I love me some Tom Jones, and so when Carolyn suggested this one last night, it stuck in my head and … well, here we are! I’ve only played it once before, back in 2019, so you can’t claim to be bored or burnt out on it, right? And who doesn’t love Tom Jones??? And (hint, hint) you might prepare yourself for the other one she suggested by Barry Manilow!
Tom Jones released this song in December 1967, but it had previously been recorded by P. J. Proby in late November, 1967. Proby hated the song and refused to include it on his album Believe It Or Not, which was being compiled and recorded at the time.
Is there a real Delilah? Depends who you ask. The official writer credits for this song go to the English team of Les Reed and Barry Mason. However, Sylvan Mason, who was married to Barry when these songs were written, claims that she is a co-writer. Her claims have been verified through court records from her divorce settlement that prove her authorship. She has also been vetted by major newspapers that acknowledge her as a co-writer, and Tom Jones mentions her as a lyricist on the track in his autobiography.
In 2001, Barry Mason told the UK newspaper The Sun that he based the song (minus the bloodshed) on a girl he met on vacation in Blackpool, England when he was 15. They had a summer fling, but when it came time for her to return home to Llandudno in North Wales, she told Barry that she had a boyfriend, and it was over between them. Mason is quoted in the paper as saying, “I was shattered. I never shook it off and I became sick with jealousy and a whole lot of pain. She had dark hair, brooding eyes and she was really feisty. If there’s a typical Welsh girl, she was the one.”
Mason said that her name was Delia, which was impossible to integrate into a song (“Why, why, why Delia” didn’t work). A decade later, working with Reed, he got the idea to change her name to Delilah, and they wrote the famous song.
“I just got more and more worked up with each line. I put my heart and soul into that song – and that’s how ‘Delilah’ was born.”
The Sun embarked on a search for the mystery woman who inspired the song, asking readers to call in if they knew Delia from Llandudno. They called off the search when they heard from Sylvan Mason, who explained that she co-wrote the song and that there was no Delia. According to Sylvan, Les Reed had already written the chorus “Why, why, why Delilah,” and the lyric is based on the 1954 musical Carmen Jones. “Les Reed’s idea was to write a modern-day Samson and Delilah song but we got carried away and it ended up like Carmen Jones.”
Asked to respond, Barry Mason told The Sun, “I have no comment on the opinions of my former wife.”
Delilah
Tom Jones
I saw the light on the night that I passed by her window
I saw the flickering shadow of love on her blind
She was my woman
As she deceived me I watched and went out of my mind
My my my Delilah
Why why why Delilah
I could see, that girl was no good for me
But I was lost like a slave that no man could free
At break of day when that man drove away I was waiting
I crossed the street to her house and she opened the door
She stood there laughing
I felt the knife in my hand and she laughed no more
My my my Delilah
Why why why Delilah
So before they come to break down the door
Forgive me Delilah I just couldn’t take any more
She stood there laughing
I felt the knife in my hand and she laughed no more
My my my Delilah
Why why why Delilah
So before they come to break down the door
Forgive me Delilah I just couldn’t take any more
Forgive me Delilah I just couldn’t take any more
Writer/s: BARRY MASON, LES REED
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The interview had been done on Wednesday in Brussels, and was strategically scheduled to be published during Trump’s first evening in London. There can be no doubt … no doubt at all that it was an attempt to add insult to injury as Ms. May is struggling to maintain her position in light of the opposition to the soft Brexit deal she announced earlier this week. Trump also praised May’s antagonist, Boris Johnson, and alluded to him as a future Prime Minister, further indicating his attempt to influence the fate of Ms. May’s government.