
We see the banker sitting waiting for a trim
And then the fireman rushes in
From the pouring rain, very strange

Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
Penny Lane!

Source: LyricFind
Songwriters: John Lennon / Paul McCartney
Penny Lane lyrics © Sony/ATV Music Publishing LLC

♫ You Really Got A Hold On Me ♫ (Redux)

While finishing my a.m. post tonight, responding to comments and checking email, this song was playing prominently inside my head.  I was so sure I had never played this one here before, but when I checked, I had played it back in October 2018.  Still, that was almost two years ago and if you’re like me, you’ve long since forgotten that I played it then, so … since it’s going to keep me awake tonight if I don’t share it here, I am … sharing it, that is.

Tonight’s song is either going to take you back … way back … else leave you scratching your head and saying, ‘huh?’  Go back, if you can, to 1962.  I was eleven … how old were you?  In ’62, the Beatles, the Stones, and the Turtles weren’t yet around, and the sound of the day, at least for most of us, was Motown.  And there was none better than Smokey Robinson and his Miracles.

Smokey wrote and produced this one that was released in November 1962 under the Motown Tamla label.  It zoomed to #1 on Billboard’s R&B chart in the U.S.  It has been featured in at least 12 films and a television special,  Motown 25: Yesterday, Today, Forever.  

Smokey Robinson said he was thinking about Sam Cooke’s Bring it on Home to Me (another great one, in my book) when he got the idea for this song.  Cooke’s song finds the singer apologizing to his girl after casting her off, promising to treat her right if she comes back. You’ve Really Got A Hold On Me is the same sentiment but with the roles reversed: the girl mistreats the guy, but he loves her unconditionally.  Gender equality, even in the ’60s.

The Beatles recorded this in 1963 and performed it in their last movie, Let It Be. The Beatles were the first big British band to come to America and admit they were influenced by black music. Robinson admired this admission, and felt they helped black artists by covering their songs.

The quality of this video isn’t the best, but hey … it was 1962 … YouTube and digital photography hadn’t even been invented yet.  There are more recent versions, but I felt this one had the most authenticity.  And now I give you …

You’ve Really Got a Hold on Me
The Miracles

I don’t like you, but I love you,
Seems that I’m always thinking of you.
Oh, oh, oh, you treat me badly,
I love you madly, you really got a hold on me.
You really got a hold on me, baby,
I don’t want you, but I need you,
Don’t want to kiss you, but I need you.
Oh, oh, oh, you do me wrong now,
My love is strong now you really got a hold on me.

You really got a hold on me, baby,
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.

I want to leave you, don’t want to stay here
Don’t want to spend another day here.
Oh, oh, oh, I want to split now, I can’t Baby,
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.
You really got a hold on me.

Songwriters: William Robinson Jr.
You’ve Really Got a Hold on Me lyrics © Sony/ATV Music Publishing LLC

♫ Ferry Cross The Mersey ♫

This is the first time I’ve featured a song by the group Gerry and the Pacemakers, in part because I can only think of two songs by them … this one and Don’t Let the Sun Catch You Crying.

Gerry and the Pacemakers were an English beat group prominent in the 1960s. In common with the Beatles, they came from Liverpool, were managed by Brian Epstein, and were recorded by George Martin.  Gerry Marsden formed the group in 1959 with his brother Fred, Les Chadwick, and Arthur McMahon. They rivalled the Beatles early in their career, playing in the same areas of Hamburg and Liverpool.

This song was written by Gerry Marsden and released in late 1964 in the UK and in 1965 in the United States, becoming a hit in both countries, #8 in the UK and #6 in the U.S.

“Mersey” refers to the River Mersey in northwest England, a river that flows into the Irish Sea at Liverpool. The Mersey Ferry runs between Liverpool and Birkenhead and Seacombe on the Wirral.

Ferry Cross The Mersey
Gerry and the Pacemakers

Life goes on day after day
Hearts torn in every way

So ferry ‘cross the Mersey
‘Cause this land’s the place I love
And here I’ll stay

People they rush everywhere
Each with their own secret care
So ferry ‘cross the Mersey
And always take me there
The place I love

People around every corner
They seem to smile and say
We don’t care what your name is boy
We’ll never turn you away

So I’ll continue to say
Here I always will stay

So ferry ‘cross the Mersey’
Cause this land’s the place I love
And here I’ll stay
And here I’ll stay
Here I’ll stay

Source: Musixmatch
Songwriters: Gerard Marsden / U. S. Income Only
Ferry Cross The Mersey lyrics © Pacermusic Ltd.

♫ No Matter What ♫ (Redux)

Tonight’s song is again a repeat from September 2018.  There is a reason it came to my mind, though, and just begged to be played.  My friend Michael Seidel posted this song on his “Friday’s Theme Music” post yesterday, and I fully agree with his reasoning … well, take a look yourself, and I think most of you will agree:  Friday’s Theme Music by Michael Seidel.

This one is a little off the beaten path, so some may not remember it.  It never got above #5 on the UK charts, and #8 in the US.  It did better, however, in South Africa where it hit #1 for a brief time.  It’s one of those that I don’t think about often, but about twice a year, for no discernible reason, it pops into my head and stays for a day or two.  I like the rhythm, but as with most songs, just tonight I discovered that I had been singing the lyrics all wrong!  I’ve been singing “Down by the ol’ mill stream, be a part of it all”, when in fact it is “Knock down the old grey wall, and be a part of it all”.  Sigh.  deaf

The song was recorded by the band Badfinger in April 1970 at Abbey Road Studios under the Beatles’ label, Apple Records.  Some actually thought it was the Beatles when they first heard it, and Peter Ham actually used one of George Harrison’s Gibson guitars on this.

This song is also noted for its false ending, after the final chorus, where, after a short pause, the song repeats the last line twice before its final ending chord.

No Matter What

No matter what you are
I will always be with you
Doesn’t matter what you do girl, oh girl with you
No matter what you do
I will always be around

Won’t you tell me what you found girl, oh girl won’t you
Knock down the old brick wall, and be a part of it all
Nothing to say, nothing to see, nothing to do
If you would give me all, as I would give it to you
Nothing would be, nothing would be, nothing would be

No matter where you go
There will always be a place
Can’t you see in my face girl, oh girl don’t you
Knock down the old brick wall, and be a part of it all
Nothing to say, nothing to see, nothing to do
If you would give me all, as I would give it to you
Nothing would be, nothing would be, nothing would be

No matter what you are
I will always be with you
Doesn’t matter what you do girl, oh girl want you
Oh girl, you girl, want you
Oh girl, you girl, want you

Songwriters: Peter William Ham
No Matter What lyrics © Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc

♫ Uncle Albert — Admiral Halsey ♫

Tonight’s song is … shall we say, unique!  I’m sure I must have been familiar with it at one time, for parts of it ring a bell, while other parts do not.  I’m still chuckling, though, for some of the lyrics are downright humorous.  Thanks, rawgod, for requesting this one … definitely a fun departure from my norm!

According to SongFacts …

Albert was Albert Kendall, who married Paul’s aunt Milly (becoming “Uncle Albert”) and provided inspiration for a portion of this song suite. Albert had a habit of getting drunk and reading from The Bible; the only time he read from the Bible was when he was drinking.

McCartney combined pieces of various unfinished songs to create this; in the later years of The Beatles, they did this a lot as a way to put unfinished songs to good use. As a result, “Uncle Albert – Admiral Halsey” contains 12 different sections over the course of its 4:50 running time. This jumble of musical textures, comic character voices, sound effects and changing tempos turned off a lot of listeners, but many others thought it was brilliant. The song wasn’t released as a single in the UK, but in America it became McCartney’s first #1 hit as a solo artist.

Linda McCartney is credited as a co-writer on this song with Paul. She sang background and contributed some of the vocal ideas, but how much she actually wrote on the song is questionable. Paul had some incentive to credit her as a songwriter: under a deal he signed with The Beatles, songs he wrote until 1973 were owned by Northern Songs publishing and Maclen Music. By splitting the credits with his wife, he could keep half the royalties in the family. The publishers brought a lawsuit against Paul for this practice, which was settled out of court.

This song won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971.

The flugelhorn solo that leads into the “Hands across the water” section was played by American bebop trumpeter Marvin Stamm.

According to McCartney …

“I had an uncle – Albert Kendall – who was a lot of fun, and when I came to write Uncle Albert/Admiral Halsey it was loosely about addressing that older generation, half thinking ‘What would they think of the way my generation does things? ‘That’s why I wrote the line ‘We’re so sorry, Uncle Albert’. There’s an imaginary element in many of my songs – to me, Admiral Halsey is symbolic of authority and therefore not to be taken too seriously. We recorded it in New York and George Martin helped me with the orchestral arrangement. I was surprised when it became a big hit.”

The song hit #1 in both the U.S. and Canada, but failed to chart in the UK … very odd for a Beatles song not to chart in the UK!  Note that I found a number of variations of lyrics, so I picked the one that seemed closest.  My apologies if they are not accurate.

Uncle Albert/Admiral Halsey

We’re so sorry, Uncle Albert
We’re so sorry if we caused you any pain
We’re so sorry, Uncle Albert
But there’s no one left at home
And I believe I’m gonna rain.
We’re so sorry but we haven’t heard
A thing all day
We’re so sorry, Uncle Albert,
But if anything should happen
We’ll be sure to give a ring

Yeah, yeah,

We’re so sorry, Uncle Albert
But we haven’t done a bloody thing all day
We’re so sorry, Uncle Albert,
But the kettle’s on the boil
And we’re so easily called away

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky

Admiral Halsey notified me
He had to have a berth or he couldn’t get to sea
I had another look and I had a cup of tea and butter pie (butter pie?)
The butter wouldn’t melt so I put it in the pie

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky

Live a little, be a gypsy, get around (get around)
Get your feet up off the ground
Live a little get around
Live a little, be a gypsy, get around (get around)
Get your feet up off the ground
Live a little, get around

Hands across the water (water)
Heads across the sky
Hands across the water (water)
Heads across the sky

Saturday Surprise — A Short One

Good Saturday morning, folks, and welcome to the … w-w-weekend!  I won’t ask if you have big plans, for obvious r-r-reasons, but I will try to give you a smile … how’s that?


I bet you didn’t know that in Northern Canada they hold hair-freezing contests! frozen-hair-2

From Atlas Obscura …

Even in the dark, subarctic winters of the Yukon Territory, hot water flows from the depths of Earth’s crust into Takhini Hot Springs at the toasty temperature of 116 degrees Fahrenheit. The natural hot tub, which attracts hundreds of locals and tourists annually, lies just outside the city of Whitehorse. For most of the year, visitors spend hours relaxing in the mineral-rich and odorless waters, which are privately owned by the company Takhini Hot Pools. But much more is at stake during winter months, when the pools become heated arenas for the world’s only frozen-hairdo competition.

The Hair Freezing Contest is a challenge of both art and science. Participants dunk their heads underwater, emerge into the frigid air, and style their locks into stiff, eye-catching sculptures. Depending on one’s creativity and luck with the elements, the results range from frosty, mop-like tangles to dramatically manicured spikes.

According to co-owner of Takhini Hot Pools Andrew Umbrich …

“All this rising steam collects on your hair and freezes really quickly when it meets the cold air. You can get good results within 15 minutes if it’s cold enough.”



Er … um … thanks, but no thanks.  I cannot imagine my head being frozen.  Things contract in the cold, and if my head contracted much more, I’d be a pinhead.  Still, looks cool … literally.

Guess what it is

I bet you can’t guess what this is …stage

Hey, don’t be so quick to judge a book by its cover, or in this case a stage by its finish.  This stage, folks, is going on the auction block on April 10th in an online auction and is expected to fetch as much as $20,000.  Do you know who once played one of their first concerts as The Silver Beats on that stage?  C’mon, some of you die-hard fans must know this one.  Ellen?  David?  Okay, I’ll give you a little hint.  The band consisted of Stuart Sutcliffe on bass and Tommy Moore on drums, Paul McCartney, John Lennon and George Harrison on guitars. Lathom-Hall-ticketIn addition to playing at Lathom Hall, they were also there to audition for local concert promoter Brian Kelly.  They did so well that they were invited back the next Saturday night, but at the last minute they declined and that was it for them and Lathom Hall or any of Kelly’s concert venues for several months.  As their popularity gained traction, eventually Kelly invited them back.

Silver-BeatsOn April 10, in commemoration of the 50th anniversary of the band’s breakup, California-based Julien’s Auctions will offer a slew of Beatles memorabilia (with live online bidding available), from the handwritten lyrics for “Hey Jude” to corduroy trousers worn by John Lennon himself. While it may not look so illustrious, this set of wooden planks pulled straight out of the floor are in fact witnesses to history, and a marquee item that could fetch as much as $20,000.

Just a few ‘toons and things I found over at Phil’s Phun


Th-th-that’s all I’ve got for today, friends.  Try to have a p-p-peaceful weekend.

Note to readers:  I apologize for my negligence these past 2-3 days in responding to comments.  Sometimes life throws more at a person than they can field, and one struggles to catch up.  I always operate under the philosophy that if you, my friends and readers, can take your precious time to leave a comment, the least I can do is reply.  I have let that ball drop in recent days.  I promise to do better starting today.  Please forgive my negligence.

♫ Blackbird ♫ (Redux)

I really don’t know why, but this one, that I played back in September of 2018, came to my mind this evening and begged me to play it again.  And so, I am.  Tomorrow, I promise something brand new … well, not brand new, but something I’ve never played on this blog before.

Paul McCartney wrote this about the civil rights struggle for African-Americans after reading about race riots in the US. He penned it in his kitchen in Scotland not long after Little Rock Nine, when the federal courts forced the racial desegregation of the Arkansas capital’s school system.Little Rock Nine“I was sitting around with my acoustic guitar and I’d heard about the civil rights troubles that were happening in the ’60s in Alabama, Mississippi, Little Rock in particular,” he told GQ. “I just thought it would be really good if I could write something that if it ever reached any of the people going through those problems, it might give them a little bit of hope. So, I wrote ‘Blackbird.'”


McCartney with two of the Little Rock Nine

Paul McCartney

Blackbird singing in the dead of night, take these broken wings and learn to fly
All your life, you were only waiting for this moment to arise

Blackbird singing in the dead of night, take these sunken eyes and learn to see
All your life, you were only waiting for this moment to be free

Black-bird fly
Black-bird fly, into the light of a dark black night

Black-bird fly
Black-bird fly, into the light of a dark black night

Blackbird singing in the dead of night, take these broken wings and learn to fly
All your life, you were only waiting for this moment to arise
you were only waiting for this moment to arise
you were only waiting for this moment to arise

Songwriters: John Lennon / Paul McCartney
Blackbird lyrics © Sony/ATV Music Publishing LLC


♫ While My Guitar Gently Weeps ♫

Tonight concludes ‘Beatles Week’ on Filosofa’s Word.  It started innocently enough … I played a Beatles’ song, and David suggested a Beatles’ week, and thus it began.  I missed one day, but otherwise have played some oldies but goodies.  I learned some things this week … I learned that George Harrison was a much under-appreciated member of the band, and a great songwriter in his own right.  I wish I had realized back in the day … but I was enamoured of Paul’s cute little grin and head tilt, and barely noticed George.

Did you know that at one point during their career, George walked out, said ‘I’m done’, and that John Lennon wanted to replace him with Eric Clapton?  Yes, my friends, Eric Clapton was almost a Beatle!  Harrison soon came back, however, and he and Clapton bonded.

By the time the Beatles were recording their 1968 self-titled album, also known as The White Album, things were tense among the four.  When they got to the song While My Guitar Gently Weeps, they started recording an early “draft” on July 25, 1968, with Harrison playing the guitars and McCartney following along on the harmonium.  But, it wasn’t until Harrison invited his best pal Clapton into the studio that they went back to the song. “Eric played that and I thought it was really good,” Harrison said, according to Rolling Stone. “Then we listened to it back and he said, ‘Ah, there’s a problem, though; it’s not Beatley enough.’ So we put it through the ADT to wobble it up a bit.”

But Harrison’s true purpose of inviting Clapton? To lessen the tension. “George knew everyone would behave themselves around Clapton — a classic George power move,” the Rolling Stone piece said. “The trick worked — in George’s words, ‘The other guys were as good as gold because he was there.’”

A few nights ago, our friend Keith mentioned that Eric Clapton had done a tribute to George Harrison, who died of cancer on 29 November 2001.  Of course, I had to check it out, and … well, I it moved me and I felt it was a fitting way to conclude Beatles’ Week 2020.  And so, my friends, I offer first, the Beatles version of the song, and last, Mr. Eric Clapton et al in a fitting tribute to a great and talented musician.


While My Guitar Genly Weeps

The Beatles

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you
How to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps


I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No one alerted you

I look at you all, see the love there that’s sleeping
[LOVE version:] I look from the wings at the play you are staging.
While my guitar gently weeps
Look at you all
[LOVE version:] As I’m sitting here doing nothing but aging
Still my guitar gently weeps

Oh, oh
Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh

Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, oh, ooh