♫ Darling Be Home Soon ♫

Since Clive reminded me of the other song he had requested a year or more ago, I figured I better play it now before I forget again, as I seem wont to do these days!  The song is yet another by The Lovin’ Spoonful.

Lovin’ Spoonful founder John Sebastian wrote this one for Francis Ford Coppola’s 1967 movie You’re A Big Boy Now, a coming-of-age film about an awkward young man looking for love in New York City.  Sebastian was responsible for the entire soundtrack, but this song in particular was to set the tone for a lovey-dovey scene (can you tell I’m not into romance movies?)  The movie was rather a flop, but the song did slightly better, charting at #15 in the U.S.  And then, it fell by the wayside until two years later … 1969 … Woodstock, where, according to SongFacts …

After hitching a ride with the helicopter carrying The Incredible String Band’s equipment, Sebastian arrived at the Woodstock festival thinking he’d just be a spectator. But an early afternoon downpour flooded the stage and it needed to be cleared of water before Santana’s amps could be set up. Michael Lang, the concert’s producer, asked Sebastian to fill in. He took the stage in a tie-dyed white denim outfit and sang five songs, the fourth being “Darling Be Home Soon.” He recalled: “The audience didn’t identify the song with the movie, since most probably hadn’t seen it. Instead, they sort of quieted down and took it in as a love song. My job wasn’t to incite but to mellow everyone out until the stage was swept. When I finished, the applause from so many people was loud and wide, and knocked the wind out of me. The feeling was delicious.”

Zal Yanovsky, the band’s lead guitarist, hated the song. He thought it was too sappy and accused Sebastian of losing his rock edge. During one live performance, Zal can be seen clownishly mocking the frontman as he sings the heartfelt lyrics.

The song has been covered by a number of artists including Bobby Darin, Joe Cocker, The Association, Bruce Hornsby, and the British group Slade.

Darling Be Home Soon

Lovin’ Spoonful

Come
And talk of all the things we did today
Here
And laugh about our funny little ways
While we have a few minutes to breathe
Then I know that it’s time you must leave

But, darling, be home soon
I couldn’t bear to wait an extra minute if you dawdled
My darling, be home soon
It’s not just these few hours, but I’ve been waiting since I toddled
For the great relief of having you to talk to

And now
A quarter of my life is almost past
I think I’ve come to see myself at last
And I see that the time spent confused
Was the time that I spent without you
And I feel myself in bloom

So, darling, be home soon
I couldn’t bear to wait an extra minute if you dawdled
My darling, be home soon
It’s not just these few hours, but I’ve been waiting since I toddled
For the great relief of having you to talk to

So, darling
My darling, be home soon
I couldn’t bear to wait an extra minute if you dawdled
My darling, be home soon
It’s not just these few hours, but I’ve been waiting since I toddled
For the great relief of having you to talk to

Go
And beat your crazy head against the sky
Try
And see beyond the houses and your eyes
It’s okay to shoot the moon

Darling be home soon
I couldn’t bear to wait an extra minute if you dawdled
My darling, be home soon
It’s not just these few hours, but I’ve been waiting since I toddled
For the great relief of having you to talk to

Source: LyricFind

Songwriters: John Sebastian

You Baby lyrics © Carlin America Inc

♫ Ruby Tuesday ♫ (Redux)

I haven’t played this in over two years now, so it’s fair game for a redux under the Filosofa Policy Manual.  This one is for our friend David who holds a special place in my heart, just ’cause I wanted to make him smile!  As you can see from the first paragraph below, I wasn’t any better three years ago at staying on top of my request lists than I am today!


Back in April (2019), I had a request for a song that I was familiar with by an artist I was not familiar with.  Confused yet?  Well, the song, as you can see from the title, is Ruby Tuesday, and I was familiar with the Rolling Stones’ version, but the one requested was by a singer, Melanie, with whom I was not familiar.  As so often happens, life interfered (more likely Donald Trump interfered with my life), and I forgot all about it.  Tonight, I wanted to play something special for the requester of the song, so I dug back through my notes and said … AHA!!!

By the way … any of you who have requested a song that I haven’t played … feel free to nudge or remind me, for I truly am a very forgetful old woman these days, and my intentions are good, but …

This was the fourth US #1 hit for the Rolling Stones in 1967, written by Keith Richards, who says of the song …

“It was probably written about Linda Keith not being there.  I don’t know, she had pissed off somewhere. It was very mournful, very, VERY Ruby Tuesday and it was a Tuesday. That’s one of those things – some chick you’ve broken up with. And all you’ve got left is the piano and the guitar and a pair of panties. And it’s goodbye you know. And so it just comes out of that. And after that you just build on it. It’s one of those songs that are easiest to write because you’re really right there and you really sort of mean it. And for a songwriter, hey break his heart and he’ll come up with a good song.”

Originally called Title B, this was mainly written by Brian Jones and Keith Richards, but in keeping with Stones tradition, it was credited to Mick Jagger and Keith Richards.  The Stones’ version hit #1 in the U.S., #2 in Canada, and #3 in the UK.  And then along came …

Melanie Anne Safka, better known as just Melanie, is best known for the 1971/72 global hit Brand New Key, her composition What Have They Done to My Song Ma, and her 1970 international breakthrough hit Lay Down (Candles in the Rain), inspired by her experience of performing at the 1969 Woodstock music festival.  She was at Woodstock and still I haven’t heard of her?  Odd that.  Now, I listened to the first two mentioned and I have to admit that I wasn’t fond of either.  And, sorry David, but I still prefer the Stones’ version of this one.

And with all that said, I now offer you Ruby Tuesday by both Melanie, and the Rolling Stones!  Oh … Rod Stewart also covered the song in 1993, so maybe I’ll throw that one in just for fun, too.  Which is your favourite?

Ruby Tuesday
The Rolling Stones (also Melanie, Rod Stewart)

She would never say where she came from
Yesterday don’t matter if it’s gone
While the sun is bright
Or in the darkest night
No one knows, she comes and goes

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Don’t question why she needs to be so free
She’ll tell you it’s the only way to be
She just can’t be chained
To a life where nothing’s gained
Or nothing’s lost, at such a cost

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

“There’s no time to lose, ” I heard her say
Catch your dreams before they slip away
Dying all the time
Lose your dreams and you will lose your mind
Ain’t life unkind?

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Songwriters: Keith Richards / Mick Jagger
Ruby Tuesday lyrics © Abkco Music, Inc

♫ You’ve Made Me So Very Happy ♫

A comment conversation with a relatively new member of my ‘blogging family’ led to this song.  I was thinking how it is that a new reader pops in to a post, and maybe that’s the only time we ever see him/her, but then on the other hand, maybe there’s a connection, a spark, something that says, “Hey, I really click with this person!”  I’ve had that happen on a number of occasions since I started this blog, and some of my blogging family have, over time, become some of my best friends.  And a line came to my mind … “I’m so glad you came into my life” … and I put those words into Google, for I knew there was a song there, but couldn’t quite put my finger on it.  But, Google found it right off and here we are …

I was unaware that this song was originally a #39 hit for Motown artist Brenda Holloway in 1967.  Holloway shares writing credit on the song with Berry Gordy, Frank Wilson and Patrice Holloway.  How did I not know that???  The version I know best is the one by Blood, Sweat & Tears.  According to SongFacts …

  • Blood, Sweat & Tears founder and keyboard player Al Kooper came up with the idea to cover this song, but he left the group before they recorded it. His replacement, David Clayton-Thomas, took over and sang lead on this track. Clayton-Thomas explained: “They had tried it with Al Kooper and they weren’t happy with the vocals, so they never did record it. Then up at [drummer] Bobby Colomby’s place one day, he was playing me a bunch of stuff that they had been considering, and I heard ‘You’ve Made Me So Very Happy.’ I said, ‘Whoa, who’s that? That’s Brenda Holloway! I know that song!’ So we did the chart and it went into the show, and we played it down at the club, and we ran up in the studio and recorded it.”
  • This was the first of three US #2 songs (also “Spinning Wheel” and “And When I Die”) on BS&T’s second LP, Blood, Sweat & Tears.
  • Virtually a small orchestra, this song stood out as Blood, Sweat & Tears established a milestone in rock history with its large horn section and jazz-blues orientation.
  • In his bang-up biography Backstage Passes and Backstabbing Bastards, Al Kooper relates the discovery of saxophonist and arranger Fred Lipsius: “Fred showed up at rehearsal a few days later, and I couldn’t believe it. Sam Straight. Short hair, square clothes, the whole bit. Then he unpacked his alto and started playing and that was it for me. I didn’t care what this guy looked like, he could play the f–king saxophone and make it cry f’chrissakes! We played him all my tunes and he said he was in. Freddie was as sweet and innocent as anyone could possibly be, and a corruption process was essential. He’d never listened to rock ‘n’ roll; he was a hard-core jazzer, but had soul in huge doses. We used to force-feed him marijuana and make him listen to James Brown with headphones on. He got the picture, and pretty soon we had us a rockin’ alto player.”
  • Blood, Sweat & Tears closed their Woodstock set with this song. When the festival started on August 15, 1969, Blood, Sweat & Tears was the #1 album in America. Since they were wildly popular at the time, the group commanded a premium fee: $15,000, which was second only to Jimi Hendrix. Unfortunately for BS&T, they were never paid (the festival lost money) and were not included in the film, since they would have been owed a portion of the receipts had they appeared.

You’ve Made Me So Very Happy

Blood, Sweat & Tears

I lost at love before
Got mad and closed the door
But you said try just once more
I chose you for the one
Now I’m having so much fun
You treated me so kind,
I’m about to lose my mind
You made me so very happy
I’m so glad you came into my life

The others were untrue,
But when it came to lovin’ you
I’d spend my whole life with you
‘Cause you came and you took control
You touched my very soul
You always showed me that
Loving you was where it’s at
You made me so very happy
I’m so glad you came into my life

Thank you baby, yeah yeah

I love you so much, it seems
That you’re even in my dreams I can hear
Baby, I hear you calling me
I’m so in love with you
All I ever want to do is
Thank you, baby
Thank you, baby

You made me so very happy
I’m so glad you came into my life
You made me so very happy
You made me so, so very happy baby
I’m so glad you
Came into my life
Mmmm, I want to thank you, girl
Every day of my life
I wanna thank you
You made me so very happy
Oh, I wanna spend my life thanking you

Thank you, baby
Thank you, baby

Writer/s: BERRY GORDY JR, BRENDA HOLLOWAY, FRANK WILSON, PATRICE HOLLOWAY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

♫ Who’ll Stop The Rain ♫ (Redux)

Tonight I am tired and hot because the air-conditioning went south, and I have to be up early to greet the maintenance dude when he shows up to (hopefully) repair the air!  So, I am reduxing one that I played two years ago and hope you’ll enjoy it!


Group leader John Fogerty wrote this song. Released in 1970, the song is often interpreted as a protest of the Vietnam War (like Fortunate Son), but when he performed it at the Arizona state fair in 2012, Fogerty told the crowd that he had been at Woodstock, watching the rain come down. He watched the festival goers dance in the rain, muddy, naked, cold, huddling together, and it just kept raining. So when he got back home after that weekend, he sat down and wrote Who’ll Stop the Rain, making it not a Vietnam protest at all, but a recounting of his Woodstock experience.

The line, “I went down Virginia, seekin’ shelter from the storm” gave Bob Dylan the idea for the title of his 1975 song Shelter From The Storm.

The song was a concert staple for Bruce Springsteen during 1980-81’s River Tour, as well as on the summer 2003 leg of the Rising Tour. Springsteen and the E Street Band opened with Who’ll Stop the Rain whenever it was raining.  When Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame in 1993, Springsteen performed the song with John Fogerty.

Who’ll Stop the Rain
Creedence Clearwater Revival

Long as I remember the rain been coming down.
Clouds of myst’ry pouring confusion on the ground.
Good men through the ages, trying to find the sun;
And I wonder, still I wonder, who’ll stop the rain.

I went down Virginia, seeking shelter from the storm.
Caught up in the fable, I watched the tower grow.
Five year plans and new deals, wrapped in golden chains.
And I wonder, still I wonder who’ll stop the rain.

Heard the singers playing, how we cheered for more.
The crowd had rushed together, trying to keep warm.
Still the rain kept pouring, falling on my ears.
And I wonder, still I wonder who’ll stop the rain.

Source: LyricFind
Songwriters: John C. Fogerty
Who’ll Stop the Rain lyrics © The Bicycle Music Company

♫ Who’ll Stop The Rain ♫

I started to play a song by Gladys Knight tonight, but found I had already played it.  Then, I started to play one by Roberta Flack … already played it.  So, I just cruised around the dial, seeking something that I hadn’t already played and that I like, and finally, at 3:30 a.m., hit on this one by Creedence Clearwater Revival (CCR).

Group leader John Fogerty wrote this song. Released in 1970, the song is often interpreted as a protest of the Vietnam War (like Fortunate Son), but when he performed it at the Arizona state fair in 2012, Fogerty told the crowd that he had been at Woodstock, watching the rain come down. He watched the festival goers dance in the rain, muddy, naked, cold, huddling together, and it just kept raining. So when he got back home after that weekend, he sat down and wrote Who’ll Stop the Rain, making it not a Vietnam protest at all, but a recounting of his Woodstock experience.

The line, “I went down Virginia, seekin’ shelter from the storm” gave Bob Dylan the idea for the title of his 1975 song Shelter From The Storm.

The song was a concert staple for Bruce Springsteen during 1980-81’s River Tour, as well as on the summer 2003 leg of the Rising Tour. Springsteen and the E Street Band opened with Who’ll Stop the Rain whenever it was raining.  When Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame in 1993, Springsteen performed the song with John Fogerty.

Who’ll Stop the Rain
Creedence Clearwater Revival

Long as I remember the rain been coming down.
Clouds of myst’ry pouring confusion on the ground.
Good men through the ages, trying to find the sun;
And I wonder, still I wonder, who’ll stop the rain.

I went down Virginia, seeking shelter from the storm.
Caught up in the fable, I watched the tower grow.
Five year plans and new deals, wrapped in golden chains.
And I wonder, still I wonder who’ll stop the rain.

Heard the singers playing, how we cheered for more.
The crowd had rushed together, trying to keep warm.
Still the rain kept pouring, falling on my ears.
And I wonder, still I wonder who’ll stop the rain.

Source: LyricFind
Songwriters: John C. Fogerty
Who’ll Stop the Rain lyrics © The Bicycle Music Company

♫ Ruby Tuesday ♫ (Redux)

As sometimes happens, I had a certain song in mind to play tonight, for after chatting with a friend about it, it’s been stuck in my poor head all day.  But, as often happens, I spent a great deal of time tonight working on my a.m. post, then on a project that Jeff and I are launching later today, and then answering comments, and … long story short, it is late and I am exhausted!  So, I am re-duxing one that I played in September for the same friend I played it for then.  Tap ‘dem toes, David!


Back in April, I had a request for a song that I was familiar with by an artist I was not familiar with.  Confused yet?  Well, the song, as you can see from the title, is Ruby Tuesday, and I was familiar with the Rolling Stones’ version, but the one requested was by a singer, Melanie, with whom I was not familiar.  As so often happens, life interfered (more likely Donald Trump interfered with my life), and I forgot all about it.  Tonight, I wanted to play something special for the requester of the song, so I dug back through my notes and said … AHA!!!

By the way … any of you who have requested a song that I haven’t played … feel free to nudge or remind me, for I truly am a very forgetful old woman these days, and my intentions are good, but …

This was the fourth US #1 hit for the Rolling Stones in 1967, written by Keith Richards, who says of the song …

“It was probably written about Linda Keith not being there.  I don’t know, she had pissed off somewhere. It was very mournful, very, VERY Ruby Tuesday and it was a Tuesday. That’s one of those things – some chick you’ve broken up with. And all you’ve got left is the piano and the guitar and a pair of panties. And it’s goodbye you know. And so it just comes out of that. And after that you just build on it. It’s one of those songs that are easiest to write because you’re really right there and you really sort of mean it. And for a songwriter, hey break his heart and he’ll come up with a good song.”

Originally called Title B, this was mainly written by Brian Jones and Keith Richards, but in keeping with Stones tradition, it was credited to Mick Jagger and Keith Richards.  The Stones’ version hit #1 in the U.S., #2 in Canada, and #3 in the UK.  And then along came …

Melanie Anne Safka, better known as just Melanie, is best known for the 1971/72 global hit Brand New Key, her composition What Have They Done to My Song Ma, and her 1970 international breakthrough hit Lay Down (Candles in the Rain), inspired by her experience of performing at the 1969 Woodstock music festival.  She was at Woodstock and still I haven’t heard of her?  Odd that.  Now, I listened to the first two mentioned and I have to admit that I wasn’t fond of either.  And, sorry David, but I still prefer the Stones’ version of this one.

And with all that said, I now offer you Ruby Tuesday by both Melanie, and the Rolling Stones!  Oh … Rod Stewart also covered the song in 1993, so maybe I’ll throw that one in just for fun, too.  Which is your favourite?

Ruby Tuesday
The Rolling Stones (also Melanie, Rod Stewart)

She would never say where she came from
Yesterday don’t matter if it’s gone
While the sun is bright
Or in the darkest night
No one knows, she comes and goes

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Don’t question why she needs to be so free
She’ll tell you it’s the only way to be
She just can’t be chained
To a life where nothing’s gained
Or nothing’s lost, at such a cost

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

“There’s no time to lose, ” I heard her say
Catch your dreams before they slip away
Dying all the time
Lose your dreams and you will lose your mind
Ain’t life unkind?

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Songwriters: Keith Richards / Mick Jagger
Ruby Tuesday lyrics © Abkco Music, Inc

♫ Ruby Tuesday ♫

Back in April, I had a request for a song that I was familiar with by an artist I was not familiar with.  Confused yet?  Well, the song, as you can see from the title, is Ruby Tuesday, and I was familiar with the Rolling Stones’ version, but the one requested was by a singer, Melanie, with whom I was not familiar.  As so often happens, life interfered (more likely Donald Trump interfered with my life), and I forgot all about it.  Tonight, I wanted to play something special for the requester of the song, so I dug back through my notes and said … AHA!!!

By the way … any of you who have requested a song that I haven’t played … feel free to nudge or remind me, for I truly am a very forgetful old woman these days, and my intentions are good, but …

This was the fourth US #1 hit for the Rolling Stones in 1967, written by Keith Richards, who says of the song …

“It was probably written about Linda Keith not being there.  I don’t know, she had pissed off somewhere. It was very mournful, very, VERY Ruby Tuesday and it was a Tuesday. That’s one of those things – some chick you’ve broken up with. And all you’ve got left is the piano and the guitar and a pair of panties. And it’s goodbye you know. And so it just comes out of that. And after that you just build on it. It’s one of those songs that are easiest to write because you’re really right there and you really sort of mean it. And for a songwriter, hey break his heart and he’ll come up with a good song.”

Originally called Title B, this was mainly written by Brian Jones and Keith Richards, but in keeping with Stones tradition, it was credited to Mick Jagger and Keith Richards.  The Stones’ version hit #1 in the U.S., #2 in Canada, and #3 in the UK.  And then along came …

Melanie Anne Safka, better known as just Melanie. She is best known for the 1971/72 global hit Brand New Key, her composition What Have They Done to My Song Ma, and her 1970 international breakthrough hit Lay Down (Candles in the Rain), inspired by her experience of performing at the 1969 Woodstock music festival.  She was at Woodstock and still I haven’t heard of her?  Odd that.  Now, I listened to the first two mentioned and I have to admit that I wasn’t fond of either.  And, sorry David, but I still prefer the Stones’ version of this one.

And with all that said, I now offer you Ruby Tuesday by both Melanie, and the Rolling Stones!  Oh … Rod Stewart also covered the song in 1993, so maybe I’ll throw that one in just for fun, too.  Which is your favourite?

Ruby Tuesday
The Rolling Stones (also Melanie, Rod Stewart)

She would never say where she came from
Yesterday don’t matter if it’s gone
While the sun is bright
Or in the darkest night
No one knows, she comes and goes

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Don’t question why she needs to be so free
She’ll tell you it’s the only way to be
She just can’t be chained
To a life where nothing’s gained
Or nothing’s lost, at such a cost

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

“There’s no time to lose, ” I heard her say
Catch your dreams before they slip away
Dying all the time
Lose your dreams and you will lose your mind
Ain’t life unkind?

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Goodbye Ruby Tuesday
Who could hang a name on you?
When you change with every new day
Still I’m gonna miss you

Songwriters: Keith Richards / Mick Jagger
Ruby Tuesday lyrics © Abkco Music, Inc